Opening celebrations will take advantage of the unique structure, with a series of concerts, performances and events planned for a variety of spaces beneath the building’s 180-meter geometric dome. Comprised of nearly 8,000 arabic motif stars, the steel pattern will filter sunlight into a dramatic ‘rain of light’ on the museum’s walls and floors that calls to mind shadows created by overlapping palm trees.
Humanity always cherishes great works of art that stand the test of time. This June, for example, marks the 50th anniversary of The Beatles’ psychedelic Sgt. Pepper's Lonely Hearts Club Band, and the 20th anniversary of Radiohead’s dystopian Ok Computer. These psychologically satisfying birthdays have generated serious appreciation and nostalgia. Similarly, we also love to praise the longevity of innovative architecture. The AIA bestows an annual “Twenty-five Year Award” to acknowledge projects that have "stood the test of time” and “exemplify design of enduring significance.” But one project a year seems stingy. Below are 15 modern classics which, though not always given the easiest start in life, we’ve come to adore:
Winning joint first prize in the recent competition hosted by the Louvre museum, Alberto Campo Baeza and Raphaël Gabrion have proposed a dark, cubic volume for the combined conservation facility and gallery to be built in Liévin. Though the final commission for the project was awarded to the other first place winner, Rogers Stirk Harbour + Partners, the proposal by Campo Baeza and Gabrion offers an interesting take on the relationship between art and architecture.
The Musée du Louvre and the Nord-Pas de Calais region has selected Rogers Stirk Harbour + Partners (RSHP) to build a new conservation and storage facility for the Louvre in Liévin, northern France (Nord-Pas-de-Calais). Built primarily for study and research, the 20,000-square-meter "landscape building" will feature a series of vaulted light-filled conservation studios and storage spaces topped with a lush green roof.
“The consortium of architects, headed by Rogers Stirk Harbour + Partners, has succeeded in taking the specific needs of properly preserving and accessing the Louvre’s collections, and turning them into a first-class architectural creation," said Jean-Luc Martinez, President-Director of the Musée du Louvre.
In an article for the New York Times Rachel Donadio examines Masterworks vs. the Masses. From the Louvre in Paris to London's British Museum, Florence's Uffizi to the Vatican Museums, the increasing surge of visitors to these international cultural nodes "has turned many museums into crowded, sauna-like spaces." Balancing everyone's right to be "nourished" by cultural experiences with protecting and preserving the works of art in question is a very real problem. According to Donadio, "even when the art is secure, the experience can become irksome." With some museums seeing annual visitors of up to 6.7 million visitors (British Museum), addressing the issues faced by institutions that are a victim of their own success is becoming more and more pressing. Read the article in full here.