2017

How do we design architecture with a message that could endure for millennia ?

Since the Cold War, one of the most challenging and urgent tasks facing governments around the world has been the disposal of transuranic nuclear waste. As a by-product from nuclear weaponry production, transuranic waste is not only harmful, but also boasts a formidable decay process lasting thousands of years. To address this issue, millions of barrels of highly radioactive waste have been buried in repositories deep beneath the earth’s surface. One such disposal site is the Waste Isolation Pilot Plant (WIPP) in New Mexico, United States. To ensure public safety, it is imperative that the site remain undisturbed for the duration of the waste’s decay process.

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In collaboration with the Canadian Centre for Architecture (CCA), Het Nieuwe Instituut presents The Other Architect, an exhibition of architects who expanded their role in society to shape the contemporary cultural agenda without the intervention of built form. It showcases architecture’s potential to identify the urgent issues of our time, featuring 22 case studies, dating from the 1960s to the present day, that illustrate how international and often multidisciplinary groups invented and adopted new methods outside of traditional design practices. The Other Architect is a touring exhibition organized by the CCA and will be on view in Rotterdam from 8 September 2017 until 7 January 2018.

In the thousands of posts we publish yearly, we have the privilege of seeing a large number of impressive architecture drawings. They are submitted by established practices, architecture students, artists and, occasionally, our readers. From precise, old-school hand drawings to architectural representation that pushes the boundary of collage, photography and digital sketching, drawings hold a particular intrigue in the hearts of architecture lovers.

Since inspiration is at the heart of ArchDaily's mission, we'd like to invite all members to submit their best drawing for inclusion in our 2017 "Best Drawings" post. 

Your Design Work: Showcased Globally!
Recognition is up to you! Competition for up-and-coming architects and students 35 or younger.

INSPIRELI AWARDS is the largest international architecture competition enabling new talents to tell their stories and raise awareness about their own world view before they get their chance to build it. It brings together up-and-coming design and architecture students or recent graduates, as well as established professionals, and provides them a forum to connect to the general public.

DINÂMIA’CET-IUL is delighted to announce the 1st Summer School on the Island of São Miguel in Azores.

“Moytirra 2017, Sketch design for deep-sea mining labour’s housing” includes Master-Classes, studio sessions and field trips, led by lecturers and researchers from ISCTE-IUL and University of Azores (Portugal), Northeastern and Dartmouth College (USA), Kuwait University (Kuwait) and University of Waterloo (Canada), with the support of local architectural offices. On 5th day, the final results of the workshop will be presented and discussed with the local community.

Entries are now open for the Morrison's Island International Design Competition, Cork, Ireland

Registered architects, landscape architects and engineers are invited to take part in a design competition to propose innovative and considered solutions for the renewal of Cork city’s quayside landscape. Participants are encouraged to collaborate with other professional disciplines, historians, craftspeople and artists. The competition aims to explore the authentic spatial and material quality of the city that has been lost in recent times and engage with the remaining historic fabric.

Architects taking part in this competition shall design a new square. It is to take the place of the central fragment of the vast Plac Defilad [Parade Square] in the very center of Warsaw. That square was created together with the Palace of Culture and Science Building, which until 1990 had been the second highest building in Europe and is seen by many as a symbol of Poland’s subjugation to the Soviet Union.