This week, Congress approved the creation of 231 positions for the office of the federal interventor in Rio de Janeiro and the Extraordinary Ministry of Public Security — to fund these new roles, positions will be eliminated at the National Institute of Historic and Artistic Heritage (Iphan).

Of the newly created positions, all of which are appointed roles, 67 will be allocated to the office of the interventor, General Walter Braga Netto, and 164 will be chosen by the Extraordinary Minister of Public Security, Raul Jungmann.

Afastado de Quem Fala is a diptych short film about Adega Baía da Arruda, a project by the Portuguese-Swiss studio Barão-Hutter, built on Pico Island in 2017.

Over the past five years, Lisbon has attracted significant international attention, driving major changes in the Portuguese capital's urban life. From foreign technology investment to the promotion of cultural initiatives, these transformations are both positive and negative—a complex issue currently debated through the lens of gentrification, echoing developments in other global cities such as Berlin, Portland, and San Francisco.

On the cultural front, the city boasts an impressive diversity of initiatives, ranging from the opening of major, world-class museums—such as MAAT and Coches—to a rich culture of urban graffiti murals. This scene is supported by initiatives like the Underdogs cultural platform, which has worked with artists from around the world since 2013 to bring these paintings to the city's walls.

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With the votes counted, the first round of the presidential election was not enough to determine the country's next political leader; candidates Fernando Haddad, of the Workers' Party, and Jair Bolsonaro, of the Social Liberal Party, will face off once again in the runoff vote on October 28.

Political differences and ideological discrepancies aside, the next president will have, among many other tasks, the responsibility of providing federal support for the development of Brazilian cities—home to about 87% of the country's population. To contribute to the debate and—if it is ArchDaily's place to do so—help undecided voters make up their minds, we have compiled below the proposals of both presidential candidates for the future of cities, based on their respective government platforms, covering topics such as housing, urban development, infrastructure, sustainability, mobility, and the right to the city.

Last Thursday, during the opening of the exhibition featuring the 13 finalist projects – selected from 244 submissions representing 17 Brazilian states and the Federal District – the winners of the 5th Instituto Tomie Ohtake AkzoNobel Architecture Prize were announced.

Heritage-listed at both the state and federal levels, Teatro Oficina, designed by Lina Bo Bardi and Edson Elito, is at risk of having its surroundings profoundly altered by the construction of two 100-meter-tall residential towers. The project, led by the Silvio Santos Group, was approved by the National Historical and Artistic Heritage Institute (Iphan) during a meeting on May 29.

One of São Paulo's primary historical and tourist landmarks, the Pateo do Collegio—the founding site of the state capital—awoke with its facade covered in graffiti. "Olhai por nois" [Look out for us] is the phrase that, in red letters, covers the facade of the Museum of Sacred Art and the chapel of the complex, which belongs to the Society of Jesus.

Under Brazil's environmental crimes law, defacing monuments is a crime, and perpetrators can face up to one year in prison. At the time of publication, those responsible for the act had not been identified by the Metropolitan Civil Guard.

São Paulo will soon have a new bike-sharing system. Developed by the company Yellow, the system will deploy 20,000 vehicles and will not feature stations—the bicycles will be left freely on the streets.

Known as "dockless," the service already operates in other parts of the world, such as China and Germany, and involves leaving bikes "free" on the streets, available to users via an app that unlocks the selected vehicle. At the end of the trip, riders can leave the bicycle wherever is convenient, and it locks itself, remaining available for the next user.

National Architect and Urban Planner Day, celebrated on December 15, has officially become law. Law 13,627/2018, which adds the date to the official Brazilian calendar, was signed into law by the Presidency of the Republic on January 16. This marks an important step in the process of professional recognition initiated by CAU/BR and regional CAUs since their creation in 2011. The Council began operating precisely on December 15 so that its establishment would coincide with the birth date of Oscar Niemeyer.

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The open course Arquitetura Paulistana, organized by Estúdio Artigas, offers guided tours of prominent contemporary projects in São Paulo. Accompanied by the architects behind the designs, participants gain insight into each work through the eyes of those who conceived them.

The Brazilian Institute of Geography and Statistics (IBGE) released last week the 2017 edition of the Profile of Brazilian Municipalities (Munic). According to the document, fewer than half of Brazilian cities have structured planning for housing. The report points out that last year, of the country's 5,570 municipalities, 59.6% had some type of housing-directed initiative, but only 39.7% had a Municipal Housing Plan.

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The crowdfunding campaign to produce the 2019 Athos Bulcão Illustrated Calendar is now live. Through November 28, the public can contribute to the production and distribution of 6,000 copies of the calendar. In return, supporters will receive copies of the publication alongside rewards featuring the artist's work, such as bookmarks, postcards, books, tote bags, magnet sets, mouse pads, silver jewelry, and even framed tiles, as well as having their names printed in the acknowledgements section. Supporters can view the rewards and make their contributions on Catarse.

Dresden-based architecture collective ruestungsschmie.de has shared another large-scale video mapping project, this time on the facade of the Church of St. Ludmila in Prague. Titled NUCLEUS³, the project uses audiovisual media to raise the question: what do we expect for the future?

The documentary FILME PAISAGEM, um olhar sobre Roberto Burle Marx (Landscape Film: A Look at Roberto Burle Marx) opens in theaters on November 15, showcasing the Brazilian landscape architect's profound contribution to the country's native flora. Written and directed by João Vargas Penna, the film is a journey through the art and personality of Roberto Burle Marx, who was also a painter, cook, and singer—lesser-known facets of his life to the general public.

The open call for projects for the Brazilian Pavilion at the 16th International Architecture Exhibition of the Venice Biennale closed on Friday, January 19, at 11:00 p.m., after being open to the public for one month. 

The initiative aimed to find projects across Brazil that demonstrate architecture as a tool to mediate conflicts, negotiate transitions between the public and private realms, and articulate connections between distinct urban fabrics. 

The film of the “Lake Pavilion” by depA, produced by Building Pictures, reveals the project's magical side, making viewers feel as though they have stepped into a landscape from the Brothers Grimm's fantastic stories.

However, the landscape is not German, but Portuguese. The project was built on the lake in Serralves Park and remained open between July 2017 and May 2018. It was commissioned for the exhibition “Live Uncertainty: An Exhibition from the 32nd São Paulo Biennial.”

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Fronteira Livre was a process that generated interventions in six stations of the São Paulo Metro Red Line for the 11th Architecture Biennial: Em Projeto. The initiative was collaboratively developed by immigrants, activists, architects, social workers, and artists during a ten-day immersive workshop at CAMI (Immigrant Support Center) in São Paulo.

The theme “Women’s Histories, Feminist Histories” will guide the 2019 exhibition program at the Museu de Arte de São Paulo Assis Chateaubriand (MASP). Six solo exhibitions by female artists—Djanira da Motta e Silva, Tarsila do Amaral, Lina Bo Bardi, Anna Bella Geiger, Leonor Antunes, and Gego—have already been confirmed, alongside a major group exhibition sharing the program's title.