Far-out Voices presents a selective insight into the pioneering, counter-cultural origins of what we today call green design. Organized around a series of oral histories (filmed interviews) collected by Caroline Maniaque-Benton in 2002, the exhibition offers a point of entry into the thinking of some of the advocates of “sustainable” planning within the alternative architecture movement of the 1960s and 1970s.
In yet another twist to the ongoing story of the Southbank Centre redevelopment, the Architects' Journal reports that the Southbank Centre has agreed to back a fundraising campaign to keep the famous skate park (if you missed the potential re-designs, click here), with the stipulation that a plan B be put in place in case the fundraising fails. And with at least £17 million needed to replace the revenue that the Centre would have gained by filling the undercroft with retail units, it could be time for the thousands who objected to the proposals to put their money where their mouth is. Find the full article here.
Design Corps and the Social Economic Environmental Design (SEED) Network announce the Call for Entries in the fourth annual SEED Awards for Excellence in Public Interest Design competition. Recognizing excellence in social, economic and environmental design, the SEED Awards represent the confluence of forces needed to create truly sustainable projects and change in the world.
Deadline for applications is Tuesday, November 12, 2013 by 11:59 p.m. EST. Winners will be announced January 22, 2014. For application details and guidelines, go to www.designcorps.org/awards.
The skyline rises in tandem with the population of the city. Demographers predict that New York alone will add one million more residents by 2040. Finding housing will pose a crisis for hundreds of thousands of them, unless new residential towers are built to house this urban influx.
Even if you're a 3D printing whiz (if so, consider entering our exciting 3D Printing Challenge), to many people it remains something of a mystery: how does it work, what can it do and how much does it cost? Thankfully, this recent article and infographic by Line//Shape//Space, aimed at "early adopters" of the technology, covers all this information (and even some common pitfalls to be avoided). You can read the full article here.
Maria Alessandra Segantini, principal of C+S Architects will be giving a lecture on Thursday, September 19, 1:00pm at Columbia GSAPP, New York. The lecture, called -Scape Adaptors, will be introduced by Kenneth Frampton.
In the wake of Hurricane Katrina, design charettes involving the Gulf coast community led to many proposals, ranging from the large-scale (establishing Gulfport as a major harbor city) to the more personal (bike paths). Eight years after the fact, many of these projects are still in progress, or have yet to begin - but the outlook remains bright. The Sun-Herald's Michael Newsom explores the background behind these efforts, and explains the hurdles they’ve faced along the way. Read the full piece here.
https://www.archdaily.com/428866/eight-years-later-a-post-katrina-report-cardKatherine Allen
Jimenez Lai, founder of Chicago-based Bureau Spectacular has been selected as winner of the first Lisbon TriennaleMillennium BCP Début Award. The award, presented by Millennium BCP president Fernando Nogueira, distinguishes a young architect or studio under 35 on outstanding work, development of original design thinking and the pursuit of critical ideas with a monetary prize of €5,000.
Jimenez Lai was chosen from 180 candidates for the “originality and range of his body of work, whose uncompromising and thought-provoking approach to formalism lends it an exploratory vein that,” in the words of the jury, “is crucial to the future of architecture.”
A Mobile town square designed for Cricklewood, by Studio Harto and Studio Kieren Jones. Image Courtesy of http://cricklewoodtownsquare.com/
Cricklewood, a North London suburb devoid of public space, is finding a new lease of life through a series of pop-up interventions - including a mobile town square designed by Studio Hato and Studio Kieren Jones - put together by civic design agency Spacemakers. While the project might have a bit further to go before any benefits are truly felt by the local residents, the project is part of a wider scheme financed by the Mayor’s Outer London Fund which will hopefully lead to the rejuvenation of more of the capital's suburbs. Read Liam O'Brien's full article in The Independenthere.
The term 'green' is notoriously difficult to define, and even more so when it comes to architecture. An often overused and fashionable way of describing (or selling) new projects, 'green' design seems to have permeated into every strand of the design and construction industries. Kaid Benfield (The Atlantic City) has put together a fascinating case study of a 1,700 dwelling housing estate near San Diego, challenging what is meant by a 'green' development in an attempt to understand the importance of location and transport (among other factors) in making a project truly environmentally sustainable. In a similar vein, Philip Nobel (The New York Times) explores how 'green' architecture is less about isolated structures and far more about "the larger systems in which they function". Read the full article from Kaid Benfield here, and Philip Nobel's full article here.
The Southern California Institute of Architecture (SCI-Arc) is pleased to announce its schedule of public lectures, discussions and exhibitions for Fall 2013, when the school welcomes an international roster of award-winning architects, urban historians, critics, writers, designers, and artists for programs that span from innovative theory to contemporary architecture and technical practice.
From "Paper Architect" to employing over 400 staff working on 950 projects in 44 countries, Zaha Hadid has proven that her avant-garde ideas are not only buildable, but also the most popular architectural brand in the world. China, Russia and Saudi Arabia are among the countries first in line to commission Hadid icons. Rowan Moore, however, claims that her recent accolades have come at the cost of her original ideals, becoming trapped in her own public persona. Read the full article, Zaha Hadid: queen of the curve.
https://www.archdaily.com/427148/zaha-hadid-has-international-fame-come-at-a-costJose Luis Gabriel Cruz
Last June we covered some of the anti-government protests that were taking Turkey by storm - but the Turks are still making headlines! Last week, one Istanbul resident decided to paint a derelict public stair only to find it hastily covered up by government workers. In an act of “guerilla beautification” and silent protest, people across Turkey have once again taken to the streets to paint their stairs and public walkways in rainbow colors. For the full story, check out this article on The Lede by Robert Mackey.
Fieldshift by Erik Jensen and Justin Richardson. Image Courtesy of The Center for Architecture + Design
The Center for Architecture + Design and the Seed Fund announced the winners of the Reimagine. Reconnect. Restore What if 280 came down?, a competition that explored the idea of removing San Francisco's 280 Freeway, north of 16th Street, in an effort to pedestrianize that portion of the city while generating funds for several regionally important transit projects. The open competition, which encouraged designers to submit urban design interventions, from public art to infrastructure, awarded $10,000 in prizes.
This is not the first time that San Francisco has demolished a freeway to successfully revitalize a neighborhood (remember the Embarcadero and the Hayes Valley?) and it certainly isn't a first for other American cities, either. In fact, demolishing old, ineffective and/or obstructive freeways has become a powerful vehicle for urban change in this country and the 280 Freeway Competition is just one example of that trend.
For two months out of every twelve years, Allahabad in India becomes one of the most populous cities in the world - thanks to the Maha Kumbh Mela, a Hindu Festival that is the largest single-purpose gathering of people on the globe. In an article for Smithsonian Magazine, Tom Downey relates his experience of the Festival and sheds light on how a temporary city can swell to such astronomical sizes and still function as well as, if not better than, permanent cities. It is hoped that the research by Harvard Graduate School of Design at the Kumbh Mela can inform the construction of refugee camps, emergency cities and even permanent cities in the future. You can read the full article here.
In an article for Vanity FairPaul Goldberger unravels the Swiss Mystique surrounding Peter Zumthor's personality and work, describing him as a "cross between Mies van der Rohe and Marcel Proust, with perhaps a tiny bit of Bob Dylan thrown in." With completed projects few and far between, but executed with intense experiential thought and craftsmanship, the article explores how Zumthor's motives has informed his rigorous attitude to architecture. Having recently been awarded the RIBA Gold Medal, the "cult following" that Goldberger described in 2001 seems to only be getting stronger. You can read the full article here.