Fazlur Rahman Khan was a pioneer in the structural engineering of tall buildings. After buildings exceed sixty stories height, gravity loads account for a smaller proportion of structural weight than wind loads. Khan developed the tubed truss tower design to stiffen the building at taller heights without adding significant weight. The tube design had the added consequence of pushing the structure out to the exterior of the building to become part of its architectural expression. However, the acceptance of visible steel trusses was a slow process that parallels the acceptance of engineering infrastructure like bridges as aesthetic productions. This video traces a lineage of this process from Eiffel — who’s pylon designs look much like the Hancock Tower — to today.
What style is it? This is a common initial question people ask to learn more about a building. For architects, this seems like a poor entry point and the initiating question can seem naive and trivial. This varying degree of attentiveness to a building’s style leads to an impasse between the public—that wants to understand the built environment—and architects eager to share the nuances of their discipline.
With over 100,000 votes cast during the last three weeks, we are happy to present the winners of the 2022 ArchDaily Building of the Year Awards. This peer-based, crowdsourced architecture award showcases projects chosen by ArchDaily readers who filtered thousands of projects down to the 15 best works featured on ArchDaily in 2021.
As in previous years, the winners showcase a wide spectrum of different types of building, giving an insight into how diverse the profession has become in recent decades. High-profile practices take their place as ever, with winners such as MVRDV's Housing project in Bordeaux and Kengo Kuma's Casa Batllo's installation, showing that establishment firms are still able to make their mark, as in more traditional award systems. Alongside these are previously unsung heroes, such as PALMA and HANGHAR with their project, Types of Spaces. Among the winners, we also find Ca'n Terra House by ENSAMBLE STUDIO and Plaza of Kanagawa Institute of Technology by Junya Ishigami + Associates, extremely creative projects that today challenge their typologies.
But for all their many beautiful differences, the winners share a crucial element in common: they represent the values of our mission, to bring inspiration, knowledge, and tools to architects everywhere. Neither ArchDaily nor the Building of the Year Awards would be possible without the continued generosity of the firms that choose to publish their projects with ArchDaily every year, or without the engaged readers who take part in the voting process.
The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
Interior Urbanism describes interior spaces so large that they behave like cities. These kinds of constructions can develop either as an adoc growth over time, or as a planned and cohesively designed set of volumes. Each approach has its own opportunities and problems when it comes to efficiency and architectural integrity. This video explores both and uses Chicago’s Pedway and John Portman’s Hyatt Regency near O’Hare airport as examples. Stewart Hicks visits these examples, discusses the implications of bringing our urbanism indoors, and compares and contrasts the spatial qualities of each — the contingent and gritty urbanism of the Pedway, with the pristine perfection of the hotel lobby and conference center.
We invite you to participate in the ArchDaily Building of the Year Awards. We ask you to recognize and reward the projects that you feel are creating the largest impact in the built environment, that ArchDaily has published on our projects database in 2021. By voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from countries large and small, and architects of all descriptions. Already 4000 projects have been filtered down to just 75 finalists – representing the best in each project category on ArchDaily.
Remember, registered users will be able to vote for their favorite project for each of the 15 categories included in the Awards. One vote per category. Voting ends on February 17th, 2022 at 12:01 AM (EST). Thank you once again for helping us continue to democratize architectural excellence across the world.
After 2 weeks of voting in our 13th edition of the Building of the Year Awards, our readers, with over 110,000 votes, have narrowed down over 4,500 projects to just 75 finalists, representing the best architecture published on ArchDaily. With finalists from five continents, this award developed in partnership with Dornbracht demonstrates that the trust placed in us by our readers to reflect architectural trends from regions around the whole world creates challenges that we are eager to rise to.
Now that the finalists have been selected, the second stage of the Award is now underway to narrow down these 75 projects to just 15 winners, the best of each category.
The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
It has been a vibrant few days of voting for the Building of the Year Awards. With more than 100,000 votes, gathered up till now, this prize has shown to be, one of the most relevant and democratic in the architecture community.
Until February 9th at 00:01 (EST), you have the chance to reward the architecture you love. It is your collective intelligence that will filter over 4,500 projects down to just 75 finalists.
The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
This video explores the case for understanding buildings as non-human creatures. While this might sound absurd at first, the concept has a long history and potentially very positive tangible outcomes. Buildings need to be cultivated like a garden; they require maintenance and care. If they are alive, the need for this care becomes more obvious and second nature. This conceit also prompts us to empathize with the people that conceived of and built the building, treating the human labor of its construction with admiration and reverie.
Videos
Cedric Price. Potteries Thinkbelt. Cedric Price fonds, Canadian Centre for Architecture, Montréal. Image Courtesy of CCA
All buildings move — of course, some more than others. There are a host of design considerations that architects keep in mind that allow for, or even promote movement in almost every building. But some architects fall back on their training as broad-based thinkers and problem solvers to devise solutions that literally roam the earth. From tiny homes on wheels, to train-based educational institutions, to design programs in a truck, sometimes buildings and architecture need to travel to the people it serves or to other environments. This video features a few examples on this spectrum, beginning with how architects typically deal with movement in structures and foundations, to Cedric Price’s Potteries Thinkbelt, and finally Chicago Mobile Makers, a traveling maker workshop for children founded by Maya Bird Murphy.
Architecture and fashion seem like unlikely bedfellows. However, in more ways than one, they are cut from the same cloth. Ancient nomadic tribes lived in shelters made of cloth and animal furs, the very same materials used for clothes. So, clothes and buildings were made from the same craftspeople. Over time, as our constructions filled the basic needs for protecting the human body, these pursuits were elevated into distinct artforms. Today, designers like Virgil Abloh, formally trained as an architect, stitch the two pursuits back together with shows that reference designs by Mies van der Rohe, or jackets filled with puffy 3D buildings. Fashion retail environments also bring space and clothes together, often in thoughtful and interesting ways. This video looks at the history of architecture and fashion and visits a fashion retail store in Chicago called Notre, designed by Norman Kelley.
Videos
Catie Newell by Alibi Studio. Image Courtesy of Stewart Hicks
Buildings are like bodies with organs. When this is the case, with a little extra effort, buildings can be dismantled instead of demolishing them. Dismantling involves carefully removing salvageable components, storing them, and finding them new homes. While this solution is not always possible, it can be part of a sustainable effort that — in addition to keeping material out of landfills — preserves the history and memory embedded within unique materials and fragments. It also honors the human labor invested in our environment. This video explores the reuse of building materials and what it means to be surrounded by fragments with history. It also profiles institutions dedicated to the dismantling and dissemination of building materials, as well as artistic practices that reconfigure our existing built environment including Noah Purifoy and Catie Newell of Alibi Studio.
Data shows that many more people are living alone, but the surprising fact is that living alone does not necessarily correspond with an increase in feelings of loneliness. Architecture has been evolving towards increases in privacy and private space for centuries. This video looks at architectural designs that attempt to reverse those trends by designing living scenarios that incorporate more opportunities for public engagement. These include Studio Gang’s City Hyde Park project in Chicago with its angled balconies. But the video goes deeper to look at examples that radically rethink residential architecture, its construction, design, and inclusion of public space.
Adaptive Reuse is an important aspect of managing a sustainable existence. Buildings contain massive amounts of embodied energy and the more we can adapt and repurpose them, the better. Buildings are also repositories of collective memories and histories. As we modify them, these layer in new and interesting ways. This video explores the topic through the case study of ‘The Plant,’ a food incubator in Chicago housed within a former pork processing facility. The building’s location and existing infrastructure made it a perfect candidate for its new purpose. John Edel, the founder of the Plant, has also made every effort to showcase the building’s history and to honor its heritage throughout the process of adaptation.
This video follows Hiba Bhatty, an architect at Valerio Dewalt Train in Chicago, through a day on the job. The daily activities of an architect can sometimes seem mysterious. This is likely due to the fact that no day is really “typical.” Designing buildings goes through multiple phases, each with very different responsibilities.
How do we decide which buildings are worth saving and which ones aren’t with regards to a building’s design significance? This video tells the story of the Portland Building by Michael Graves, a building with a tumultuous history that was ultimately saved from the wrecking ball when the city raised nearly $200 million to renovate the aging structure. This was spurred, in part, by the building’s inclusion on the National Historic Places list. But, that is only part of the story. What does it mean to be an Historic Place or Landmark because of architectural design? Does this distinction help to save it from premature demolition? The answers to these questions might surprise you.
Winston Churchill once said: "We shape our buildings; thereafter they shape us." This quote almost seems written specifically for the architecture design firm Kwong von Glinow. Alison von Glinow and Lap Chi Kwong are married and partners in practice. For the last couple years, they’ve been designing and building their own live/work building in a northern neighborhood of Chicago called Edgewater. A model of the house lived in their dining room for months as they conceived of the house, making daily changes until it was constructed and they could move in. They shaped the design, now it shapes them. In this video, Kwong von Glinow takes us through this building — called the Ardmore House — and they explain how they designed it, what it’s like to live in, and how it has shaped their work since.
On November 17th, 2021, as a part of the second season of the Virtual World Tour, Architects, not Architecture had the honor to have as guest the 2013 Pritzker Prize Toyo Ito.
We all might be familiar with his works, but how much do we know about his biography and about the vicissitudes that shaped him?
The Architecture Drawing Prize is celebrating its fifth year and continues to attract outstanding entries from around the world. This year has been exceptional in the number and strength of student submissions the Prize has attracted across its three categories for entry: hand-drawn, hybrid and digital. In fact, the winning drawings for all three categories are by students.
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