Archeology Museum: The Latest Architecture and News

The Royal Commission for AlUla has appointed Lina Ghotmeh and Asif Khan as the lead architects for two upcoming museums to be added to the cultural oasis of AlUla, a destination in North-West Saudi Arabia displaying 7,000 years of continuous human history. Ghotmeh is set to design the contemporary art museum to house works by artists from the Red Sea, the Arabian Sea, and the Eastern Mediterranean in dialogue with their contemporaries from across the world. Asif Khan will design the Museum of the Incense Road, the first museum dedicated to the millennia-old network of major land and trading routes. The architects have been selected following an international competition.

Kengo Kuma’s proposal for The National Archaeological Museum in Athens, Greece, aims to draw attention to the importance of science in archaeology, the value of its collections, and the fundamental role and character of the museum in the present and the future. As the memory of the museum is traced back, words in acts of burying, concealing, and revealing begin to emerge. These three words are pivotal transitional moments that help shape the museum into what it is today and pave the way for its future application.

After multiple delays, the Grand Egyptian Museum has announced it will start allowing the public to pre-book tours starting next week. Designed by Irish firm Heneghan Peng Architects, the project was initiated in 2003. The museum, located on a 500,000 sqm site just a mile away from the monumental Great Pyramids of Giza, is designed to accommodate some of humanity's most precious artifacts.

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Adjaye Associates unveiled its design for the Edo Museum of West African Art (EMOWAA). Investigating the archaeology of the Kingdom of Benin, including buried remains below the site, the EMOWAA Archaeology Project is set to start in 2021, involving the Legacy Restoration Trust (LRT) and the British Museum with the local communities, the Benin Royal Court, the Government of Edo State, and the National Commission for Museums and Monuments (NCMM).

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Architects often find inspiration from the most unexpected places and objects. For Kalliope Kontozoglou, the C6th Cypriot Sphinx in the Louvre Museum and its tilted head were great influence behind her proposal for the International Architectural Competition for the New Cyprus Museum.

To honor the country’s rich historic archeology, and frame Nicosia’s topography, Kontozoglou proposed a multidimensional museum, which aims to weave the city’s topography, the exhibitions, and the public spaces all together in a sequence of ‘narrative landscapes’, promoting dialogue between the visitors, Cyprus’ landscape, and the country’s heritage.

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