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Chashitsu, which is the Japanese term for a teahouse or tea room is a construction specifically designed for holding the Tea Ceremony, a traditional Japanese ritual in which the host prepares and serves tea for guests. Teahouses are usually small, intimate wooden buildings, where every detail is intended to help withdraw the individual from the material disturbances of the world.

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In many cases, I haven't been able to decide whether a building full of trees fits into the "sustainable" category. In fact, I've often had to make the argument that such a building is far from it. 

It seems that the vast majority of contemporary marketing for sustainable architecture operates under the guise of greenwashing. What's more, the line between what truly creates healthier and more sustainable living spaces and what doesn't is often a blurred one.

To see just how blurred this line is, we asked our readers to weigh in on just what makes a house "green". Is it being able to trace the source of your building materials and knowing the people who harvest, process, and sell them? Is it the ability to fulfill the day-to-day needs of the inhabitants using renewable resources?

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The height of the ceiling of a space heavily influences our perception of it. Generally, local building codes regulate the minimum dimensions for ceiling height, which are calculated to ensure adequate quality of life in the environment. But the exact height of the ceilings is often defined by the dimensions of other materials that make up the building, the height of the constitutive slabs, or even by rounding the dimensions of the stair steps. It is common, with the densification of cities aimed at increasing profitability, for entrepreneurs to design with minimum ceiling heights in houses and offices, reducing construction costs. On the other hand, in older structures, more generous ceilings can be observed, which generally enable a greater degree of design freedom. But how can architects make the most of these spaces?

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Every December talking heads (or screens) trumpet “Everything Has Changed”. But this year it is true. Imminent inoculations may bring back human contact, but the Coronavirus Year has changed us.

I think 2020 ended the 20th Century in architecture. Architecture never leads in pivotal periods. Modernism was birthed by a Western World leaving monarchies and diving into the Industrial Revolution: it caused neither.

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2020 has fundamentally changed our spatial routines and the current health crisis brought about a significant amount of speculation regarding how our daily lives will unfold onward. With the year coming to an end, we look at how the pandemic accelerated some architecture trends that were already underway, and how it brought into question other well-established ideas.

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Inner courtyards and gardens can provide many benefits, such as natural light, better ventilation, and increased contact with nature without losing privacy. 

On November 20, the 2020 Panamerican Architecture Biennial of Quito (BAQ 2020) announced the winners of the present edition. Every other year, the BAQ "invites to discuss contemporary production of the built environment, aiming to improve the practice of our profession" in the Americas.

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