Green corridors, or biodiversity corridors, are large portions of land that receive coordinated actions to protect biological diversity. According to Brazil’s National System of Nature Conservation Units, they strengthen and connect protected areas, encouraging low-impact use by implementing a more comprehensive, decentralized and participatory conservation alternative.
Looking to reformulate the relationship between humans, territories, and globalization, “Ecologies for Other Architectures” gathered for two days in Madrid emerging international architects to propose narratives on urban environments and their undergoing changes. Curated by Itinerant Office within the network of New Generations, the event featured 7 scenarios, 7 models, 7 narratives on nature, technology, bodies, material transformation, soil, participation, and (no) humans. The event employed recycled material and a fast-mounting strategy to guarantee zero impact.
There was a time when buildings wanted to be mountains, roofs wanted to be forests, and pillars wanted to be trees. As the world began to go into a state of alert with the melting of glaciers and the consequent rise of Earth’s temperature, architecture – from a general perspective – was concerned with imitating the shapes of nature. Something close to human-made “ecosystems”, seen by many as allegoric and decorative, in service of marketable images of “sustainable development”.
As part of the effort to make the construction sector more sustainable in the face of the climate crisis, the bioeconomy has stood out. While the road to net-zero architecture is still very complex, the emerging shift in culture and general thinking is evident, and innovation seems to be driving this transformation.
The award-winning firm based in London, England, Jan Kattein Architects, works to realize the civic and spatial opportunities that architecture presents’ with their projects establishing a social and physical legacy, achieved by embracing an open, interactive design process that responds positively to the needs and aspirations of the clients.
Allowing the process to drive each individual project, their method stimulates innovative design, seeking to add benefits through education, economic growth, cultural activity, and greater community coherence.
At a time when biophilia is highly valued in architecture, natural pools become another element capable of increasing the connection with nature, enabling the creation of a recreational and contemplative space at the same time. Also known as ecological or biological pools, they reproduce an ecosystem composed of plants, rocks and even some species of fish.
According to the architect and researcher Patrícia Akinaga, ecological urbanism emerged at the end of the 20th century as a strategy to create a paradigm shift with regard to the design of cities. With this, urban projects should be designed from the potential and limitations of existing natural resources. Unlike other previous movements, in ecological urbanism architecture is not the structuring element of the city — the landscape itself is. In other words, green areas should not only exist to beautify spaces, but as true engineering artifacts with the potential to dampen, retain and treat rainwater, for example. With ecological urbanism, urban design becomes defined by the natural elements intrinsic to its fabric.
Believing that a creator has a duty towards society, Philippe Starck, is a multifaceted designer whose projects span across many disciplines. From architecture and interiors to industrial and furniture design, Starck’s portfolio is always, as he puts it, “focused on the essential”, and “must improve the lives of as many people as possible”. Author of Alessi’s famous lemon squeezer, he is known for pushing the boundary of design in everyday objects.
With 10,000 creations, completed or yet to come, Philippe Starck is a pioneer in “making things in the way of ecology”. In fact, ArchDaily had the chance to meet the designer at the 2021 Salone del Mobile, to discuss his design approach and visions as well as hislatest plywood creation for Andreu World.
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In 1941, Swiss engineer George de Mestral was coming back from a hunting trip with his dog when he noticed that some seeds kept sticking to his clothes and his dog's fur. He observed that they contained several "hooks" that caught on anything with a loop, and from studying this plant, seven years later, he invented the hook and loop fastener, which he named Velcro.
Vernacular architecture can be defined as a type of local or regional construction, using traditional materials and resources from the area where the building is located. Consequently, this architecture is closely related to its context and is aware of the specific geographic features and cultural aspects of its surroundings, being strongly influenced by them. For this reason, they are unique to different places in the world, becoming even a means of reaffirming an identity.
Fungi are everywhere. In the air, in the water, in our bodies, in the trees, in the ceilings of our bathrooms, underground. They can be mushrooms (edible, medicinal, hallucinogenic, or very poisonous), or take other simpler forms, such as molds. They can trigger illnesses, but they can also produce antibiotic remedies, such as penicillin, or help ferment amazing cheeses and breads. Could they also be the future of packaging and building materials?
GIDA 2020 - Goldreed Industrial Design Award - is the new international design award sponsored by the Xiongan Future Industrial Design Institute, with the aim of promoting at an international level the concept of “harmony” applied to design.
The 11th edition of MEDS workshop, held in the industrial region of Poland - Silesia, is now open for entries! Apply as a participant up to the 21st of March.
MEDS Workshop
“Meetings of Design Students” is an international workshop organized each summer in a different country. Every year it gathers around 200 participants associated with various fields of art, design, and architecture. In a span of two weeks, guided by experienced tutors, the participants create and construct group projects, getting in touch with different approaches to design and mastering their skills in a wide range of building techniques. Each project combines practical, educational and cultural aspects, creating a meaningful impact on the space and tackling both current issues, and long-standing local traditions.
Previous workshops have taken place in Turkey, Slovenia, Portugal, Ireland, Serbia, Romania, Belgium, Lebanon and Greece.
As part of a collaboration between the Centre Pompidou and the Mao Jihong Arts Foundation, the Cosmopolis #1.5: 'Enlarged Intelligence' exhibition features the developments of NLÉ Makoko Floating School. The Minjiang Floating System (MFS IIIx3), the fourth prototype and the third iteration of the prefabricated self-built system for water, investigates methods to counter the challenges posed by urbanization and climate change.
Earlier prototypes of the Makoko Floating School include the Waterfront Atlas (MFS II) launched in Venice, Italy and the Minne Floating School (MFS III) in Bruges, Belgium. The project, initially developed for the water in Lagos, is now usable in all these sites including the Jincheng Lake in Chengdu.
The use of earth plaster is very common in natural buildings; it is the same mixture used in adobe. Though easily made, its use is not widely known. Rafael Loschiavo, from Ecoeficientes, teaches the step-by-step method for bringing a new life to a run-down wall without the need for major renovations.
Finsa launches its competition for students of Architecture and Design for the second time.
For this year's competition, the interaction between children and the elderly is the new focus.
XV World Triennial of Architecture "Interarch 2018"
Sustainable Architecture for Sustainable World
13 – 16 May 2018, Sofia, Bulgaria
Against the backdrop of an ever-increasing number of its farmers committing suicides, and its cities crumbling under intensifying pressure on their water resources—owing to their rapidly growing populations—India has revived its incredibly ambitious Interlinking of Rivers (ILR) project which aims to create a nation-wide water-grid twice the length of the Nile. The $168 billion project, first envisioned almost four decades ago, entails the linkage of thirty-seven of the country’s rivers through the construction of thirty canals and three-thousand water reservoirs. The chief objective is to address India’s regional inequity in water availability: 174 billion cubic meters of water is proposed to be transported across river basins, from potentially water-surplus to water-deficit areas.
The project is presented by the Indian government as the only realistic means to increase the country’s irrigation potential and per-capita water storage capacity. However, it raises ecological concerns of gargantuan proportions: 104,000 hectares of forest land will be affected, leading to the desecration of natural ecosystems. Experts in hydrology also question the scientific basis of treating rivers as “mere conduits of water.” Furthermore, the fear of large-scale involuntary human displacement—an estimated 1.5 million people—likely to be caused by the formation of water reservoirs is starting to materialize into a popular uprising.
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