Becky Quintal is the Head of Content at ArchDaily, where she oversees the publication of ArchDaily and its global sites in English, Spanish, Portuguese and Chinese. Prior to assuming her role at ArchDaily, Becky worked as an editor for leading architecture firms OMA/AMO, BIG (Bjarke Ingels Group) and Reiser + Umemoto. She also worked as an editor for Princeton University School of Architecture and Harvard University's Graduate School of Design. She holds degrees from Princeton University, Harvard University and the School of Visual Arts.
There are at least as many definitions of architecture as there are architects or people who comment on the practice of it. While some embrace it as art, others defend architecture’s seminal social responsibility as its most definitive attribute. To begin a sentence with “Architecture is” is a bold step into treacherous territory. And yet, many of us have uttered — or at least thought— “Architecture is…” while we’ve toiled away on an important project, or reflected on why we’ve chosen this professional path.
Most days, architecture is a tough practice; on others, it is wonderfully satisfying. Perhaps, though, most importantly, architecture is accommodating and inherently open to possibility.
This collection of statements illustrates the changing breadth of architecture’s significance; we may define it differently when talking among peers, or adjust our statements for outsiders.
Can tablets help architects better conceive and execute their designs? If you’re skeptical, you’re not alone. To a certain extent, architects are still unsure if meaningful work can be created on an iPad. As the novel of virtual reality wears off, it’s worth asking if portable augmented reality is the push forward that will combine the best of traditional and digital architectural technology. So beyond their utility as lightweight, untethered screens, what can tablets offer the professional architect?
Slum. Shanty Town. Favela. Ghetto. Barrio Marginal. Bidonville. The list goes on.
We have the foresight to understand and predict that demand for shelter in urban environments will continue to expand, perhaps indefinitely, but certainly until the highly-cited prediction that by 2050, more than two-thirds of the global population will live in cities. With this reality, is it time to reassess the way in which we talk about different forms of urbanization?
Researchers, academics and those with tireless curiosity will know the thrill of chasing down the details of something mysterious or unexplained. In this tweet thread from 2017, Paul Cooper noticed a difference in a nearly 100-year-old photo that led him to uncover the real story behind a strange "appendage" on the top of the Temple of Athenian Zeus. What follows is the Twitter equivalent of an architectural thriller. What is it? Why were depictions of the temple altered? Mr. Cooper takes us on a rollercoaster 18-tweet journey that uncovers the mystery.
Sir David Chipperfield, Trustee of Sir John Soane’s Museum, said: ‘The jury considered many outstanding candidates; however Denise Scott Brown stood apart and was the jury’s unanimous choice. Scott Brown’s contribution across architecture, urbanism, theory and education over the last fifty years has been profound and far-reaching. Her example has been an inspiration to many, and we are delighted to honour her with the awarding of the Soane Medal.’
Architects are called upon to build society’s greatest structures. We marvel at the museums, performing arts centers and spaces of worship that dot the globe and represent the peculiarities of the world’s many cultures. Yet, at the core of the roles and responsibilities of the architect lies a calling for a far more elemental human need: shelter.
This doesn’t imply that architects are always involved in the creation of all the forms that shelter takes. However, a deep understanding of how people dwell provides an appreciation of the diversity, resilience, alacrity of the human race. The Human Shelter, a documentary about what people value or “need” in their lives, ties into a fundamental quality that any architect would be foolish not to cultivate: the ability to listen and perceive what makes people feel at home.
What does it mean to be a true architecture lover today? It's probably not too far off to conclude that taking pristine, Instagram-optimized photos ranks high in the assessment. With this in mind, the Fondation Louis Vuitton launched a photo contest to highlight the best photos of the building that were taken by inspired visitors and shared on social media.
On Saturday, at the opening of her latest building, Ellen van Loon sat on the terrace of BLOX in Copenhagen exuding the satisfaction and fulfillment that comes with finishing a major public building. A day of opening activities concluded, van Loon spoke with ArchDaily about the 27,000-square-meter mixed-use building. Built for client Realdania, it’s the Danish Architecture Center’s new home on the edge of the harbor, located on an incredibly challenging site that is bifurcated by a busy street.
I happened to be in architecture school when the laser cutter was still a bit of a novelty for the inexperienced students in their first years of study. Sure, it saved you a lot up-close-and-personal-time with the X-Acto knife, but to unlock the true potential of the laser cutter one had to introduce a level of detail into the design or model that would otherwise be a nightmare to create by hand.
But here comes Japanese Instagram Fruit and Vegetable Carver gaku carving to make our jaws drop. How?! Why!? And on such an ephemeral canvas?! Who knows. But holy fractal if it isn't a work of geometric perfection. These videos capture levels of patience and precision that many only dream of.
Japan has a rich tradition of food carving called mukimono. If you’ve ever eaten at a fancy restaurant in Japan you might have found a carrot carved into a bunny, garnishing your plate. But in the hands of Japanese artist Gaku, the art of fruit and vegetable carving is elevated to a new realm of edible creations.
New Orleans is an architectural paradise. From Baroque to Modern, the buildings of New Orleans tell the story of a peculiar American city heavily influenced by its French, Spanish and Caribbean roots. Its diverse historical influences have impacted the urban fabric as much as the culture itself. A hub for celebratory gatherings such as bachelor and bachelorette parties, weddings, music festivals and Mardi Gras, Louisiana's largest and oldest city has long claimed tourism as a significant part of its vibrant economy.
The resilient city has a reputation for its food, music and focus on fun, but the infamous Katrina transformed New Orleans into an architectural conundrum: a problem to be solved and a chance for architects (from around the world) to contemplate the future of one of the United State’s biggest ports.
Letters of recommendations are strange in that we all know what they are, but save for the people who are actually using them to evaluate a candidate, what happens with the letter is shrouded in mystery. Can a stellar recommendation letter make up for a less-than-stellar transcript? Are you going to be removed from consideration because your recommender didn't make you sound like Captain Awesome? It all depends—but as long as these letters are required for admissions processes and grants and other things, we'll shed some light on how to ask for (and/or write) a letter of recommendation.
Whether you're on the asking end or the writing end, there are some basic tips and rules that should be followed. (Why should you trust me? Because I've asked for letters and written letters and things have worked out pretty well for all involved parties.)
ArchDaily is looking for a motivated and highly-skilled architecture-lover to join our team of interns for Spring 2018! An ArchDaily Content internship provides a unique opportunity to learn about our site and write engaging, witty and insightful posts.
It's time to get into the Holiday Spirit! As we've done for the past few years, we're seeking holiday cards with an architectural spin to feature on ArchDaily. We expect abundant puns and festively decorated classic buildings. :)
With the 3rd Call for Ideas the Future Architecture platform invites multi-disciplinary emerging creatives who work on transformative projects and ideas for the future of architecture to apply for participation in the European Architecture Program in 2018.
The Future Architecture platform acts as a key platform for exchange and networking for European architecture and integrates some of Europe’s most important architectural events. The platform enables architecture museums, festivals, producers, publishers, agencies, academic institutions and multi-disciplinary emerging professionals to easily connect and build joint projects.
277 obelisk monuments mark the US–Mexico boundary line. Constructed in three distinct phases (1849–1856, 1891–1912, and 1964–1968), these monuments were the product of territorial negotiations, disputes that were settled ranging from the violent expansion of sovereign limits to the shifting course of a historic boundary river. Commissioned, inscribed, and placed by both the United States and Mexico, they served as unique bilateral artifacts that operated across and reflected on separate territories, forms of settlement, and philosophies of nationhood. Attending Limits: The Constitution and Upkeep of the US–Mexico Border presents the international boundary through a history of its material artifacts and the modes of representation they have motivated. Through the display of original text, animation, photographs, scale models, and maps, the exhibition theoretically frames an evolution of the US–Mexico border from single line to geopolitical territory.