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Building on the success of the previous two virtual Spring Conferences, the themes of AIAISC'23 will be Detail & Storytelling. Presenters will focus on describing a project through the evolution of key Details, or Storytelling as part of the design process.

Since Japan and the West began exchanging ideas in the mid-19th century, Japanese design sensibilities—from elaborate kimono garments and meticulously raked gardens to lavish compositions of ukiyo-e woodblock prints—have had wide appeal across Europe and the United States. Often ornate yet minimalistic, Japanese design embodies numerous visual approaches underpinning the notion of “just right” or “just enough,” known as hodo-hodo. While no single element characterizes the entirety of Japanese design culture, many scholars attribute the spectrum of Japanese design to cultural, social and spiritual practices deeply grounded in Japan’s history that continue to be observed in Japanese design practices today. Featuring a discussion with Taku Satoh, one of Japan’s most critically acclaimed contemporary designers, alongside two internationally recognized authorities on Japanese design sensibilities, Linda Hoaglund (bilingual filmmaker and cultural producer) and Sarah Teasley (Professor of Design, RMIT University), this live webinar will explore the underlying aesthetic and cultural roots essential for understanding the essence of Japanese design.

Linvisibile is pleased to announce the opening of its first American showroom, in the exclusive Miami Design District.

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Karel Klein is an architect and educator who has been working with various AI technologies since 2016. Her ongoing project is an investigation into crossbred image-objects produced using atypically trained GANs (generative adversarial networks) and their capacity for contemporary myth-making in architecture. In the same way that imaginative vocabulary and metaphoric style were primary, if literary instruments for the invention of new mythologies for the Surrealists, the strange and idiosyncratic qualities of images produced using AI are similarly a kind of matter metaphor-ed and made visible by the cyborg imagination. With these tools, Karel is interested in the re-enchantment of the architectural body—one that both foments and succumbs to sensual perceptions, and one that discovers new and unexpected relations to the world beyond the realm of the rational. Her work in this realm has been exhibited at the 2021 Venice Biennale; the FRAC Institute, Orleans, France; Des Lee Gallery, St. Louis; and SCI-Arc Gallery, Los Angeles. Recent essays in pursuit of this work include “Verto Pellis” in Offramp, issue 17; “Machines are Braver than Art” in “Rendering Fiction,” Paprika!, volume 7, issue 8; and “Machines À Rechercher,” in Log 55, summer 2022. Karel teaches currently at Washington University, University of Pennsylvania, UCLA, and the Southern California Institute of Architecture (SCI-Arc).

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