The Perry and Marty Granoff Center for the Creative Arts, designed by Diller Scofidio + Renfro, recently opened for spring semester classes at Brown University. Providing performance space, exhibitions, installations, and an outdoor amphitheater, the Center’s long structural spans, high ceilings, and large floor plates stimulate a necessary collaborative environment with flexibility. Seeking LEED Gold certification, the exterior venetian blind system and green roof are just a few of the sustainable features for the Granoff Center.
Charles Renfro, partner-in-charge for the project, stated the following about Diller Scofidio + Renfro’s design:
In creating the design for the Granoff Center, we needed structural elements that would stimulate the creative process from virtually every aspect of the building. The Granoff Center is a merger of architectural gesture and academic pedagogy. Our strategy was to encourage and illustrate collaboration across every level.
The six half-levels that make up the Granoff Center were derived from a stacked floor slab system. The three initial floors were divided in half down the length of the building and then offset. This intentional misalignement provided a unique connection between levels, therefore the landings were expanded, providing gathering space for breakout sessions for both students and faculty.
Architects: Diller Scofidio + Renfro
Location: Providence, Rhode Island, USA
Construction Management: Shawmut Design & Construction
Project Area: 38,815 sqf
Project Year: 2011
Photographs: Iwan Baan
In the wake of Rudy Ricciotti, Patrick Bouchain, Lacaton & Vassal, Luca Merlini, Lefèvre & Aubert, TYIN and Anna Heringer, the villa Noailles wishes to briefly halt an astonishing explorer who endlessly travels the planet in order to observe and capture the architecture of this period, along with the life which evolves within it.
Iwan Baan has been invited to the villa so that he may share his visions, which are like so many stopovers in his many endless trips around the world. He possesses a unique perspective on world architecture, because it is synchronous. But that which interests him is the life and interactions which evolve within and around these new structures, such as the large stadium by Herzog and de Meuron in Peking, or the Learning Center by SANAA in Lausanne, and also the Cultural Center of Medellín in Colombia, or the mud brick Ahmed Baba Library in Timbuktu, Africa.
The exhibition will run from February 20 to March 27. For more information, please click here. You can see Iwan Baan’s photography featured in ArchDaily here.
The AIA Honor Award recipients for 2011 were announced this week and will be honored at the AIA 2011 National Convention in New Orleans. Recognizing excellence in architecture, interior architecture, and regional and urban design, 27 recipients were chosen from over 700 submissions.
Awarded buildings, including links to features on ArchDaily, can be found after the break.
The building has recently been awarded a 2011 AIA Institute Honor Award for its architectural creativity and contextual thoughtfulness. The jury commented, “This project skips along from mound to mound and manipulates the landscape – it builds it up and shapes it into a powerful form above the land with inventive manipulation. The building is shading the landscape and letting it breath – integrated sustainability. A reinvented building type with the building floating over the landscape – dancing on the landscape.”
More information, with more photographs from Iwan Baan, after the break.
This years architectural events in New York are bound to have a meaningful effect on the years to come; the decision by NYU to add another tower complementing I.M Pei’s existing Silver Towers complex (rather than their initial plan to demolish them), the opening of the first section of Brooklyn Bridge Park coupled with the completion of the High Line has re-established New York City as a key model to reference when it comes to designing urban public space, and finally construction began on Franklin Delano Roosevelt Memorial, by Louis Kahn, to name a few.
From transportation, urban planning, exhibitions, residential and office buildings follow the break to see the New Yorkers list of some of the most influential decisions surrounding architecture over the past year in New York.
Construction is complete on Hypar Pavilion at Lincoln Center for the Performing Arts, situated on the edge of Hearst Plaza and 65th Street, the new free standing structure is the home of a new public lawn and restaurant.
The dual requirements of a destination restaurant and a public green space located within the confines of the Plaza are satisfied with a single architectural gesture sited between the reflecting pool and the plaza’s north edge. Elizabeth Diller comments, “Hypar Pavilion’s moment of invention came when we discovered how to design a destination restaurant without consuming public space on the Lincoln Center campus. The roof became a new kind of interface between public and private, with an occupiable twisting grass canopy over a glass pavilion restaurant.”
Follow the break for more photographs of the new Hypar Pavilion.
Architects: Diller Scofidio + Renfro with FXFOWLE
Location: New York City, New York, USA
Design Team Principals: Elizabeth Diller, Ricardo Scofidio and Charles Renfro
Design Senior Associate: Kevin Rice
Architecture Team: Zoe Small, Haruka Saito, Ann-Rachel Schiffman, Stefan Roeschert, Michael Hundsnurcher, Roman Loretan, Dan Sakai, Chris Andreacola, Anthony Saby, Mateo Antonio de Cardenas, Toshikatsu Kiuchi, Felipe Ferrer, Hallie Terzopolos
Core and Shell Design: Diller Scofidio + Renfro with FXFOWLE
Kitchen Design: Yui Design
Lighting: Tillotson Design Associates
SMEP: Ove Arup & Partners
Acoustical: Jaffe Holden
Telephone and Data Consulting: Shen Milsom & Wilke
Construction: Turner Construction
Project Year: 2010
Photographs: Iwan Baan
In response to the large demand of the fashion industry for showroom space, the client conducted an external expert evaluation with an international architectural competition in the spring of 2007 for a new building Labels Berlin 2. In September 2007 the expert commission awarded first prize to the design by HHF Architects.
The new center for fashion, Labels Berlin 2, was conceived to provide showroom space for approximately thirty different international fashion labels. A large event area and small restaurant are located on the ground floor. The design concept responds to the architecture of the adjacent building. The interior spaces of this historical building are strongly characterized by the repetition of arched windows used in the façade. This motif became one of the starting points for the design of the project.
After the break you will find more photographs of Labels Berlin 2, along with a more detailed description about the design.
Photographer Iwan Baan received the inaugural Julius Shulman Photography Award in Los Angeles on October 10th. The Julius Shulman Institute at Woodbury University will honor the legacy of the renowned photographer during a series of events that coincide with the 100th anniversary of the day of his birth. The image.architecture.now exhibit is currently featuring Iwan Baan along with 9 photographers all whose work illuminates a range of explorations into documenting the experience of space. This exhibit is at Ahmanson Main Space at Woodbury University until October 23rd.
Check out Junya Ishigami and Associates‘ amazing studio + workspace where students of the Kanagawa Institute of Technology get to spend their days designing. The studio is about the closest you can get to the feeling of working outside while being indoors. The floor-to-ceiling glass makes the building appear weightless and elegant, and the open plan preserves the building’s sense of transparency as the viewer’s eye can shoot directly across the uninterrupted space. 305 columns of various sizes support the stripped roof of skylights, yet their white color keeps the focus on the space and the view, not the structure. The columns, although seemingly random, as specifically placed to create the sensation of zoned spaces, but their nonrestrictive quality provides a flexible layout to suit the changing needs of students.
Inspiring place to design in, wouldn’t you agree?
More photographs by Iwan Baan after the break.
We are sure that SO-IL‘s PS1 installation, Pole Dance, will be a hit this summer. On Friday we had a preview by Alan R Tansey and today, we found at Iwan Baan’s website another view on the installation. We hope you’ll be able to visit the project in person sometime.
Complete photoset at Iwan’s website, some photos after the break:
Our friend and architecture photographer, Iwan Baan , just published on his website some of his recently shot images of Steven Holl’s Horizontal Skyscraper in Shenzhen, China . The project is a long mixed-use complex which includes office spaces, apartments, a hotel and even a public landscape. Baan’s photos illustrate Holl’s idea that the “building appears as if it were once floating on a higher sea that has now subsided; leaving the structure propped up high on eight legs.”
Complete photoset at Iwan’s website, more images and more about the project after the break.
The Shanghai Expo 2010 has opened its doors, and we start to see how the pavilions evolved from the previews we saw during design/construction phases at ArchDaily, to become a showcase of the current status of architecture from around the world.
The Denmark Pavilion was one of the first ones we presented you, almost a year ago. The project, designed by BIG with ARUP and 2+1, was interesting not only from an architectural and structural point of view, but also for the danish spirit it represents.
Basically, the pavilion is a big loop on which visitors ride around on one of the 1,500 bikes available at the entrance, a chance to experience the Danish urban way. At the center of the pavilion there’s a big pool with fresh water from Copenhagen’s harbor (one of the most clean in the world), on which visitors can even swim.
At the center of the pool you will find The Little Mermaid, a statue that has become a symbol for Denmark. And this time, it will be moved temporarily to China. In Bjarke Ingels words “it is considerably more resource efficient moving The Little Mermaid to China, than moving 1.3 billion Chinese to Copenhagen”.
After the break, more images of the completed pavilion by arch photographer Iwan Baan, including Bjarke Ingels himself riding a bike on the circular loop:
Mapungubwe, located on South Africa’s northern border with Botswana and Zimbabwe, prospered between 1200 and 1300 AD by being one of the first places that produced gold, but after its fall it remained uninhabited for over 700 years, until it’s discovery in 1933. The society living in what today is Unesco World Heritage Site, is thought to have been the most complex in the region, implementing the first class-based social system in southern Africa. And besides the cultural heritage, Mapungubwe is also home to an immensely rich flora and fauna, including over 1000 years old Baobab trees and a big variety of animal life, including elephant, giraffe, white rhino, antelopes and 400 bird species.
You can see the complete photoset over Iwan Baan’s website
Last year we presented you this interesting project by REX during its construction stage, where you could see how an unused structure was converted into the new headquarters for Vakko, integrated with a new complex steel structure. The project is now completed, and we can see the final result with photos by Iwan Baan and a complete set of drawings and diagrams courtesy of REX.
Despite the mix of the existing concrete structure with the new additions and the complex inner core (dubbed the “showcase”), the exterior of the building is read as a whole. The structural “X” of the glass panels on the facade break the monotony of the box on the outside, contrasting with the mirror like finish of the volume on top.
The “showcase” fills the central void with a mirror finish that turns the volume into a sculpture (as seen on the photos and on the showcase elevations below), while housing different programs that benefit from the arrange of the boxes, such as the auditorium, meeting rooms and showrooms.
REX once again shows innovative structural solutions in relation with the program, together with new uses of materials as we previously saw on the Wyly Theatre in Dallas.
After the break, the architect’s description:
Location: Istanbul, Turkey
Clientes: Vakko and Power Media
Key personnel: Erez Ella, Tomas Janka, Mathias Madaus, David Menicovich, Tsuyoshi Nakamoto, Joshua Prince-Ramus, Ishtiaq Rafiuddin, Tieliu Wu
Consultants: ARTE, Autoban, Buro Statik, Cedetas, Dora, Eleksis, Front, Gurmen Muhendislik, Lamglass, Norm Tecnic, Say Yapi, STEP, Superpool, Cem Mimarlik
Area: 9,100 sqm (98,000 sqf)
Program: Headquarters for a Turkish fashion house—including offices, showrooms, conference rooms, auditorium, museum, and dining hall—as well as the television studios, radio production facilities, and screening rooms of its media sister-company
Photography: REX, Iwan Baan
Architects: Mass Studies
Location: Seoul, Korea
Project Team: Minsuk Cho, Kisu Park, Zongxoo U, Younkyoung Shin, Sangkyu Jeon, Jingyoung Ha, Geunmi Ryu, Jieun Lee, Joonhee Lee, Daeun Jeong, Bumhyun Chun, Kiwoong Ko, Hartmut Flothmann, Dongchul Yang, Seongbeom Mo, Byungkyun Kim, Jisoo Kim, Songmin Lee, Vin Kim, Young Kim, Ranhee Kim, Kwangjin Woo, Minho Hwang, Jiyoung Yoon, Chungwhan Park
Structural Engineering: Junwoo Structure
MEP Engineering: HANA Consulting & Engineers
Civil Engineering: CG E&C
Landscaping: Alban Mannisi + Soltos Landscaping
Construction: SK E&C
Client: SK Networks
Site Area: 2,931 sqm
Project Area: 39,898.56 sqm
Design Year: 2006
Construction Year: 2006-2009
Photographs: Iwan Baan, Kyungsub Shin & Yong-Kwan Kim