Ray Eames (December 15, 1912-August 1988) is best known for her personal and artistic collaboration with Charles Eames, and together, their innovative designs shaped the course of modernism. Although Charles often gave the firm its public face (particularly in the male-oriented world of mid-century design), the two designers are almost always discussed as a couple and every project that their office pursued was in fact a team effort. When asked about any particular piece of furniture, for example, Ray always maintained that she contributed to the details of the design in a “million ways” and considered the overall form of each project in a critical fashion, emphasizing the collaborative nature of not just their partnership, but their entire office.
Danish architects COBE have won an international competition to design the Adidas Group’s “Meet & Eat” flagship building at their “World of Sports” headquarters in Herzogenaurach. The 11,000-square-meter “rhombus-shaped” structure is envisioned as a “distinctive landmark” that will provide the campus with a “flexible and user-friendly” public conference center, employee restaurant and showroom.
“The adidas brand has always been known for technique and functionality, and we have designed a building that reflects and encapsulates these values,” says Dan Stubbergaard, Founder and Creative Director at COBE. “Adidas Meet & Eat will house many functions, both internal and public, and therefore we have created a design that above all is multifunctional and flexible. A design that allows for the building to change and adjust to the different social contexts that the building will house.”
According to DO Architects, cylindrical housing is the way of the future. Proposed for a seaside site near the Baltic Sea in Svencelė, the Lithuanian practice has developed an experimental neighborhood of 12 single family “rolling homes” that promise seclusion, an uninterrupted connection to nature and three stories of efficiently laid out modern interiors.
SCAPE / Landscape Architecture and Rogers Partners have envisioned a new public gateway for the Mississippi River’s “one true waterfall” - St. Anthony Falls in downtown Minneapolis. Named after being the city’s original site for its 19th-century water supply and fire-fighting pumping stations, “Water Works” is designed to “weave” together heritage ruins, local ecology, and recreational systems into a “coherent civic space” on four-acres of Central Riverfront.
Foster + Partners has submitted plans for a new “Health Education Campus” in Cleveland, Ohio. The 485,000-square-foot quadrangle building is designed to foster collaboration between the students of Case Western Reserve University and the Cleveland Clinic on the medical campus’ existing 11-acre parcel at East 93rd Street between Euclid and Chester Avenues.
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On the heels of President Barack Obama’s recent decision to reform US immigration policy, FR-EE / Fernando Romero EnterprisE has released designs for a new Latin American Art Museum (LAAM) in Miami. The four-story museum, characterized by elongated, cantilevering terraces and sculpture gardens, hopes to become “the most significant institution for displaying Latin American art in America.” Continue reading to learn more.
If buildings could talk, what would they say about us? Cathedrals of Culture, a six part collection of films recently premiered at this year's Berlin International Film Festival, "offers six startling responses to this question". The project, filmed entirely in 3D, allows "six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure".
In an era in which architectural style is constantly recycled and reinterpreted, how do we know which ideas are original and which characteristics reveal deeper functions? In a recent article by Rowan Moore from The Guardian, architect Farshid Moussavi discusses fashion, function, and physical space as they relate to the concepts of her latest book The Functions of Style, which examines style in architecture beyond external appearance with a belief that style is rooted in a building's organizational ideas. Consequently, says Moore, each of Moussavi’s works are unique and do not rely on repeating trademark artistic moves. To learn more about how Moussavi’s philosophy is embodied in her most recent works, along with her belief in the power of physical space in a virtual world, read the full article on The Observer here.
Paris-based firm 1024 architecture has created Vortex, a generative light sculpture located within the Darwin Ecosystem Project’s green building in Bordeaux, France. The “architectural fragment” consists of scaffolding, raw wood, and twelve lines of LED light. With colored LED lights appearing to shoot across the structure, a new spatial experience is created, which also informs viewers about energy consumption within the building.
Learn more about the structure and 1024 architecture after the break.
In this video from Crane TV, Italian architect and designer Gaetano Pesce talks about his philosophy of art and architecture as an expression of reality. His philosophy raises the question of whether architecture itself should become symbolic of its time and place or express an idea in the way that art often can. Beyond a symbolic nature, Pesce also suggests that architecture could be humorous or act as an extension of artistic expression. “Architecture is the king or queen of the arts,” he says, summarizing his beliefs.
Last week we brought you another video from Crane TV on Vito Acconci, which explored why the goal of architecture is not always a completed building. As another architect who blurs the lines between buildings and art, Pesce’s unbuilt projects are an important tool through which he continually seeks new discoveries to prompt further design innovations.
3D printing technology is quickly emerging as a technology that could be applied at the scale of the built environment. But could we use 3D printed materials to create engaging urban spaces that are constantly changing? Creative communications agency, The Neighbourhood, has imagined speculative architecture based on 3D printed materials.
With the earth’s population increasing at an exponential rate, sustainable agriculture and access to clean water are becoming desperately important. Cristiana Favretto and Antonio Giraridi of Studiomobile recognize this and have proposed a solution. Dubbed the Jellyfish Barge for its shape and translucency, this floating greenhouse is capable of growing its own food hydroponically and producing up to 150 liters of fresh drinking water per day. Even more beneficial is its low-cost, easy-to-assemble design that can be implemented in a variety of locations. Learn more about how this fascinating project works, after the break.
“The River,” SANAA’s first US commission since winning the 2010 Pritzker Prize, is currently underway in Connecticut. Designed by the Japanese practice in collaboration with OLIN, the meandering and almost transparent building will be built on a 75-acre preserve as a multi-use platform for events and initiatives put on by the community of New Canaan and non-profit Grace Farms Foundation.
“We are thrilled that Grace Farms will begin welcoming the public in autumn 2015,” Sharon Prince, president of the Grace Farms Foundation stated.
OMA is set to realize their first commercial residential project in the US: Park Grove. Planned to rise alongside the Biscayne Bay in Miami’s Coconut Grove, in close proximity to BIG’s “Grove” residences at Grand Bay, the three-tower luxury residential project will be the last building allotted for the “walkable” Floridan neighborhood.
Weddle Gilmore black rock studio, West 8 and Colwell Shelor Landscape Architecture have been selected to transform 19 acres surrounding Arizona's Mesa City Hall into a unique civic space that will “capture and enhance the urbanizing momentum of Mesa’s downtown core.” Unanimously selected by the City of Mesa, over finalists Woods Bagot + Surface Design and Otak + Mayer Reed, the winning scheme plans to activate the public space with a series of flexible plazas and garden spaces centered around a distinct cooper shade structure.
More about the design and competition, after the break.
"We have lots of silly buildings being built, in my opinion. The buildings should not look like Lady Gaga,” stated Robert A.M. Stern in the latest installment by the Louisiana Channel.
Nearly a year-and-a-half since the announcement of their selection, BIG has unveiled plans for a massive, 20-year-long overhaul for the Smithsonian’s southern campus in the center of Washington DC. With an overarching goal to unite the site by dissolving the notable impediments and discontinuous pathways that plague the area, BIG plans to also expand visitor, education and gallery spaces, while updating aging and inefficient building systems.
"Where today each museum is almost like a separate entity, in the future, it’s going to be a much more open, intuitive and inviting campus to meander around," Bjarke Ingels explained.
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.jpg?1417636586 "Courtesy of FR-EE / Fernando Romero EnterprisE")
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