In this video from our friends at Spirit of Space, Daniel Libeskind talks about his installation for the Venice Pavilion at the 2014 Venice Biennale, entitled 'Sonnets in Babylon'. The installation deals with drawing, an act that Libeskind believes is "the foundational art, and the mystery and the magic of all buildings and cities." To Libeskind, drawings are akin to religious materials, communicating meaning without the use of a fixed language and each with its own power to shape the way we understand the world around us. At the end he gives a hint as to why he is so attached to drawings: "I drew for many years before I even built a building. But I based those buildings that I built on the drawings I made... Every drawing is also a tool for the future."
VIDEO: Daniel Libeskind on Drawing, Architecture's Forgotten Fundamental
Cite: Rory Stott. "VIDEO: Daniel Libeskind on Drawing, Architecture's Forgotten Fundamental" 22 Jun 2014. ArchDaily. Accessed . <https://www.archdaily.com/518569/video-daniel-libeskind-on-drawing-architecture-s-forgotten-fundamental> ISSN 0719-8884
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