Articles

Videos

“Interiores: Conversaciones en línea” is the title of the series of virtual encounters organized by the Faculty of Architecture, Art, and Design at Universidad Diego Portales (UDP). In this first season, Professor Alberto Sato hosts meetings between renowned architects, including Álvaro Farrú and Enrique Walker, Alejandra Celedón with Cecilia Puga; Mardones with Pezo von Ellrichshausen; Solano Benítez with Mathias Klotz; Smiljan Radic with Alberto Sato; and Fernando Perez with Francisco Liernur.

You can watch these conversations below.

The veranda is one of the architectural elements that most powerfully fosters the connection between interior and exterior spaces. Its precise origins are difficult to pinpoint, as it can be found in vernacular architecture across the East, the Arab world, Europe, and, with particular prominence, Brazil.

+ 16

For the past 14 years, ArchDaily has been committed to delivering inspiring content. Our curators select the best architecture projects from around the world —from renowned firms to emerging practices— to join the world's biggest curated architecture library, while our editors cover the world’s major challenges and avant-garde ideas that are shaping the built environment, reporting from influential as well as emerging events.

As ride-sharing services grow and personal ownership of automobiles declines, office building owners and developers are re-thinking the value of parking structures, and their capacity and ability to convert. As part of the total transformation of One Post Office Square (OPOS), located in the heart of Boston's financial district and designed by Gensler, a new automated parking garage will optimize the use of valuable leasable space, enhance the user experience and create long term flexibility.

Cities around the world are facing new questions of urban flight. As the COVID-19 pandemic spread, it exacerbated a range of living conditions and housing crises, from telecommuting and construction to global economies. As Fast Company reports, almost 40% of those living in cities have considered moving out since the pandemic started. With the possibility of the pandemic stretching on for years, more urbanites are considering the move to rural areas and small towns.

+ 9

+ 3

The Manifesto of Futurism, written by Italian poet Filippo Tommaso Marinetti in 1909, was the rallying cry for the avant-garde movement driven by the writers, musicians, artists, and even architects (among them Antonio Sant'Elia) in the early 20th century. After the manifesto's publication, Futurism quickly came to the forefront of public conscience and opened the way for many other cutting edge movements in the art world and beyond.

While the movement would undergo a significant decline in the years following World War II, it reinvented itself decades later during the Space Age, when faith in technology and industry were at a fever-pitch and the world's powers were racing to put humans on the Moon. All of a sudden, humanity had a new cultural panorama that inspired every facet of society--from musicians, to scientists, to architects. With the combination of engineering and art, not to mention the bountiful scientific achievements of the time, works of architecture turned into works of science fiction. 

Some researchers define the Anthropocene as beginning at the Industrial Revolution. Others identify it with the explosion of the first nuclear bomb, and others with the advent of agriculture. Regarding the precise timeline, there is not yet a scientific consensus. But the notion that human activities have been generating changes with planetary repercussions, whether in the temperature of the Earth, in biomes, or in ecosystems, is one that has become increasingly popular. The anthropocene would be a new geological era marked by the impact of human action on planet Earth. This acknowledgement of human impact is particularly disturbing if we consider that if the entire history of the Earth were condensed in 24 hours, humans would only appear in the last 20 seconds. Whether in the massive extraction of natural resources or in the carbon release from vehicles and industries, it is well known that a large part of the fault lies with construction activities, especially in the production of solid waste due to waste and demolition. In Brazil, for example, civil construction waste can represent between 50% and 70% of the mass of solid urban waste [1]. Many will end up being discarded irregularly or thrown in landfills to be buried indefinitely.

Recycling and upcycling of materials and structures have become more and more popular in architecture as alternatives to the production of components in construction, typically associated with increased energy consumption and high levels of pollutants released into the atmosphere. The main difference between these two methods is that, while the former uses a certain amount of energy to process the material before it is reused, the latter does not require this process, but rather reuses it just as it was discarded.

+ 4

The following text was drafted in response to the first prompt in The Architect's Newspaper's “Post-Pandemic Potentials” series. A previous response, by Mario Carpo, argued that all the changes ushered in by the pandemic are likely to be reversed. Read more about the series here.

As the last of our mid-term reviews were completed in early March, the looming red dots of the COVID-19 tracker were still well east of New Haven—indeed, an ocean away. The design studios on the upper levels of Rudolph Hall were strewn with the typical detritus of the charrette, as our students departed for spring break and a well-earned two-week respite. Within a few days, however, Yale closed our campus out of an abundance of (what is now clearly justified) caution and we had abandoned the building altogether, told our students they would not return to those studios for the rest of term, and were scrambling to heave the entire curriculum into an online mode. Instead of resetting our spaces for the last push of the term, we turned to creating digital collaboration infrastructure, teaching everyone how to use Zoom, and chasing our students around the globe to verify their time zone, home equipment, and connectivity.

+ 16

Historically, natural elements were often the only raw materials indigenous populations used to build their temporary shelters or permanent dwellings. Today, environmental awareness and an interest in ecological construction methods have given rise to more sustainable practices that adapt these procedures to contemporary requirements. In this way, by incorporating biodegradable and low-environmental-impact materials into their projects and blending them with modern resources to enhance their physical properties, architects have successfully revived the ancestral techniques of their regions, forging a path toward green building.

Especially when it comes to public buildings, it is essential that spaces are designed to allow everyone to access them autonomously, regardless of mobility challenges. However, during the design process, aligning a project with accessibility codes can often become a major headache—especially when every single inch counts toward accommodating the required programmatic needs.

To standardize these requirements, NBR 9050 (2015) establishes technical criteria and parameters to be observed in the design, construction, installation, and adaptation of buildings, furniture, spaces, and urban equipment to meet accessibility standards.

A carbon footprint can be defined as the quantification, typically in kilograms (kg) or metric tons (t), of the emissions (and removals) of different greenhouse gases (GHGs) throughout the life cycle of a product, process, or service. There are several GHGs, the most significant of which in terms of global warming and climate change contribution are carbon dioxide (CO₂), methane (CH₄), and nitrous oxide (N₂O).

+ 2

Architect Ayesha Luciano does not know much about her ancestors. Like other descendants of Afro-Brazilian and Indigenous populations, her family history was erased during the colonization of Brazil. This is what philosopher Sueli Carneiro calls epistemicide: the annihilation of knowledge and memories in countries with a history of slavery.

Yet the perpetrators of this genocide have their figures carved in stone, occupying central positions in the country's public spaces. Such is the case with the totemic statue of the bandeirante Borba Gato in the capital of São Paulo, or of Joaquim Pereira Marinho, a trafficker of enslaved people whose statue stands in the center of Salvador (BA). The architect comments:

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? During the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," Archdaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can find all the information about the “Eyes of the City” section, curated by Carlo Ratti, Politecnico di Torino, and SCUT - including exhibits, events, and project's blueprints.

For some years now, a key issue in European debate has catalysed the attention of economists, sociologists, technologists, policymakers and trade unionists: Industry 4.0. Established in Germany in 2012 and initially discussed in an almost exclusively technological key, the issue has overwhelmed the political agenda of the main European economies, stimulating industrial policies and state support, but also provoking heated debates on the future of work and on the new relationship between factory and society.

As the foundation of any architectural design, sketches and drawings have long been known for their ability to allow the architect to interact with his/her design efficiently and express concepts intuitively. While the importance of hand drawing is understood broadly in architectural schools, what happens to those who is incapable of hand drawing? Numerous students have found it extremely difficult to cope with the intensity of hand drawing exercise during their first year in architectural training. Among these students, some would choose to quit architecture simply because they cannot draw well, some would decide to focus more on learning the techniques of computer-generalized design drawings.

When we think of architectural visualization, sketches, drawings, and 3D renderings usually come to mind. This association is natural, as "visualization" is typically equated with imagining a project before it is built—whether to validate aesthetic and functional decisions or to communicate concepts to clients unfamiliar with technical drawings. However, beyond superficial elements like materials, layouts, textures, and colors, architects must also address highly technical, invisible factors that directly impact a building's performance.

Moving forward also means looking back. Fulfilling the mission of creating safe and inclusive bathrooms that meet the needs of a diverse range of people of different ages, genders, religions, and abilities requires a broad perspective. To understand how we arrived at the current "stalemate" regarding the debate over the design of these spaces, we must consider that bathrooms were and are designed within a particular social and historical context.

The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.

This week David and Marina are joined by Anne Fougeron, award-winning architect and founder of Fougeron Architecture, to discuss her work, city densities, creating good urban spaces with architecture, women, and equality in architecture, design processes, partnering with other offices and more! This episode is part of a series produced with the support of the SF Urban Program, Architecture Department, Cal Poly. Enjoy!