Vienna-based Delugan Meissl Associated Architects (DMAA) has been announced as winner of a competition to design a mixed-use, cultural complex in Munich. Dubbed Hanns Seidel Platz, the 40,500-square-meter scheme will provide a 160-unit “living tower,” office space, a civic center, concert hall and large public plaza for the district of Neuperlach.
This winning concept was developed in collaboration with the architecture firm Wimmer un Partner. It is expected for completion in 2019.
Situated at the eastern edge of Downtown Detroit, Lafayette Park constitutes the world's largest collection of buildings designed by Mies van der Rohe. The 78-acre complex was completed in 1959, just after Crown Hall and the Seagram Building. It is not as well known as several Mies projects of that decade, however, and many critics argue the project deserves greater recognition. One of the first examples of urban renewal, it is a testament to the development's design that it remains a vibrant neighborhood more than fifty years after its construction.
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Studio Daniel Libeskind has released images of his latest project: a 10,000 square meter residential building planned for the center of Berlin. Occupying a half-acre corner site in the neighborhood of Chausseestrasse, “Chausseestrasse 43” will be encased by a metallic-coated ceramic facade shaped to maximize exposure to natural light.
London firm Allies and Morrison has submitted planning applications for a 9.23 hectare, mixed-use development east of London’s Canary Wharf. Dubbed “Wood Wharf,” the new neighborhood will include upwards of 3,000 homes, 240,000-square-meters of commercial office space, 100 retail outlets, hospitality and more - all interconnected by a 3.6 hectare network of public space.
A 56-story, cylindrical skyscraper designed by Herzog & de Meuron will be one of three residential buildings planned for the scheme’s first phase, designed in collaboration with Stanton Williams. Allies and Morrison, who provided the revised masterplan for Canary Wharf Group, will design the first two office blocks targeted at technology-based companies.
Japan is famous for its radical residential architecture. But as Tokyo architect Alastair Townsend explains, its penchant for avant garde housing may be driven by the country’s bizarre real estate economics, as much as its designers’ creativity.
Here on ArchDaily, we see a steady stream of radical Japanese houses. These homes, mostly designed by young architects, often elicit readers’ bewilderment. It can seem that in Japan, anything is permissible: stairs and balconies without handrails, rooms flagrantly cast open to their surroundings, or homes with no windows at all.
These whimsical, ironic, or otherwise extreme living propositions arrest readers’ attention, baiting us to ask: WTF Japan? The photos travel the blogosphere and social networks under their own momentum, garnering global exposure and international validation for Japan’s outwardly shy, yet media-savvy architects. Afterall, in Japan – the country with the most registered architects per capita – standing out from the crowd is the key to getting ahead for young designers. But what motivates their clients, who opt for such eccentric expressions of lifestyle?
