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108 hours of lessons, a 60-hour workshop and internships/lectures held by internationally-renowned architectural firms like OMA, Mccullough Mulvin Architects, Aires Mateus e Associados, Claudio Nardi Architects, Nieto Sobejano Arquitectos, Duque Motta & AA, and Markus Scherer.
This year Canal180 will host the 180 Creative Camp for the 7th time. An 8-day creative boot camp happening in Abrantes, Portugal, from 1st to 8th July. We provide time and place for young creators and invited artists to learn from each other, exchange experiences and create new projects together.
The Council on Tall Buildings and Urban Habitat (CTBUH) is pleased to announce its 7th International Student Tall Building Design Competition. The goal of the competition is to shed new light on the meaning and value of tall buildings in modern society. The deadline for submission is July 23, 2018.
The age of the tall building as a single iconic piece of sculpture, standing in isolation from its surroundings, is coming to an end. Designers have a responsibility to ensure that these permanent urban structures engender a future-oriented urban response to the greatest challenges of our time: unprecedented population growth; mass
The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.
Architecture Exhibition 5x5 Participatory Provocations opened its doors at the New York Center for Architecture on July 11, featuring 25 models by 25 young American architecture firms. The exhibition engages its participants to take clear stances on a series of provocative issues facing architecture today, with their models “producing a physical expression or provocation that is then made available to the public.” Curated by Kevin Erickson, Julia van den Hout, and Kyle May, the exhibition argues for “participatory criticism” covering growing income gaps, immigration, globalization, technology’s impact on our lives, surveillance, and power.
