The Senate Building, Coruscant . Image via Star Wars, Revenge of the Sith / George Lucas
Depicting architectural visualizations of the future is no easy feat, so it makes much sense for designers to use aspects of our existing architecture as a foundation for these fictional worlds. Despite recent advancements in terms of animation technologies and CGI, there is still substantial use of existing architecture to provide tangible structural elements in film.
In terms of recycling architectural aesthetics, elements of the past and future are often integrated to create a hybridized style, an amalgamation of Retro, Dystopian, Modernist and Futuristic themes. From the resurgence of ancient pyramids and temples, to skylines reminiscent of the city of New York, visualizations vary depending on different notions of what our future may look like.
The year 2021 has been a turbulent one –coronavirus rages on, and the design and construction industries have been forced to keep adapting two years into a global pandemic. As virtual methods of working and communicating continue to be tweaked and honed, a plethora of virtual events has meant that architectural discourse outside the western canon and Eurocentric gaze, in a small way, has been able to claim space front and center in the global architectural conversation.
Villa Badran designed by Gamal Bakry . Image Courtesy of CENTER FOR ARCHITECTURE
On view at the Center for Architecture in New York City, the exhibition features 20 projects in Cairo and a warning about the threatened future of Egypt’s Modernist heritage.
Cairo Modern, a new exhibition at the Center for Architecture in New York, features 20 demolished, extant, and proposed projects in Cairo dating from the 1930s to the 1970s and also shines a light on the wrecking ball-threatening Modern architecture here and elsewhere.
The National Provincial Bank in Plymouth, Southwest England, completed in 1959 and designed by the bank’s architecture department with BC Sherren serving as chief architect. . Image Courtesy of Elain Harwood
The term “mid-century modern” conjures up images of a sharp-suited Don Draper, slender teak cabinets, and suave chairs from Scandinavia. That is, at least, one perspective of the design movement and a view more of 1950s-era Manhattan offices than anything else. But in Britain, mid-century modernism manifested as something slightly different, coming in the form of schools, cathedrals, housing, and an era-defining festival, all eloquently described and illustrated by the prolific architectural historian Elain Harwood in Mid-Century Britain: Modern Architecture 1938-1963.
Design diagram for the City of Culture of Galicia, Spain. Image Courtesy of Eisenman Architects
If we define deconstructivism, it literally translates to the breaking down, or demolishing of a constructed structure, whether it being for structural reasons or just an act of rebellion. It is perhaps for this reason that many misunderstand the Deconstructivist movement.
Deconstructivism is, in fact, not a new architecture style, nor is it an avant-garde movement against architecture or society. It does not follow “rules” or acquire specific aesthetics, nor is it a rebellion against a social dilemma. It is the unleashing of infinite possibilities of playing around with forms and volumes.
Father of Iraqi architecture Rifat Chadirji has passed away at 93, on April 10 in London, after contracting the novel coronavirus. Born in 1926 in Baghdad, he is responsible for more than 100 buildings across Iraq.
Some of his most iconic works include the Tahrir Square's Freedom Monument, the Tobacco Monopoly Headquarters in 1965, the Central Post Office in Baghdad in 1975 and the Unknown Soldier Monument, one of his most culturally significant intervention designed in 1959, demolished in 1982 and then replaced by a statue of Saddam Hussein in 2003.
Modernism could be described as one of the most optimistic styles in architectural history, drawing from notions of utopia, innovation, and the reimagination of how humans would live, work, and interact. As we reflected in our AD Essentials Guide to Modernism, the philosophy of Modernism still dominates much of architectural discourse today, even if the world that gave rise to Modernism has changed utterly.
As we say goodbye to 2019, a year that saw the centenary of the Bauhaus, we have collated a list of key architectural styles that defined Modernism in architecture. This tool for understanding the development of 20th-century design is complete with examples of each style, showcasing the practice of Modernism that lay behind the theory.
Description via Amazon.Guide map to Modernist architecture across San Francisco and the Bay Area. This two-sided folded map with original photography by Jason Woods is edited by Mitchell Schwarzer, Professor at California College of the Arts, and author of numerous books about architecture. The guide features over fifty influential examples of Modernist and Brutalist architecture from Berkeley and Oakland to Palo Alto and San Mateo. Details for individual buildings are supported by an introduction to Modernism in the Bay Area by Schwarzer. Architects featured include Vernon de Mars, Beverley Thorne, Skidmore, Owings & Merrill, Frank Lloyd Wright, Richard Neutra, Pier Luigi Nervi, Mario Ciampi, Kevin Roche and John Dinkeloo and many others.
Call for workshop tutors for SESAM 2020 Poliklinika is now officially open! The event will take place between 28th May and 7th June 2020 in Slavutych, Ukraine.
Anyone studying or working in the field of architecture, or any other area of expertise closely related to spatial practices, anywhere in the World, can apply by submitting a single pdf file in English to easaukraine@gmail.com by Feb 17, 23:59 Slavutych TIME (EET, GMT +2).
For the 1957 International Builders Fair, Oscar Niemeyer developed the Interbau Apartment House, a modernist eight-storey building that sits on V-shaped pillars in the city of Berlin. While the building's facade consists of uniform windows and loggias clad with primary-colored mosaics, it is interrupted by enclosed pathways that connect the structure to the external elevator.
Architectural photographer Bahaa Ghoussainy explored the building and highlighted the complementary relationship between its uniform modernity and dynamic suspensions.
Modern architecture, visible in contemporary production, is usually related to the use of guidelines established by Le Corbusier's five points of architecture. Despite being widely known and debated for years, these points continue to be revisited and rethought in projects from various places and contribute to the creation of interesting buildings in various programs.
Amey Kandalgaonkar has unveiled a project which reimagines the traditional Chinese pagoda in a modernist style. The Shanghai-based designer created the fictional reinterpretation as a homage to a building form largely untouched by Modernism, featuring raw brut concrete, minimal ornamentation, and bold geometric moves.
https://www.archdaily.com/916524/amey-kandalgaonkar-reimagines-traditional-chinese-pagodas-for-a-modernist-eraNiall Patrick Walsh
‘Sleeping districts’ of Moscow, Plattenbauten of East Berlin, modernist estates of Warsaw, Kyiv`s Brezhnevki: although these are home to the vast majority of city dwellers, post-war suburbs of central and eastern Europe have been invisible for decades.
Lebanon is home to several outstanding structures, influenced by centuries of architectural styles. However, one of the most intriguing projects in the Middle Eastern country lies in the northern city of Tripoli, a culturally-rich historical city with structures once inhabited by Romans, Crusaders, Phoenicians, and Ottomans. The Rachid Karami International Exhibition Center, designed by Oscar Niemeyer, reflects the slow deterioration from Lebanon’s pre-war golden age to post-war depression. The country's iconic modernist site has suffered after years of neglect and reportedly will require upwards of 15 million dollars to restore.
How does our built environment affect us? This major exhibition spanning two galleries examines the positive and negative influence buildings have on our health and wellbeing. From Dickensian London to the bold experiments of postwar urban planners, and from healing spaces for cancer patients to the role architecture can play in global healthcare provision, we look anew at the buildings that surround and shape us.
High-rise tower blocks, prefab panel housing estates, streets in the sky, new towns; some of the concrete constructions that once shaped the cityscapes of post-war Britain have stood the test of time, while others are long gone.
A recent exhibition at the MAK Vienna - Austrian Museum of Applied Arts / Contemporary Art, is showcasing the works of Sagmeister & Walsh, a NYC-based design firm investigating what makes beauty so appealing.
Titled "Beauty," the exhibition explores the notion that beauty operates as an independent function, and that in itself, it can be the primary motive for architecture: form is a function. In collaboration with the YouTube channel and design studio Kurzgesagt (In A Nutshell), this video released along with the exhibition explains why beautiful things make us happy.
“A model by Corbusier is the only image that brings to my mind the idea of immediate suicide.” - Ivan Chtcheglov
Despite their pranks and dirty politics, the Situationists may have been right after all. The death of architecture students will not be a result of excessive studio work, but will rather occur from the sermonizing repetition of modernist ideals that continue to be taught. In Le Corbusier's manifesto, Vers une Architecture (Toward An Architecture), he advocates for the adoption of modern architecture as the solution to 20th-century global crises, in a way that now seems rather limiting.
If the discipline doesn't move past the black-and-white photographs of the Barcelona Pavilion or the reductionist designs of the Bauhaus, students will continue to produce what may now be incorrectly associated with the “right architecture.” In order to break away from these stereotypes of what architecture should be, here are six explorations of building, curating and writing that resist these notions: