UPDATE: In an e-mail to ArchDaily, a Sr. PR Manager at OMA told us that while Victor van der Chijs expressed his hopes that Turkey will host the Olympics in an interview with an Anatolia news agency earlier this month, OMA is not planning on opening an office in Turkey any time soon.
OMA, the Rotterdam-based, Dutch architecture and urban development firm, has its eyes set on
the location of its next office: Turkey.
think it’s a safe bet hope that Turkey will edge out both Madrid and Tokyo for the 2020 Summer Olympics.
As Victor van der Chijs, a partner at OMA, told Anatolia: “We believe that Turkey will win the Olympics.
In our opinion it is almost certain [...] Comprehensive investments in sports facilities, infrastructure services and transportation will be needed. That is why we want to take part in urban master planning and projects to prepare for the Olympics.”
Could OMA, who have offices in New York, Beijing, and Hong Kong (and considered having one in Brazil), be starting a new trend? With “legacy” being the new Olympic buzzword (see: our 3-part Olympic City Guide) and smart urban-planning and architecture a necessary part of the Olympic bid, could Architects begin cashing-in on (and perhaps ensuring) Olympic Glory, even before the Games are bestowed?
If so, it seems the torch starts here.
Story via Hürriyet Daily News.
Enjoy this interesting footage captured by Tomas Koolhaas – son of Rem Koolhaas – in February 2012 of the recently completed China Central Television (CCTV) Headquarters in Beijing. The monumental structure took eight years to complete and is OMA‘s first major building in China, as well as their largest project to date. The building is planned for occupancy later this year to broadcast the London 2012 Olympics. Check out our previous coverage for more building information.
Continue after the break to view a short clip inside the CCTV building during construction!
Today, in the industrial Zuidoost area of Amsterdam, construction begins on the new OMA-designed headquarters for the fashion brand G-Star RAW. Led by OMA partners Reinier de Graaf, Ellen van Loon and Rem Koolhaas, the project will consolidate G-Star RAW’s existing disparate facilities into a single 27.500m2 horizontal building.
Continue after the break to learn more.
An OMA-designed temporary pavilion at the 2012 Cannes Film Festival was inaugurated today with a screening of Kanye West’s debut short film Cruel Summer. The pavilion, with a design led by Shohei Shigematsu, is a raised pyramid containing a seven-screen cinema invented by West’s creative team, Donda.
Continue after the break for more.
On May 11, 2011, the performance of Aeschylus’s Prometheus Unbound premiered on OMA‘s (Office for Metropolitan Architecture) stage set for the Greek Theatre in Syracuse, Sicily. The design consists of three transformable architectural devices that can be reinterpreted among the different spaces of the theater. These devices date back to 5th century BCE.
More after the break.
On view now until September 9, the ‘Très Grande Bibliothèque (Very Big Library)’ Exhibition at the Canadian Center for Architecture (CCA) presents materials produced by OMA, in response to an international competition launched by France’s then president, Francois Mitterrand, in 1989 to design the new bibliotheque nationale de France. Curated by Rem Koolhaas and Clement Blanchet of OMA, the concept of their proposal resided in the notion of the library spaces being excavated as voids from a ‘solid cube’ containing the archives. The concept offered great architectural freedom, with the public spaces (or voids) being liberated from the constraints of a predeterminded structure or form. More information on the exhibition after the break.
Yesterday, Marina Abramović and OMA announced the creation of the Marina Abramović Institute for the Preservation of Performance Art (MAI) under the performance dome at MoMA’s PS 1 in Long Island City. Abramović will team with the architects to create an art, education and performance venue that will not only focus on Abramović’s performance methods, but, interestingly, on educating the public with regards to viewing and appreciating long duration performances.
Perhaps, Abramović’s name sounds familiar, and rightly so. She has wildly been hailed as one of the most progressive and devoted long-duration performers; one of her most recent New York performances took place at the MoMA where she sat completely silent, just starring at visitors for the museum’s entire opening hours. And, now, with this Institute, Abramović will be able to teach her ways to aspiring performers, and more viewers will be able to experience and appreciate her performance methods. Abramović commented, “The Institute’s aim is to protect and preserve the intellectual and spiritual legacy of performance art from the 1970′s into the future, and will serve as an homage to time-based and immaterial art.”
The Garage Center for Contemporary Culture – a non-profit international arts space based in Moscow founded by Daria Zhukova – has unveiled plans for a new building in Gorky Park. Designed by OMA, Garage Gorky Park will renovate the famous 1960s Vremena Goda (Seasons of the Year) restaurant, a prefabricated concrete structure that has been derelict for more than two decades. Garage is expected to complete and occupy this 5,400-square-meter building sometime next year, with plans to later expand to the nearby Hexagon pavilion (or Machine Pavilion).
Rem Koolhaas: “We were able, with our client and her team, to explore the qualities of generosity, dimension, openness, and transparency of the Soviet wreckage and find new uses and interpretations for them; it also enabled us to avoid the exaggeration of standards and scale that is becoming an aspect of contemporary art spaces.”
Continue after the break for more.
In 2011, the Russian Federation Council confirmed that the city of Moscow will annex 150,000 hectares to the southwest in order to overcome its chronic space problems, making Moscow 2.4 times larger than its current size. The expansion is designed to relieve pressure on the over-populated, historic city center by redistributing the working places to the annexed part of the Moscow Oblast, thus addressing transport, ecological and social issues that result from high levels of commuting.
Before Moscow’s new administrative borders come into force this July, the Council invited 10 teams to develop the concept of the Moscow Agglomeration. OMA has been announced as winner of the competition’s first round that focused on a plan for the Moscow Agglomeration as a whole.
Continue reading for more on OMA’s Moscow City Agglomeration Development Concept.
After Mayor Bloomberg, Cornell President Skorton and Technion President Lavie announced Cornell’s victory over Stanford to build an eleven acre state-of-the-art tech campus on Roosevelt Island in New York City, the team has now tackled their next step in choosing six high-profile architecture firms competing to design the schools first academic facility.
Selected from over more than 40 firms from the U.S. and abroad, the finalists include Skidmore, Owings & Merrill, Diller Scofidio + Renfro, the Office for Metropolitan Architecture (OMA), Morphosis Architects, Steven Holl Architects and Bohlin Cywinski Jackson. Continue reading for more information.
Nearly two years after OMA was announced winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The main theater, which seats 1,500, is expressed on the exterior as a large sphere while the two smaller theaters, each capable of seating 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art which is very strong inTaiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
John Pawson, OMA, West 8 and Arup were all asked to come together to design The New Design Museum in London. Their design will accommodate up to 500,000 visitors per year. Notable for its superb complex hyperbolic paraboloid copper roof intended by the architects to symbolize a tent in the park, it is regarded by English Heritage as the second most important modern building in London, after the Royal Festival Hall. Plans to bring the new design to fruition is scheduled to be completed by 2014. More images and architects’ description after the break.
OMA recently completed their first building in London. The new 21,000sqm building is located in the narrow medieval alley of St Swithin’s Lane, in the heart of the City, a dense context where OMA’s precise intervention is able to blend and become an active urban piece.
The building, thanks to its structural steel design, is lifted from the ground exposing new situations, connections and views, detonator of a new streetscape where the public realm is as important as the office space above.
You can see Rem Koolhaas and Ellen van Loon discussing this project on a video posted earlier at ArchDaily.
More information courtesy of OMA after the break:
Project: Rothschild Bank Headquarters
Client: NM Rothschild & Sons
Location: St Swithin’s Lane, City of London
Site: New Court, enclosed in cluster of buildings, adjacent to the 17th century St. Stephen Walbrook church; with main entrance on the narrow St. Swithin’s Lane
Program: Office headquarters: 13,000m2
Partners in charge: Rem Koolhaas, Ellen van Loon
Rem Koolhaas and Ellen van Loon discuss their design of the Rothschild Bank headquarters in London. Viewing the bank as a “dynamic system”, the main task was to create an “always efficient and always pleasant” machine that will accommodate all of the Bank’s London staff and reunite its connections with the city, including the St. Stephen’s Walbrook. OMA’s design for the New Court is the fourth iteration of NM Rothschild & Sons’ headquarters, all of which have been built on the dense and narrow medieval alley of St. Swithin’s Lane.
The film was created by Miguel Santa Clara.
On October 19th Charlie Rose interviewed OMA founding partner Rem Koolhaas (his fifth appearance on the show). The discussion ranges from Koolhaas’ current interest in the countryside, rather than the city, his firm’s newly completed Milestein Hall project at Cornell University, and the launch of the book Project Japan: Metabolism Talks written with Hans Ulrich Obrist and edited by Kayoko Ota. Watch the interview here.