As part of an initiative to raise money for the Transbay Transit Center, the City of San Francisco has sold a $72 million, city-owned parcel to developer Related of California that will pave the way for a 550-foot, OMA New York-designed residential tower. Located on Folsom Street, between First and Fremont streets, the new tower will be a mix of condominiums and rental apartments, of which 27 percent must be affordable to residents making 60 percent of the area’s median income ($58,250 for a family of four, according to SFGate). We will keep you posted as more details become available.
Though few details have emerged, developers Tishman Speyer have confirmed that they have selected Chicago-based architects Studio Gang to design a skyscraper in San Francisco. Gang’s tower will be one of three Tishman Speyer projects in the city. We’ll be sure to update you as more information becomes available. Via SFGate.
Apple’s signature glass design has come with its fair share of mishaps – from errant snowblowers to, of course, dying birds. To determine the risk posed by Apple’s latest approved store to San Francisco’s protected bird population, Apple hired avian collision risk consultants (really) who determined that the risk is “acceptable” (for non-avian species at least). Read the full bird analysis here.
Third time’s the charm, at least in the case of Apple’s Foster + Partners-designed flagship store planned for San Francisco’s historic Union Square. After being sent back to the drawings boards on multiple occasions, the signature glass box’s third proposal (which was claimed to be “more iconic” than the company’s famous Five Avenue glass cube in New York City) has been awarded approval from the city.
This week, just two weeks after the three shortlisted teams submitted their revised proposals for Crissy Field, San Francisco’s Presidio Trust unanimously decided to end the competition. Though the competition raised high hopes over its 14-month duration that the Trust would transform the prominent 8-acre site into a “cultural institution of distinction,” its fate has been left to the “wind,” as the SFGate’s John King reports. This means, neither George Lucas’ self-titled cultural arts museum, WRNS Studio and the Chora Group’s sustainability institute, or the Golden Gate National Parks Conservancy’s “park-based” cultural center will be realized. You can view each of the rejected proposals here and more details on the cancelation here.
Snøhetta has released an updated, more “slimmed-down” version of the Golden State Warriors’ Stadium, which is scheduled to debut on a preeminent San Francisco waterfront site for the 2017-18 NBA basketball season. Located on Piers 30-32, just walking distance from the downtown Financial District and easily accessed by a variety of public transportation, the revised design has shaved off over 30,000 square feet of the venue’s total square footage and increased public open space to nearly 8 acres, 60 percent of the 13 acre site.
Architects: Studio O+A
Location: San Francisco, CA, USA
Project Team: Primo Orpilla, Denise Cherry, Perry Stephney, Clem Soga, Steve Gerten, Elizabeth Guerrero, Chase Lunt, Alma Lopez, Caren Currie, Sarunya Wongjodsri, Justin Ackerman, David Hunter, Jeorge Jordan, Olivia Ward, Kroeun Dav, Chase Lunt, Amie Zemlicka, Alex Bautista, Maleesa Pollock, Will Chu,
Area: 110000.0 ft2
Photographs: Jasper Sanidad
Architects: Aidlin Darling Design
Location: 355 11th Street, San Francisco, CA 94103, USA
Architect In Charge: Joshua Aidlin, AIA – Principal, David Darling, AIA – Principal, Shane Curnyn – Project Architect
Landscape Architects: Miller Company, Jeff Miller, Kyla Burson
Area: 14000.0 ft2
Photographs: Matthew Millman, Richard Barnes
Architects: All of the Above, First Office, Schwartz and Architecture
Location: San Francisco, CA, USA
Project Designers: All of the Above / First Office–Janette Kim, Anna Neimark and Andrew Atwood, with Charlie Able, Benjamin Farnsworth, Rachel Hillery, Mark Acciari, Austin Kaa, Steven Moody, Ewan Feng, Kate Hajash, Brian Lee, Darle Shinsato, Jane Zhu, Fiona Booth, Katie Okamoto, Margaret Zyro
Executive Architect: Schwartz and Architecture–Neal Schwartz, Lourdes Garcia, Neil O’Shea, Wyatt Arnold, Erik Bloom, Joshua Yoches
Area: 45000.0 ft2
Photographs: Naho Kubota, Eddy Joaquim
The American Institute of Architects (AIA) and MIT’s Center for Advanced Urbanism has produced a new report examining urban health in eight of the USA’s largest cities, which has been translated into a collection of meaningful findings for architects, designers, and urban planners. With more than half of the world’s population living in urban areas – a statistic which is projected to grow to 70% by 2050 – the report hinges around the theory that “massive urbanization can negatively affect human and environmental health in unique ways” and that, in many cases, these affects can be addressed by architects and designers by the way we create within and build upon our cities.
A fire station typically is organized into two distinct zones – one that reaches outwards to the city and acts as a monumental symbol of protection, and one that contains the hidden inner workings of the station. In a large headquarters, with a diverse set of programs each with their own unique spatial requirements, such a strategy of containment is untenable.
To represent a “speculative proposal for the radical reuse and re-colonization of the bridge infrastructure,” California-based Future Cities Lab has developed the “Hydraspan Bridge Colony installation: a 40-foot long, quarter-scale model that foresees a dense and agriculturally rich community suspended below the San Francisco – Oakland Bay Bridge.
A first for the AEC Industry, the AEC Hackathon is a non-profit event that brings together teams of Silicon Valley technologists and industry stakeholders to help shape the future of our built environment. Formatted as a traditional “hack”, the AEC Hackathon provides a playful, exploratory environment where disruption, innovation, and creative ideas are brought to life.
The focus of the event is not on technology for technology’s sake, but to hack into traditional processes and workflows of the AEC industry to generate innovation. This can be eventually be applied into global solutions.