The United States’ first mass-timber highrise (defined by Emporis Building Standards as a building with an architectural height of 115-328 feet, or between 12 and 40 floors) has been granted planning permission, allowing construction on the landmark project to begin. Located in downtown Portland, Oregon, the building known as Framework will cap out at 12 floors and approximately 128 feet, ushering in a new era of tall building construction in the US.
Snøhetta has unveiled plans for a new riverwalk masterplan located alongside Oregon’s Willamette Falls – the second largest waterfall by volume in North America – that will open up the attraction to public access for the first time in over 150 years. Selected to lead the project in 2015 alongside Mayer/Reed and DIALOG, Snøhetta’s scheme is the result of a 2-year design process developed as a collaboration with the city and thousands of individual community members.
The resulting plan calls for the reutilization and augmentation of existing industrial structures on the 22-acre site, giving visitors the opportunity to experience the falls and its rugged basalt shoreline and reconnecting Oregon City to its historic waterfront.
Continuing the ever-increasing growth of timber construction architecture in North America and around the world, Carbon12’s recent topping out has resulted in its newly achieved status as the tallest mass timber building in the United States. Situated in Portland and designed by PATH Architecture, the 8-storey condominium is an example of the cost-effectiveness and labor sensitivity of engineered wood products while helping regenerate Oregon’s local timber industry.
With a growing population and rapid development, much of recent focus has been on Portland’s city center, in an effort to preserve the existing natural landscape that surrounds the urban areas. Built of prefabricated cross-laminated timber panels and glu-lam beams around a steel core, Carbon12’s hybrid construction aids the city’s densification, given its off-site construction and quick assembly that help both reduce costs and respond to residential needs.
The Oregon Museum of Science and Industry (OMSI) announced today that it has selected Snøhetta to lead in the master planning of their new 16-acre riverfront campus and develop a long-term vision for the future of the Portland, Oregon site.
The overall goal of the master plan will be “to provide a market-driven strategy that outlines the best economic and environmental uses of OMSI’s physical property while highlighting the museum’s work as a cultural touchstone, science education resource, and trailhead to connect the community to learning and skill-building opportunities that equip them for 21st century jobs.”
After discovering a vibrant new pigment of blue by accident, chemists at Oregon State University have brought the compound to market in the form of a paint that looks promising to architectural sustainability.
While experimenting with materials to study applications for electronics in 2009, OSU chemist Mas Subramanian and his team mixed black manganese oxide with other chemicals and heated them to 2,000 degrees Fahrenheit. Little did they know, one of their samples would turn into a brilliant blue color.
Nike has unveiled plans to expand their World Headquarters, located near Beaverton, Oregon. Their campus first opened in 1990 and has undergone three waves of construction, doubling its size. Now, Nike will expand the facility again, adding 3.2 million square feet of office, mixed-use and parking facilities.
The University of Oregon John Yeon Center for Architecture and the Landscape and Design Week Portland invite proposals to define, design, and bring to life Portland’s proposed “green loop”—a six-mile pedestrian/bike urban promenade linking the city’s east and west sides.
The winner(s) will receive up to $20,000 to further develop and implement schemes.
Proposed by the Bureau of Planning and Sustainability in the Central City 2035 Plan, the loop offers a potentially powerful new means of thinking about and traveling through the city. Connecting the two sides of the Willamette River at the Broadway Bridges and Tilikum Crossing, the loop will link
Plans have been unveiled for Kengo Kuma's first public commission in the US. The Portland Japanese Garden has commissioned Kuma to design a new "Cultural Village" to accommodate the garden's growing popularity.
Based off the Japanese tradition of monzenmachi (gate-front towns), where activity exists just outside the gates of shrines and cultural sites, the village will provide a "free-flowing" courtyard space for events and educational activities, as well as multi-purpose classrooms, galleries, a library, tea cafe, and more. In addition to this, a new visitor entrance will be built on an existing site at the bottom of the hillside site on Kingston Avenue, just on the outskirts of downtown Portland.
Snøhetta has unveiled plans for a flagship public market in Portland - the city's first in over 70 years. Named after a famous chef and Portland native who helped initiate the fresh food movement in the US, the James Beard Public Market will showcase Oregon's best cuisine within an "ambitious civic hub" that will reenergize an underutilized site in Downtown Portland.
"Linking the city to the river, the market will be an asset for residents and visitors alike," says Snøhetta. The market will feature more than 60 permanent vendors, 30 day tables, full-service restaurants, a teaching kitchen and event space.
For the first time in 100 years, Oregon’s Willamette Falls will open to the public, with a Riverwalk proposed by Mayer/Reed, Snøhetta and DIALOG. The second largest waterfall in the US, Willamette Falls has a diverse history, and the proposed design seeks to celebrate and amplify the power of the falls, weaving the pedestrian through its rich cultural and geological history.
The final destination of many west-bound pioneers on the Oregon Trail during the 1800s, the falls also served as a gathering spot and source of fish for Native Americans. During the 19th and 20th century, it was an industrial powerhouse, accommodating woolen, lumber, flour and paper mills, and a brick making operation. Yet after the bankruptcy of the Blue Heron Paper Mill, the site has been inhospitable to the public, haunted by empty industrial buildings.
Last week, Michael Graves attended a public conversation with Randy Gragg, director of The University of Oregon's John Yeon Center to discuss the Portland Building, America's first postmodern building. The discussion centered around the famed, 1980s building’s many problems - “dark, leaky and claustrophobic” interiors,” pedestrian-unfriendly parking garage, and more - asking Graves for his advice on whether the city should update it or tear it down. His response, “The whole idea of tearing the building down, it's like killing a child… I don't know how to react to that.” Read all of Graves’ responses to tenant complaints here on the Oregon Live.
Bridging the Divide: chadbourne + doss’ Scheme “Stitches” Portland Communities with Rec Center Overpasses
We’ve all traveled along an interstate overpass. In most cases they are constructed of bleak concrete, tattooed in graffiti, and built with the sole purpose of getting you across lanes of heavy traffic as quickly as possible. They are a bridge at the bare minimum, but what if they provide something more for the communities they connect?
In a recent ideas competition, AIA Portland called for creative proposals that would best bridge local neighborhoods divided by Interstate 405. The winning entry, “Five Bridges” by chadbourne + doss, posits that the best way to do this is with inhabitable overpasses.
With programs in both Eugene and Portland, the University of Oregon's School of Architecture and Allied Arts recently launched their Spring 2013 lecture series which began early this month with Neri Oxman of MIT's Media Lab, and concludes May 16th with University of Oregon's Judith Sheine's lecture in Portland. The lectures take place in Portland, Eugene, or in both cities, depending on the lecture. The full list of remaining lectures can be viewed after the break.
Taking place April 26-27, the 'Strange Utility: Architecture Toward Other Ends' Symposium will explore the following provocative questions: How is architecture’s use value defined, and by whom? How can turning to other disciplines’ unexpected utilization of architecture expand our perception of its utility? And what are the future utilities of architecture? Today, the idea of architecture’s utility is perhaps more diverse than ever, as architecture commonly mingles with other disciplines, and as new typologies of building design emerge almost daily. Organized by Portland State University School of Architecture, three keynote speakers—Philippe Rahm, Jimenez Lai and Jill Stoner—as well as eleven notable architects, artists and academics will participate. More information after the break.
Taking place at 6:00pm PST on Friday, March 1, internationally acclaimed architects Fuensanta Nieto and Enrique Sobejano will deliver their fourth presentation in the “Placing” lecture series offered by the Department of Architecture at Portland State University, which is free and open to the public. Based in Madrid and Berlin, Nieto Sobejano Arquitectos is known for projects that marry a contemporary architectural language with traditional settings and historic structures. Their work includes the Madinat al Zahra Museum in Córdoba—recipient of a 2010 Aga Kahn Award—and extensions to the Joanneum Museum in Graz. More information after the break.
Alderbrook Station, located slightly east of Astoria along the Columbia River, is the site of the former Union Fisherman’s Cooperative Packaging Company, which once supported a thriving salmon fishing industry. The Netshed is a 3-story timber structure which was used by fishermen to repair and store their gill nets. Inspired by the natural and man-made qualities that pervade Alderbrook Station, such as the movement of tides, the light that reflects off the Columbia River, the memories and history contained within and around Alderbrook Station, and the structure of the Net Shed itself, Robert Hutchison and Sarah Biemiller’s shared with us their proposal for an installation inside the Net Shed developed out of numerous influences. More images and architects’ description after the break.
A small group of diverse students participating in the inaugural AA Visiting School Eugene were given the responsibility to design and build something that would enhance and reflect the forest, within a ten-day timeframe.
More on the Camera Obscura after the break.
This year’s Portland State Department of Architecture lecture series, which starts October 4 and runs until May 2, focuses on the theme of ‘Placing’. Six internationally renowned leaders from the fields of architecture, landscape architecture, art, planning, and anthropology will tackle this once-controversial idea and discuss the ways in which the active processes of siting, locating, positioning and placing things and people in the world are conceived and embodied in their work. Dan Wood of WORKac will start off the lecture series, followed by Sheila O’Donnell and John Tuomey of O’Donnell+Tuomey Architects, Kevin Daly of Daly Genik Architects, Fuensanta Nieto and Enrique Sobejano of Nieto Sobejano Arquitectos, Tim Ingold of the Department of Social Anthropology at the University of Aberdeen, and Julie Bargmann of D.I.R.T. Studio. For more information, please visit here.