The American Institute of Architects New York Chapter and the Center for Architecture have announced new and expanded programs for the ninth annual edition of Archtober, the official New York City Architecture and Design Month. The festival, now in its ninth year, brings together more than 80 partners throughout the city’s five boroughs to celebrate the importance of design and the built environment.
Expected to be completed by 2022, The Museum of Modern Art Warsaw and the TR Warszawa Theatre will put in place a new art hub for Warsaw, Poland. The two new cultural entities will add a modern vibe to the rich heritage of the city. Designed by the New York-based studio Thomas Phifer and Partners, the new center of the arts will occupy a 22-acre site.
The New York Chapter of the American Institute of Architects has presented 27 projects with 2019 Design Awards. AIANY announced the results after two days of deliberations by a a jury of independent architects, educators, critics, and planners. For each of the five categories, winning projects were granted either an “Honor” or “Merit” award, and were chosen for their design quality, innovation and technique.
From city master plans to pocket-sized products, Zaha Hadid Architects (ZHA) have explored architectural formalism through innovative digital design methods. In 2006, the collaboration with furniture-makers and fashion houses led to the creation of Zaha Hadid Design that served both as an iterative process for and a resultant of ongoing architectural design.
A pop-up exhibition, located suitably on the ground floor of ZHA's renowned condominium along the High Line in New York City, features a scale model of the building itself on display. To honor and present the work produced by the firm in the last four decades, the Zaha Hadid Gallery showcases a series of projects in a wide range of mediums including the six 'Silver Models' that represent eight of the firm's key works.
Supreme Court Justice Stephen Breyer: "To Understand a Building, Go There, Open your Eyes, and Look!"
Six years ago Susan Szenasy and I had the honor of interviewing Supreme Court Justice Stephen Breyer for Metropolis magazine. While he was a federal appeals judge in Boston, Breyer played a key role in shepherding the design and construction of the John Joseph Moakley United State Courthouse, designed by Pei Cobb Freed & Partners. In 2011 Justice Breyer joined the jury of the Pritzker Prize. Given his long involvement with architecture, I thought it would be fun to catch up with him. So, on the final day of court before breaking for the summer recess, I talked to Justice Breyer about his experience as a design client, how to create good government buildings, and why public architecture matters.
This article was originally published by Common Edge as "In the Era of Artificial Intelligence, Will Architecture Become Artisanal?"
Like food and clothing, buildings are essential. Every building, even the most rudimentary, needs a design to be constructed. Architecture is as central to building as farming is to food, and in this era of rapidly advancing technological change farming may offer us valuable lessons.
At last census count there were 233,000 architects in the United States; the 113,000 who are currently licensed represent a 3% increase from last year. In addition there’s a record number of designers who qualify for licensure: more than 5,000 this year, almost the same number as graduates with professional degrees. There is now 1-architect-for-every-2,900 people in the US. A bumper crop, right?
Architecture schools and the students they house have a particularly unique and interesting building-user relationship. Architecture students value the buildings of their school not only for providing the valuable work space necessary for constructing studio projects but also as an example and model of a building in use. As the buildings are the places where students first learn how to read and understand architecture, design schools become full-scale teaching tools that help new designers grasp structure, details, how materials perform and interact, and so many of the other core concepts of architecture. While the scrutiny of students and faculty can be exhaustive, architects have embraced the challenge of creating engaging works of architecture that both suit the specific needs of a school and take on the pedagogical challenge of educating students by example.
Five decades ago, Carole Smith called Richard Meier and told him about a site in Darien, Connecticut that she had bought with her husband. This was a rocky piece of land with dense evergreens and coastal outcrops. A dramatic slope at the back of the plot gave way to the Long Island Sound and a small, sandy cove. Carole wanted to place her weekend home on this particular site and she wanted Richard Meier to do it. At that time, he was just 31.
The Smith House was built between 1965-1967 by Richard Meier & Partners Architects. Richard Meier recalls of the project that would later propel his career as an architect: “I was working out of one room of a two-room apartment shortly after leaving the office of Marcel Breuer. One day I had a call from Carole Smith asking if I would be interested in designing a weekend house for her...She was looking for a young architect who would give full attention to her house.”
In never-before-seen photos and an exclusive interview with the architect himself, we trace the building's history from the first phases of construction to now.
The staircase is a fundamental element for the connection of architectural spaces. But beyond its functional use, in many projects the staircase serves as a sculptural object, offering an opportunity for architects to generate creative spatial forms that animate the built space. In this installment of our Photos of the Week, we present 15 incredible staircases captured by photographers such as Patricia Parinejad, José Campos, and Brigida González.
Now open to residents, the first photos of the lobby and amenity spaces at Zaha Hadid Architects’ New York residential tower, 520 West 28th Street, have been revealed by developer Related Companies. Rising 11 stories next to the High Line in West Chelsea, the building houses 39 bespoke residences, interiors of which were revealed for the first time earlier this year.
Now, the building’s spectacular common spaces are complete, including a 75-foot-long skylight-lit pool; an entertainment lounge with complete kitchen; a fully equipped gym; a 24-hour juice bar; and a spa suite containing a hot tub, rain showers, treatment beds, a plunge pool, sauna and steam room. But perhaps the most unique feature is the 12-seat IMAX theaters, one of the first private IMAX theaters in the world. The space will be able to be reserved by residents for film watching, parties or video game tournaments.
Richard Meier & Partners has completed 3 new mixed-use buildings as part of their “Teachers Village” master plan in downtown Newark, New Jersey. The development, led by RBH Group, centers around two Charter Schools completed by Meier & Partners in 2013, to provide a variety of retail spaces and 123 residential units marketed specifically at teachers.