Articles

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The orthogonal grid is the manifestation of a principle of order, a condition reinforced by the repetition of elements that express the structural rationality embedded in an aesthetic system. There is also a sense of freedom celebrated by decoupling structure from walls which, combined with pragmatic efficiency, keeps structural grids a constant presence in buildings of various scales both in Brazil and around the world.

In technical terms, structural grids are composed of linear elements—specifically beams—situated on a single plane to form a mesh capable of resisting structural loads. Typically, they feature regular spacing crossing at right angles, with dimensions that vary depending on the material used.

Videos

In 2017, Escola da Cidade—through its Seminar on Culture and Contemporary Reality course, then coordinated by Professor José Guilherme Pereira—welcomed anthropologist and PhD in Social Sciences Manuela Carneiro da Cunha to discuss the history, spatialization, and daily life of Indigenous peoples in Brazil, highlighting issues from not only a cultural standpoint, but also a legal and environmental one.

Videos

As part of an initiative to document the history of Monterrey, Nuevo León, Mexico, REGIOPOLIS emerged as a documentary video series narrated from the perspective of the city's creators, aiming to leave an architectural record of the Monterrey metropolis. Each episode showcases some of the most significant works that laid the foundation for its urban fabric, exploring the historic and emblematic architecture built to this day.

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Wood in architecture, when properly managed, is often associated with sustainability but also with a sense of comfort and coziness. Well-designed joinery can provide versatility and uniqueness to interior design, among so many other benefits.

As we are entering 2021 after a year of anxiety and uncertainties, what are your expectation for our future? The UN75 survey reports that most people around the world hold greater optimism for the future: “Globally, many more respondents believe people will be better off in 2045 than today (49%) compared to those who believe people will be worse off (32%).”

This article was originally published on Common Edge.

For most people, calling a place “sacred” designates it as an important location, one usually associated with spirituality. It might be the setting for religious rituals (the sacred space of a church, synagogue, or mosque), a spot where some event described as “miraculous” has occurred (such as the reported sighting of the Virgin Mary in Lourdes, France, which became a pilgrimage site), or a place which held the body of deity (think of the Church of the Holy Sepulchre in Jerusalem, built upon what is believed the be the tomb of Jesus Christ). 

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Published in book format by Wustavo Quiroga and Juan Ruades, “Intermitencia. Diseño Mendocino” (Intermittence: Design from Mendoza) is an investigation that explores the development and trajectory of both architecture and other design disciplines in the province of Mendoza, Argentina. Spanning from the 1930s to the present, the book incorporates political events, pivotal moments, and intersecting histories that shed light on the evolution and cross-cutting connections linking industrial, graphic, product, and architectural design in the province, serving as a key resource for consolidating a federal narrative of Argentine design.

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Nayarit is a state located in western Mexico, bordered by the states of Sinaloa, Durango, Zacatecas, and Jalisco, and facing the Pacific Ocean. With an area of 27,815 km², it is the country's ninth-smallest state. Its capital and most populous city is Tepic. Other notable localities include Nuevo Vallarta, Valle de Banderas, Ixtlán del Río, San Blas, Santiago Ixcuintla, Acaponeta, Compostela, Jala, Santa María del Oro, Rosamorada, Xalisco, San Pedro Lagunillas, Tecuala, and Huajicori.

Videos

The term ‘open concept’ is popular with house-flipping television shows and real estate descriptions for lofts or contemporary style homes. However, the phrase is absent from the architect’s lexicon, likely due to a much more robust vocabulary and archive of precedents for describing the continuity of space in a domestic environment. This video is the second in a series that breaks down various ‘open concepts’ in architecture. The first video was dedicated to the ‘Organic Plan’ of Frank Lloyd Wright and this one takes a closer look at the ‘Free Plan’ of Le Corbusier. Through comparisons with Wright and supported with examples from the Five Points of a Modern Architecture, ‘Free Plans’ are presented as a unique way of understanding the coherence of space.

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The progressive departure of factories from cities, often due to environmental regulations, noise ordinances, or the price of real estate, has left many urban manufacturing facilities abandoned and out of use. As these urban factories are left empty, many adventurous developers are taking advantage of the plentiful space, light, and flexible functions that they offer, leading to a residential revitalization in many of the world's defunct manufacturing facilities.   

In dystopian films, it is a common trope to depict the sky as filled with a thick fog, blocking the sun's rays and bringing a dark atmosphere to the scenes. Whether in Blade Runner or in a Black Mirror episode, the lack of sun commonly represents a future we would rather not live in. The sun provides heat to planet Earth and is a great source of light energy, essential for the survival of many living creatures. We can generate electricity from the sun and still use only a fraction of the energy it provides. Sunlight also regulates our circadian cycle, which affects our mood. But recent forest fires and industrial pollution in some large cities have already made the dystopian blockage of sun a relatively common phenomenon, depriving hours of sunshine from many inhabitants. Concurrently, with the COVID-19 pandemic, we are living a plot that few science fiction writers could have predicted, and new technologies and solutions have emerged to try to contain the spread of this invisible enemy. Can the sun, or specifically ultraviolet radiation, kill viruses and bacteria? Could it kill the coronavirus?

Almost 6 months ago, on August 4^th, 2020, the city of Beirut was shaken by one of the biggest non-nuclear blasts in history. Leaving the northern side of the capital in ruins, the explosion damaged around 40,000 buildings. New contemporary structures completed recently by local international architects are now facing reconstruction dilemmas, raising existential questions such as: How should reconstruction efforts of “new” damaged buildings look like? Should architects rebuild them as they were before the blast, erasing what has happened or should they leave scars and portray new realities?

In order to explore ideas and highlight different perspectives, ArchDaily had the chance to sit with three architects whose buildings were impacted by the blast. Bernard Khoury, Paul Kaloustian, and Lina Ghotmeh talked about their projects and their vision of the reconstruction of Beirut with ArchDaily's Managing Editor, Christele Harrouk, alongside Architectural Photographer Laurian Ghinitoiu, who documented in a featured photo series the extent of the destruction.

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Since immemorial time, humans have constructed their shelter and homes using wood. Gradually these structures grew more complex, but wood has continued to play a fundamental role in architecture and construction. Today, especially due to growing concerns about climate change and carbon emissions, wood has been regaining significance as an important building material for the future, if used consciously and sustainably. Wood’s structural performance capabilities make it appropriate for a broad range of applications—from the light-duty repetitive framing common in low and mid-rise structures to the larger and heavier, often hybrid systems, used to build arenas, offices, universities and other buildings where long spans and tall walls are required.

From climate crisis to How Will We Live Together, as we face the current and accentuated global challenges many of our ideas about the cities of tomorrow are changing. So how will the city of the future be?

Do you know a great example of high density living environments built within the last 30 years? Share your knowledge and contribute to the creation of an open repository via Crowd Creation. To be truly exemplary, the area should include a mixture of functions (at least some of them high-rise) where the physical fabric retains a human scale at street level despite the high density.

Skylines are icons that intrigue people through their urban complexity, shaping character and defining a sense of place. As Kevin Lynch noted in his classic “The Image of the City,” the visual landscape of a city can be treated as an object of varied, unpredictable meanings. While we can envision a clear image when building a city, its true definitions emerge indirectly over the course of its development. In other words, as cities evolve, their skylines evolve alongside them in unpredictable ways.

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Many architects tend to prefer using materials and architectural elements in their natural or raw state. It is common to remove ceilings and finishings, especially in renovation projects, to expose a building's structure. This process of reclaiming the natural materials of construction - without incorporating elements to cover the framework, pipes, tubes, and cables - transforms these spaces into places that have nothing to hide.

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"And a window that looks out on Corcovado. Oh, how lovely." Tom Jobim's lyrics, immortalized by João Gilberto and Astrud Gilberto's voices and a soft guitar, was one of the early songs that introduced the world to the idea of a paradisaical Rio de Janeiro and a promising Brazil, with an increasingly urban population and a modern capital being built from nothing. Almost 60 years later, Paulo Mendes da Rocha casually quotes this song in an interview and points out that for him, in this scene, the most important element is the window, not Corcovado or Christ the Redeemer. That's because it frames the view and directs our eyes to what matters. It is a phrase that goes almost unnoticed, but that carries enormous poetic and artistic significance to the craft of architecture.