Articles

In order to secure the food supply for Berlin's rapidly growing population at the end of the 19th century, the Kornversuchsspeicher was built in 1898 on the former site of the Hamburger and Lehrter freight depots. A building with a scientific mission, it served to research new storage methods for grain. After years of vacancy and then interim use as a creative space, the brick building has been carefully renovated in recent years by AFF Architekten, extended with the addition of a seventh floor and transformed into a modern event, gastronomy and office building, with a focus on fully preserving its industrial charm. This was a project that called for great expertise in all areas, including from Solarlux, the specialist called upon for customized window and facade solutions.

Solar heating has existed in architecture since ancient times, when people used adobe and stone walls to trap heat during the day and slowly release it at night. In its modern form, however, solar heating first developed in the 1920s, when European architects began experimenting with passive solar methods in mass housing. In Germany, Otto Haesler, Walter Gropius, and others designed schematic Zeilenbau flats that optimized sunlight, and following the import of “heliotropic housing” to the U.S., wartime fuel shortages during World War II quickly popularized passive solar heating. Variations of this system then proliferated around the world, but it was not until 1967 that the first Trombe wall was implemented by architect Jacques Michel in Odeillo, France. Named after engineer Felix Trombe, the system combines glass and a dark, heat-absorbing material to conduct heat slowly into the house.

Despite operating from distinct offices in Portugal, brothers Manoel and Francisco have forged their professional paths in tandem, collectively known as Aires Mateus, a shared surname. As a cohesive duo, these Portuguese architects have left their mark on projects across multiple countries, establishing themselves as a benchmark in contemporary architecture. They are praised for their innovative and elegant designs, gaining global acclaim for their ability to integrate simplicity, tradition, and functionality.

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A familiar attraction in more populous cities, bistros are said to have been born in Paris, where enterprising residents would set up makeshift stalls in front of their homes, selling their leftover produce to earn a little extra income. What started out as a neat little side hustle turned into the homely or perhaps even cozy restaurants and café spaces we know as bistros today. With minimal space inside their small-scale premises, these small-scale eateries often continue their ancestors’ traditions and pitch up tables and chairs outside.

Fighting for their lives in the hazy pandemic months, small hospitality spaces took advantage when major cities relaxed their rules surrounding outdoor dining. Anywhere and everywhere from piazza-facing pizzerias in Porto to cobbled back-alley sandwich bars in Edinburgh cordoned off what little space they had with as many tables and chairs as they could. Enabling safe fresh-air dining, the furniture also served to entice customers in – once allowed.

Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.

To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.

As technology and infrastructure rapidly evolve, a new buzzword finds itself in conversations across industries - innovation. The word is more relevant in light of future-facing challenges such as climate change, inequality, and economic crises. As a result of a surging interest in these concepts, innovation hubs have emerged across the world, aiming to foster creative and collaborative economies to spark quick change. What are innovation districts and how do they influence the built environment?

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What insulation materials are needed to meet the challenges facing the modern built environment, including how to create a more sustainable future? What if some of them are already available? Kingspan’s dedicated innovation center, IKON, hosted a panel of experts to discuss some of the key issues and explore solutions. Michael Bol, an architect and Concepting Director at Buro Kade, Benjamin Constant, Director of Development and Partnerships at Neo-Eco Partner, and Sandra Del Bove, Kingspan Group Head of Innovation, each brought a different perspective and shared their experiences of these crucial issues.

Being one of the first construction methods developed by humans, earth has proven its resilience and durability over time. While construction techniques have evolved and been updated over the years, there is still a long way to explore where the understanding of climate, geographic location, sustainability, structural requirements, and other factors determine its degree of application.

With low environmental impact and the ability to be used through a wide variety of techniques, such as rammed earth walls or 'tapiales,' this material offers the possibility of providing not only aesthetic but also thermal comfort, insulation, and other benefits. With the intention of discovering the different ways it has been used, we set out to select 12 projects distributed throughout Latin America, spanning Argentina, Brazil, Bolivia, Chile, Mexico, Paraguay, Peru, and Ecuador.

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Bricks are versatile and long-lasting building materials that combine technical and aesthetic qualities. In a variety of shapes, dimensions, textures, and colors –depending on the manufacturing process and type of clay– incorporating bricks into architecture creates dynamic facades and structures. From traditional to modern styles, these versatile elements can be arranged in different patterns and easily integrated with other building materials, enabling diverse architectural expressions. In addition to these qualities, the use of bricks in contemporary architecture is distinguished by experimenting with placement, orientation, and material textures, as well as embracing minimalistic design principles focused on simple and clean lines.

Among the different types of bricks, designing with a linear or elongated style involves playing with horizontal and vertical arrangements –or a combination of both– creating modular patterns for a rhythmic and harmonious visual appeal. Following this format, Randers Tegl has developed the Ultima waterstruck brick collection, which integrates craftsmanship, high-quality materials, and timeless appeal. By analyzing various projects, we showcase how the aesthetics of linear bricks are applied in contemporary architecture.

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Few countries showcase living history like China. From the iconic Forbidden City to diverse landscapes and building styles, China has a rich cultural and architectural legacy. As the world’s largest construction market, the country continues to invest in new projects. At the same time, this rapid urbanization and accelerated development is juxtaposed with ancient building sites intertwined with layers of history and collective memory.

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Local communities are more than just a collection of buildings and infrastructure. They possess a distinctive architectural character that mirrors their history, culture, and values. As part of our year in review, we take a deep dive into the top narratives that examine the architectural identity of different local communities.

These stories explore a wide range of topics, including unique geographic territories, cultural tribes, iconic landmarks, communal collaboration, and socio-ecological urban planning. Through these narratives, we uncover the captivating tales behind the buildings and public spaces that shape certain cities and towns.

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The Choctaw Casino and Resort expansion in Durant, OK, USA, completed in 2021, included enlarging the casino, adding 1,000 hotel rooms, conference areas, shops, and other amenities. The entire undertaking was accomplished in just 2.5 years, with an impressive 350,000 square feet of tile installed within a mere six months. The core focus of the project was to waterproof approximately 1,200 showers to ensure their longevity. The combination of high-quality installation systems, thorough training, effective communication, and collaboration were pivotal in achieving alignment on project goals and execution.

Sameer Makarius was born in Cairo in 1924. In 1933, he immigrated with his family to Berlin. At the age of ten, his father gifted him a camera, marking the beginning of his journey with photography. Following the outbreak of the Second World War, in 1940, they moved to Budapest, where he completed his secondary education, began his artistic training, and connected with the protagonists of the local avant-garde. In 1946, he embarked on his return to Egypt with a prior stop in Zurich. There, he organized an exhibition of Hungarian modern art with the support of Max Bill. Back in Cairo, he worked as a decorative artist for advertising and also for an architecture and construction studio.

His artistic work arrived in the Río de La Plata a few years before he did, through his partner Eva Reiner, who was already living in Argentina with her family. In 1948, she lent one of his works for the MADI art exhibition organized in the workshop of the German sculptor Martin Blaszko. After marrying Eva in Egypt in 1952, they traveled together to Paris, where they worked as pattern designers. They finally arrived in Buenos Aires in April 1953, a city that would become their permanent residence. His migratory journey was marked by the drama of war. At the same time, during these displacements, Makarius built a network of relationships around photography, visual arts, and architecture that allowed him to unfold his work in various territories and formats.

When it comes to windows, we can see how much the industry's technology has evolved over time. While the first versions of windows were small and not very transparent, today we can find large sheets of glass that blur the boundaries between the inside and outside, and can create virtually translucent façades. And this doesn't have to be limited to fixed glass. These days, we can use huge glazed surfaces that can be easily handled, thanks to a great deal of research and experimentation by manufacturers to improve components and raw materials. To create a large frame, for example, larger furnaces are needed for tempering, and strict technical control is required, demanding precision and high-quality standards, along with structural bonding using modified silicones and silyl-based polymers.

Arnau Rovira is a photographer who found himself in Turkmenistan by accident. From Barcelona, he recalls the story of how he found himself in its capital, Ashgabat, accompanying sports journalists for the 2017 Asian Indoor and Martial Arts Games. This Central Asian country, a former colony of the USSR, is known not only for its strict access and control restrictions but also for its white and golden structures that create a futuristic city near the border with Iran.

There are numerous intersections between art and architecture, including aesthetic enjoyment, formal element composition, the relationship with the environment, and abstraction. The unique combinations of these aspects distinguish each architecture office or artist in their practice and language. Diogo Aguiar Studio is an architecture office that actively explores these intersections, pushing the boundaries that traditionally separate art from architecture.

Each project is built on the dynamic interaction between architecture and art, serving as its foundation and driving force. This approach yields work that addresses functional requirements and ventures into uncharted territories of spatial research. Notably, materials exploration and sensory aspects in both architectural and immersive artistic spaces stand out as a significant aspects of their endeavors.

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Trends always come and go in the ever-evolving, somewhat cyclical landscape of interior architecture. Whether it’s a new aesthetic, an innovative wall treatment or the latest viral color, certain design features rise to prominence all the time in this dynamic industry. Some fade as quickly as they emerge or resurface in new forms years later, while others endure and stand the test of time through continuous reinvention –often thanks to their versatile and adaptable nature. Ribbed paneling is a clear example of the latter. With its ability to add texture and visual allure to various design styles, it has been a popular cladding choice for bedrooms, kitchens and living spaces in recent decades. And now more than ever, fitting with current preferences that lean towards sleek, tactile and structured elements, it has consolidated its presence in contemporary residential interiors.

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Whether through small samples of materials or a digital collage, a moodboard is a valuable project tool for architects and designers; an inspiration board with colors and elements to guide choices. The objective is to use this as an inspirational tool for upcoming projects, in order to define backgrounds, predominant textures, and standout details. To this end, surfaces play a fundamental role in defining a space and setting the tone of the space, just like a piece of music, where all the other elements may or may not match the harmony of the chosen palette.