The continental winners of the 2019 Prix Versailles have been announced, an annual award celebrating commercial architecture projects around the world.
This year, 11 winning projects were selected for the Central America, South America, and the Caribbean region across four main categories: shops, shopping malls, hotels, and restaurants. The global winners will be announced in September.
Interior design offers almost limitless creative possibilities, especially when it comes to commercial use. Within this realm, dining venues introduce a layer of experience defined by the temporary habitation of these spaces. These experiences are shaped as much by the food as by the atmosphere, and it is in this latter aspect where interior design plays a crucial role.
SO-IL (Solid Objectives – Idenburg Liu) is an architectural design firm based in Brooklyn, New York, founded in 2008 by Florian Idenburg and Jing Liu. Known for an architecture deeply engaged with social, cultural, and environmental contexts, the studio focuses on exploring innovative materials, creating fluid spatial experiences, and prioritizing ecological sustainability. SO-IL's work spans various scales and program types, reflecting their versatile approach to design. In 2024, their housing project 450 Warren in Brooklyn was selected as ArchDaily's Building of the Year by the audience in the housing category.
In their latest book, In Depth: Urban Domesticities Today, SO-IL explores the evolving concept of home in contemporary urban contexts, transforming it "from a source of vulnerability into a tool for empowerment." The book redefines domesticity as an active and shared experience and examines how architects can address pressing urban challenges such as affordability, density, and sustainability. SO-IL's work advocates for flexible, resilient housing that fosters community while integrating ecological and social dimensions. ArchDaily spoke with the architects about the innovative solutions and ideas presented in the book, delving into how their projects challenge conventional systems and envision a future where architecture is a tool for empowerment.
One of the most essential aspects of interior design is lighting – an element that can make or break an interior space of any size or material. Yet good lighting can be especially important for smaller or more crowded spaces, making them feel larger and more open even when their literal dimensions haven’t changed. In turn, larger spaces with poor lighting may feel smaller and less welcoming than they have the potential to be. To make interiors feel aptly large and well lit, designers can rely on several tried and true methods that make the most of a space, from using the right shades and types of lights to placing them in the best locations to integrating other elements that best complement existing lighting. These strategies, as well as several examples of their application, are listed below.
Designer pools bring status to luxury homes and five-star hospitality spaces. But adding the cooling, calming, energizing, and environmental benefits of a hyper-local water body to a residence can far outweigh the cost of installation. With a range of long- and short-term landscaping options possible, meanwhile, luxury is available, whatever the budget.
Most pools are built below ground to retain unobstructed visuals above. While all in-ground pools start off the same way – with excavation, then connecting the plumbing and filtration systems – the main difference is in the construction of the pool’s basin. The simplest and quickest method is to lower a pre-fabricated reinforced plastic pool or pre-cast concrete basin into the cavity, before connecting the pipework and backfilling the recess with sand. But this is only suitable for off-the-shelf pools with simple geometries. In order to make the most efficient use of all available space, bespoke pool shapes and sizes are best achieved by pouring or spraying concrete into a rebar or timber frame.
In the heyday of high modernism, architects such as Le Corbusier and Mies van der Rohe extolled the aesthetic value of whiteness, which they viewed as connoting purity and simplicity. Mies van der Rohe’s Farnsworth House, for example, paired the stripped-down whiteness of its structural skeleton with expansive floor-to-ceiling windows, using the enveloping natural light to further elevate the already heavenly aspirations of the space. Today, some contemporary architects and designers have evolved the sublime aesthetics of white high modern architecture by using translucent fabric partitions, complementing the purity of the white walls with the fabrics’ ethereal play of light and shadow. Below, we discuss different design strategies for working with white fabrics in this way, and include two examples of projects that have used translucent fabrics in soothing but innovative ways.
The first and only formal architecture union in the American private sector was just formed by Bernheimer Architecture's employees after two years of the union campaign. The Union aims to reframe the discipline and profession and create an established sector of better labor rights standards and work conditions. The BA Union will be associated with the International Association of Machinists and Aerospace Workers to reshape the industry at a large scale and work on Industrywide problems like long hours and low pay.
Fortunately, architecture has the power to solve numerous issues of the modern world and how we live in it, and there are infinite ways of doing so. However, not all architecture is effective in providing solutions while also being sensitive and thought-provoking. With a portfolio that is getting richer every year, SO–IL, an architecture practice based in New York City, has proven that buildings can actually do this and much more.
