From 15-17 November, leading roof window manufacturer VELUX will host its Build for Life Conference 2021, with the goal of developing more sustainable strategies for the building industry.

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For the eighth time, the MEXTRÓPOLI Architecture and City Festival held the Arquine No. 23 | MEXTRÓPOLI 2021 Pavilion competition, a platform where architecture, urbanism, and art meet to reflect on and celebrate Mexico City. The event also aims to engage citizens by occupying public spaces with architectural interventions that can be activated by visitors. Celebrating public space and offering a fresh perspective on everyday pathways is precisely why MEXTRÓPOLI showcases these ephemeral works of architecture.

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On October 5, Design House opened in Mexico City. As in previous years, the event showcases a series of installations integrating disciplines like design, architecture, and interior design. For nine years, across various venues, it has presented cutting-edge proposals from more than one hundred participating firms in collaboration with the showrooms of the Design Route, which provide the furniture and accessories that make up each space.

Australian duo Simulaa and Natalie Alima have won the competition for the 2022 Tallinn Architecture Biennale in Estonia with an installation made of mushrooms. Titled Burlasite, the structure's base will employ 3D printing technology that will be taken over by mycelia over time. The proposal highlights repurposing and reusing local materials, and how humans can create sustainable designs with invention and environmental adaptation. The Tallinn Architecture Biennale will open to the public on September 7th, 2022, and the installation will be on display until 2024 in front of the Museum of Estonian Architecture.

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The first quadrant of OMA’s Berlin KaDeWe department store transformation opened its doors to the public, revealing a new approach to retail design in the age of online shopping and shifting consumer behaviour. The masterplan divides the historic building, the largest department store in continental Europe, into four smaller, easily accessible and navigable sectors. The completed quadrant features a six-storey void containing a series of escalators and simultaneously acting as circulation, retail and event space.

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While some countries are just beginning to harness their wind energy potential, others are already replacing older turbines with newer, more efficient models. This transition has raised a critical question: what should be done with the decommissioned turbine blades, which are massive and notoriously difficult to recycle?

Wind energy technology has advanced rapidly over the past 15 years. Given the 20-year lifespan of current wind turbine blades, they will need to be disposed of in the near future. In response, industry companies established the Re-Wind program, which supports researchers worldwide in finding alternatives for reusing turbine materials. The project explores the potential of repurposing these blades into architectural and engineering structures. 

Videos

In the beginning of 2020 the talk series Architects, not Architecture (AnA) decided to go digital adapting to the restrictions for cultural events due to the covid-19 pandemic. Throughout the whole year and into the first quarter of 2021 their new talk series dubbed Virtual World Tour (VWT) expanded their reach from a Eurocentric approach to a global talk series, unfolding intellectual biographies of renowned and relevant international architects through the screens of thousands of viewers in their homes. 

Ennead Architects have been chosen out of a three-part open international competition to design the new International Performance Center in Shenzhen, China. Dubbed 'The People’s Performing Arts Center', the project will be a part of a major cultural development that further marks the city as a metropolitan destination and reinforces the global arts community in the city.

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Hiroshi Sambuichi and The Cisterns in Copenhagen reveal plans for a fourth chamber to extend the exhibition space with another immersive artistic experience, further establishing the venue as a cultural destination. The design continues the succession of spaces within the former water reservoir with a new room featuring a transparent roof with light filtering through the water from a recreated water basin located above, on the Frederiksberg Castle grounds. The sharp contrast between the existing Cisterns and the proposal highlights a unique spatial experience, where the natural elements are quintessential.

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Ocamica Tudanca Arquitectos, led by Iñigo Tudanca and Iñigo Ocamica, has been named the winner of the 2021 Peña Ganchegui Prize — established to recognize young talent in Basque architecture and organized biennially by the Peña Ganchegui Archive in collaboration with the Directorate of Housing and Architecture of the Basque Government.

Warsaw Home & Contract is a welcome opportunity for architects and interior designers to re-establish business relationships, establish new ones and discover the latest ideas generated by Poland’s burgeoning design community.

Sid Lee Architecture's Les Ateliers Cabot has won the 2nd edition of Montreal's C40 Reinventing Cities, a competition that "aims to encourage carbon neutral urban regeneration and to implement the most innovative ideas for transforming underutilized sites into hotspots of highly sustainable development and resilience, and to serve as a model for future developments". The winning proposal reimagines traditional development objectives, replacing economic profitability with the benefits derived from the relationship between man and the planet.

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The new Kremlin museum set within the UNESCO protected museum ensemble in Red Square nestles a contemporary structure within the vast courtyard of a 19th-century building. Designed by Moscow-based practices NOWADAYS office and Meganom, the project will house the vast Armory collection, of which only 30% is currently available to the public with the Kremlin walls. The refurbishment of the historic Middle Trading Rows building, together with the new extension, complement each other, creating a diverse and complex museum experience.

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In a post-Covid period of reinvention, Porto-based furniture brand Hamilton Conte is embracing modularity, new shapes and above all, comfort.

Architecture-in-Development (A--D) is proud to announce the six finalists of the 2021 Global Challenge. A--D will partner with these six teams in a 6-month accelerator programme aiming to match potential partners, collaborators and resources to each project’s critical needs - giving the teams the opportunity to build the necessary capacity to bring their projects to life.

The architectural competition for the San Juan de Dios Hospital Complex in Bogotá was organized by the Urban Renovation and Development Agency (ERU) with advisory support from the Colombian Society of Architects. The goal was to reconnect and integrate the complex with its surrounding neighborhoods and the city center. This involves upgrading both the interior green areas and the peripheral public space, designing the plazas, pedestrian pathways, and interior gardens, as well as proposing options for pedestrian corridors and internal enclosures. In turn, the intervention will integrate the southern edge of the complex with the Policarpa and Sevilla neighborhoods, the north with the San Bernardo neighborhood, and the east with Las Cruces.

CRA-Carlo Ratti Associati and Italo Rota Building Office, along with Matteo Gatto and F&M Ingegneria designed the Italian Pavilion at the Expo 2020 Dubai with a focus on reconfigurable architecture and circularity. The architects used orange peel, coffee ground, algae, and sand as construction materials, along with recycled plastic for the façade's ropes and boat hulls for the roof. The architectural design of the pavilion and the materials used create a natural climate mitigation system that substitutes for air conditioning.

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Italian architecture practice Spacelab designed an energy self-sufficient shelter for temporary use, a parametric project that can be built without foundations on any site, leaving no trace and no damage to the site at the end of its life cycle. Named Zero in reference to the lack of waste during construction or removal and its zero-emissions operation, the structure can be demounted and reassembled multiple times, tapping into issues of circular economy, impermanence and reuse.

Studio Gang has designed a honeycomb-shaped residential building, titled One Delisle that offers residents an all-year-round outdoor patio overlooking Toronto, Canada. The project is designed as a windbreaker inspired by a German beach chair known as the Strandkorb. The tower will include up to 47 floors, with each distinct penthouse spanning one-third or one-half of the 16-sided building, and will offer residents hotel-style amenities.

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The Netherlands Pavilion at Expo 2020 Dubai proposes a circular climate system that harvests water, energy, manufactures rain and produces food, creating a temporary biotope that embodies the fusion between art, architecture and technology. Designed by V8 Architects, with a visitor experience curated by Kossmanndejong, the pavilion creates a multi-sensory narrative around natural phenomena. Industrial materials like metal sheets, steel tubes, ducts and pipes blend unexpectedly with vegetation and textile fabrics to create a spatial journey culminating in a centrepiece that provides a tranquil stop amidst the bustle of the Expo.

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The new Kaijo and Canyon surfaces by designer Markus Bischof for Agrob Buchtal may differ significantly in form, but both create striking, geometric facades.

Snøhetta revealed its design for Duett Düsseldorf, a new opera house set to become the German city’s new cultural destination. Stemming from the horizontal volume containing the new music venue are two sloping towers containing a hotel, restaurants, office spaces and residential units, creating a multi-layered development serving the arts and culture scene of Düsseldorf. Neighbouring the historic Hofgarten park and the Rhein river, the project’s ground-level blurs the boundaries between indoor and outdoor, with a glass façade revealing a cultural wood wall within the foyer, welcoming users to the opera house.

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Andreas Ruby, Director of the Swiss Architecture Museum shares his thoughts on the wrapped Arc de Triomphe installation by Christo and Jeanne-Claude, in a 3 part essay, converting a monument glorifying war into a monument of decolonization. The temporary installation opened to the public on September 18, 2021, and will be dismantled starting October 3, 2021.

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Working smarter, not harder is the goal of every business; but in architecture, where margins can be thin, it’s an imperative. So how do firms work smarter without spending tons of time wising up? By leveraging artificial intelligence—or AI. 

Put simply, AI analyzes huge datasets to solve the historically unsolvable. AI unburdens people from time-consuming activities, like planning projects and work. Our brains aren’t wired to manage dozens of conflicting schedule dates, projects, and staff. But Mosaic—AI-powered resource management software—is here to help architects effectively plan.