Few places in the world have an overlap of complexities as intense as Brasília. Even so, its architecture symbolizes the Republic and democracy of Brazil, and any act of attack on these symbols carries meanings and consequences for Brazilian memory and cultural heritage. The terrorist acts of January 2023 destroyed part of the heritage and raised questions beyond objects and architecture, touching on education, culture, and national political capital.
If you haven't gotten a chance to visit Brasília, Joana França's photographic projects offer a comprehensive interpretation of the capital of South America's most populous country. França has dedicated a significant part of her career as an architecture photographer to the pursuit of amassing an impressive archive of images of the city planned by Lúcio Costa and Oscar Niemeyer.
We recently published an exceptional selection França's aerial photographs of Brasília divided by scale - residential, monumental, gregarious and bucolic. These overhead views solidify what, in theory, is already evident: the city lacks human scale, or the human scale of Brasília is just vast and (perhaps) not very human at all.
"What characterizes and gives meaning to Brasilia is a game of three scales... the residential or everyday scale... the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility... Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping... We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside." - Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.
Photographer Joana França shared with us an impressive series of aerial photographs of the national capital of Brazil, Brasilia. The photoset is divided into four sub-series each presenting a scale: residential, monumental, gregarious and bucolic.
As another year comes to a close, the ArchDaily team gathers the highlights of architecture in a series of retrospectives reflecting on the content featured over the past twelve months. As part of this effort, our curation team turns its attention to one of the most popular categories among our readers, residential architecture, selecting the projects that represent the best of a vast global architectural production, as seen through the eyes of our audience.
Urban public spaces can transform the life of neighborhoods and cities and, therefore, need to be open to the social, cultural and technological changes that occur in society. From urban vegetable gardens to pet spaces, from rain gardens to art pavilions, life in today's cities has created new demands and ways of using and appropriating public spaces.
As 2022 winds down, ArchDaily brings together the highlights of architecture in a series of retrospectives. As part of this effort, the Projects Team turns to one of the most popular categories among readers—residential architecture—with the objective of gathering the houses that represent the best of a vast world of architectural production according to our worldwide audience.
Brazil is one of the largest countries in the world, covering an area that goes from the Equator to beyond the Tropic of Capricorn, presenting a wide variety of climates and vegetation, which implies in the diverse natural landscape, flora and fauna for which the country is known. Residential architecture, when considered from its location, must adapt to the conditions of the surroundings, transforming its design according to the climate and morphology. We have gathered below a selection of Brazilian houses that respond to the natural environment in which they are located.
The Pan-American Architecture Biennial of Quito (BAQ2022) will take place at the Casa de la Cultura Ecuatoriana until November 18. Organized by the Colegio de Arquitectos del Ecuador, Provincial de Pichincha (CAE-P), the biennial has been held since 1978, aiming to foster dialogue, exchange, and reflection on architecture and the contemporary city. This edition's theme, "Inflexions: Looking Back," aims to provide a space for discussion and debate on architecture surrounding turning points in history.
The city of Brasília, inaugurated in April 1960, is perhaps one of the greatest milestones of how architecture, urbanism, and national politics intertwine. The result of Juscelino Kubitschek's government program, which promised "50 years of progress in 5," the city stands as a testament to modernism, revealing political strategies of the era such as heavy investment in the automotive industry and the widespread use of reinforced concrete. While Brasília is a milestone in global architecture, its very existence stems from political and economic strategies implemented by the government in the late 1950s. With the 2022 elections fast approaching, it is crucial for us, as a professional field, to understand how our profession is impacted by the presidency and what we can demand from the executive branch.
To restore urban watercourses and wetlands, balance the local ecosystem, and improve the quality of life for residents, the mayor of Viña del Mar, Macarena Ripamonti, presented the project "Viña del Mar Estuary: Floodable Urban Park" at the World Summit of Local and Regional Leaders, held from October 10 to 14, 2022, in Daejeon, South Korea.
Today at 5:00 p.m., the award ceremony for the winners of the 4th edition of the Oscar Niemeyer Award for Latin American Architecture will take place. Held as part of the 18th Buenos Aires International Architecture Biennale, the event will feature a lecture by the grand prize winner, Laurent Troost.
In early September, the Brazilian Embassy in Mexico launched the exhibition Una nueva arquitectura brasileña, curated by the Institute of Architects of Brazil (IAB) and featuring photography by Joana França. The exhibition is held entirely in a public space on Avenida Paseo de la Reforma, one of Mexico City's most prominent thoroughfares. Approximately one million people are expected to pass by the site during the exhibition run.
In 1972, the Italian Embassy left the historic mansion it had occupied since 1919 in Rio de Janeiro, at 154 Rua das Laranjeiras, and moved to the new capital, Brasília. Released on August 29, the book and photographic exhibition aim to offer a journey through the headquarters' photographic history, organizing and showcasing an important part of its historical memory to preserve it.
The history of the Embassy is the story of a construction within a construction. Alongside the building of a new city, a visionary and futuristic capital, the headquarters designed by the great engineer Pier Luigi Nervi was also built. A space for work and diplomatic representation, the building encapsulates the best of Italy's celebrated architectural and engineering traditions, fitting harmoniously into Brasília's urban planning and monumental style.
