United States

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Studio Gang Architects has released designs for a 14-story residential tower in the Miami Design District. Anchored by ground floor retail and topped with a resident lounge and swimming pool, the tower will, as the architects describe, “demonstrate Studio Gang’s principle of exo-spatial high-rise design in which the inside extends to the outside in a dynamic spatial arrangement.”

Each of the building’s 76 residential units will frame panoramic views of Biscayne Bay and surrounding Buena Vista neighborhood with Studio Gang’s contemporary reinterpretation of a “Florida Room.”

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Tulane City Center and a team of Tulane architecture students worked together with the Lousiana Outdoor Outreach Program to design a shade structure made from traffic yield signs for a challenge course in City Park. Drawing inspiration from the surrounding tree canopy and the structure of the ropes course, the design team crafted a faceted, curving aluminum canopy suspended by steel cables with an earthen berm for seating below. More about the pavilion, after the break.

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• Architects

  Bjarke Ingels Group

• Location

  West 57th Street, New York, NY, USA

• Project Year

  2015

• Photographs

  Field Condition

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Before it was even completed, New York Times critic Paul Goldberger dubbed the Wexner Center for the Arts “The Museum That Theory Built.” [1] Given its architect, this epithet came as no surprise; Peter Eisenman, the museum’s designer, had spent the better part of his career distilling architectural form down to a theoretical science. It was with tremendous anticipation that this building, the first major public work of Eisenman’s career, opened in 1989. For some, it heralded a validation of deconstructivism and theory, while its problems provided ammunition for others who saw theory and practice as complimentary but ultimately divergent pursuits. The building’s popular reception has been equally mixed, but its influence and intrigue in the academic community is as pronounced and unmistakeable as the design itself.

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Marc Fornes & THEVERYMANY has constructed a light-weight, ultra-thin self-supported shell structure augmented by artist Jana Winderen’s engineered sounds at the Storefront for Art and Architecture in New York City. Now on view through November 21, the “Situation Room” presents itself, as Storefront describes, "a vibrating sound experiment that that aims to transform architecture into animated sensible form."

“The overall form is an aggregate of twenty spheres of incremental diameters, combined to create an envelope of experiential tension, a sort of sublime dialogue between the comfort of the known and an uneasy interaction with the unknown,” described Fornes. “The resultant morphology resonates with a series of distributed transducers and lighting sources playing out through streams of porosity derived from structural stress flows across the elements.”

More images and information about the “Situation Room,” after the break.

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