The Global Award for Sustainable Architecture, created in 2006 by architect and scholar Jana Revedin, annually recognizes five architects—or offices—from around the world whose practices are grounded in the principles of sustainable development, participatory design, and a community-oriented approach. This recognition aligns with the global urgency surrounding today's pressing issues—the ecological and climate crises, as well as social, cultural, and economic challenges. Acknowledging architecture's critical role in shaping the built environment, the award seeks to highlight the work of creators who address these challenges with innovative and creative solutions.
The 2025 iteration of the Time Space Existence exhibition is set to attract audiences from May 10 to November 23. Organized by the European Cultural Centre (ECC) in Venice's renowned venues—Palazzo Bembo, Palazzo Mora, and Marinaressa Gardens—this seventh edition brings together a diverse cohort of 207 architects, designers, artists, and researchers from over 52 countries. All contributions are curated under the theme of "Repair, Regenerate, and Reuse" as an exploration of architecture's capacity to engage with critical environmental, social, and cultural challenges. Highlights of the Special Projects section include ArchDaily's inaugural exhibition, presenting six architecture offices previously recognized as Best New Practices as emerging voices in the field of architectural innovations.
ArchDaily, in collaboration with the European Cultural Center (ECC), is curating its first-ever exhibition as part of the seventh edition of Time Space Existence, the biennial architecture exhibition held alongside the 19th Venice Architecture Biennale. Running from 10 May to 23 November 2025, this edition invites practitioners to explore the themes of Repair, Regenerate, and Reuse, emphasizing innovative and sustainable approaches to the built environment. ArchDaily's contribution will be presented in a dedicated space at Palazzo Mora, complementing other exhibition venues including Palazzo Bembo, Marinaressa Gardens, and Palazzo Michiel.
Operating in urban environments often requires us to make decisions regarding pre-existing structures. The increase in city density has directly impacted the availability of space for developing new and independent constructions, sparking debates about what stance to take toward built heritage that has become obsolete—either due to deterioration or because it no longer meets the functional needs of the contemporary population. In cases where buildings have seriously deteriorated or new projects differ greatly from the spatial possibilities an old building can offer, preserving only the façade—as an exterior envelope, almost like a superficial element—can be seen as a partial solution that allows for the preservation, in part, of the urban character of a structure if it holds some public or cultural value. The controversy arises, certainly, from the lack of relationship or connection between the transformed interior and the preserved exterior.
Concrete blocks are prefabricated materials primarily used for constructing walls. Similar to bricks, these blocks are stacked together and bonded with mortar, typically composed of cement, sand, and water. They are hollow inside to accommodate steel bars and mortar filling.
These blocks are available in a variety of dimensions and textures, ranging from traditional smooth surfaces to fluted or rough finishes. Additionally, there are special units designed for corners or beams with longitudinal reinforcements. The dimensions vary, from the classic 8x8x16 inches (approximately 19x19x39 cm) intended for structural use, to a size of 8x3.5x39 inches (approximately 19x9x39 cm) for partitioning walls. How can we creatively incorporate them into our designs?
Some of the most picturesque projects are those built in the mountains; the rustic cabin wrapped with a floor-to-ceiling glass panel that overlooks the snow-covered trees. Visually, the architecture exudes an enchanting feeling, but is it truly a habitable space? When houses are built on an elevation of 3,000 meters, installing a fire element alone is not efficient or sustainable. Spaces on such altitudes or particular geographic locations require to be treated thoroughly, beginning with the architecture itself. Whether it's through hydronic in-floor heating systems or wall-mounted chimneys, this interior focus explores how even the most extreme winter conditions did not get in the way of ensuring optimum thermal comfort.
Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?
