Mosaic tiles, ceramics, porcelain, wall tiles: when it comes to finishes, there are countless possibilities to choose from to add character and identity to our projects. However, faced with the sheer variety available on the market, choosing among them can be challenging. In this article, we will explore the differences between these cold tiles and offer tips on how to choose the option that best fits your project. 

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As our cities densify and building types become more and more mixed-use, we tend to spend a lot of time in noisy environments. When we think about acoustic comfort, we rarely think of places like restaurants, venues, and big offices; places with a lot of people, machinery, and background noise. The quality of sound can entirely change the experience of people in an interior space, and improving the space's acoustic quality relies on treating all surfaces, from walls to ceilings, and flooring. In this article, we will present a variety of solutions for ceilings, flooring, and walls, their different combinations, and a simple guide of how to apply them correctly in public spaces without compromising the aesthetic of the interior.

The concept of prefabrication in construction corresponds to elements, parts or entire buildings produced in a factory and transported to a construction site for a quick installation. This represents numerous advantages over traditional construction methods, such as speed, precision in execution, efficiency, cleanliness of the work and, in many cases, cost. Considering that housing is a primary human need, using industrial methods for the construction of affordable and good quality housing has always interested architects, whether to house growing urban populations or for temporary or emergency settlements, on the most diverse scales. After many attempts throughout history, the question remains whether the popularization of prefabrication in the construction field can be a solution to provide greater equity in access to housing.

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Researchers credit the Hanging Gardens of Babylon as the first examples of green roofs. Although there is no proof of its exact location and very little literature on the structure, the most accepted theory is that King Nebuchadnezzar II built a series of elevated, ascending terraces with varied species as a gift to his wife, who missed the forests and mountains of Persia, their local land. According to Wolf Schneider [1] the gardens were supported by brick vaults, and under them, there were shaded halls cooled by artificial irrigation of the gardens, with a much milder temperature than the outside, in the plains of Mesopotamia (present-day Iraq). Since then, examples of green roofs have appeared all over the world, from Rome to Scandinavia, in the most diverse climates and types.

Nevertheless, inserting plants on roofs is still viewed with suspicion by many, as they are thought to be costly and difficult to maintain. Others, however, argue that the high implementation costs are quickly offset with savings in air conditioning and especially that occupying the building's fifth façade with vegetation is, above all, a rational solution. In any case, the question remains as to how green roofs can really help with climate change.

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In his 1983 now-classic essay Towards a Critical Regionalism, Six Points of an Architecture of Resistance, Kenneth Frampton discussed an alternative approach to architecture, one defined by climate, topography and tectonics, as a form of resistance to the placeness of Modern Architecture and the gratuitous ornamentation of Postmodernism. An architectural attitude, Critical Regionalism proposed an architecture that would embrace global influences while firmly rooted in its context. The following explores the value and contribution of Frampton’s ideas for contemporary architecture.

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Displacement implies uncertainty, uprooting, and instability, in addition to the loss of community, privacy, and physical and emotional orientation. Addressing these needs through appropriate architectural responses can help displaced communities regain social, economic, and environmental well-being. In this context, community kitchens are designed to help generate a sense of belonging and "normality" in domestic lives.

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No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to showcase the professionals, projects, and stories behind landmark contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly compelling country in this professional field, and its architectural output far exceeds what its population or territorial scale would suggest.

In this week's episode, Sara talks with architect Ricardo Bak Gordon about the design of the National Coach Museum in Lisbon, developed in partnership with Paulo Mendes da Rocha and the office MMBB Arquitetos. Listen to the interview and read the transcript of the conversation below:

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No País dos Arquitectos é um podcast criado por Sara Nunes, responsável também pela produtora de filmes de arquitetura Building Pictures, que tem como objetivo conhecer os profissionais, os projetos e as histórias por trás da arquitetura portuguesa contemporânea de referência. Com pouco mais de 10 milhões de habitantes, Portugal é um país muito instigante em relação a este campo profissional, e sua produção arquitetônica não faz jus à escala populacional ou territorial.

No episódio desta semana, Sara conversa com os arquitetos Cristina Veríssimo e Diogo Burnay sobre o projeto da Residência Universitária do campus da Ajuda na Universidade de Lisboa. Ouça a entrevista e leia a transcrição da conversa, a seguir:

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Videos

Automation is everywhere around us - our homes, furniture, offices, cars, and even our clothing; we have become so accustomed to being surrounded by automated systems that we have forgotten what life was like without them. And while automation has noticeably improved the quality of interior spaces with solutions like purified air and temperature control, nothing compares to the natural cool breeze of mother nature.

But just like everything else in architecture, there is no one size fits all; what works in Tanzania cannot work in Switzerland or Colombia. This is due to several reasons, such as the difference in wind direction, average temperature, spatial needs, and environmental restrictions (or lack thereof). In this article, we take a look at natural ventilation in all its forms, and how architects have employed this passive solution in different contexts. 

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Beyond viewing the home as mere shelter and protection, there is now a much greater complexity of functions integrated into the elementary programs of dwelling. We no longer think only of spaces for sleeping, cooking, and bathing, but rather of a series of new programs that demand new spaces and configurations. Among these, leisure emerges as an activity integrated into living, in the form of backyards, swimming pools, and TV rooms. 

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