Czech architect Ales Javurek has been awarded first prize in the [AC-CA] Architectural Competition for his design of a two-story, 340 square meter vacation home utilizing shipping containers in Sydney, Australia. The proposal situates the home on the edge of a 1500 square meter hillside to maximize the striking panoramic view of Bondi Beach. By preserving current trees and the slope’s profile, consisting of “three platforms,” the proposal successfully addresses the main brief: to design a contemporary, sustainable vacation house which sensitively fits into its context and considers Sydney’s climate conditions.
Learn more after the break…
Slash with Phillips/Pilkington Architects have been announced as the winners of the Royal Adelaide Hospital Site International Design Competition, which was open to registered architects and landscape architects from around the world. The competition centred around redesigning the current hospital site, which will be vacated in 2016, in order to create an iconic place within the Greater Riverbank Precinct of Adelaide. See the winning and shortlisted proposals after the break.
The Parramatta City Council has announced Sydney firm Johnson Pilton Walker as the unanimous winner of the Parramatta Square Design Competition, beating a shortlist (curated from 73 submissions) that included Sydney based Francis-Jones Morehen Thorp, Bates Smart, and Italian practice Mario Cucinella Architects.
The 53-storey commercial towers will provide up to 140,000 square metres of office space to Parramatta’s central business district as well as act as centrepieces for the future Parramatta Square, in the heart of the CBD.
See images of the towers, which feature a unique floating “public space in the sky,” after the break…
Using Australia as her focus, Marissa Looby, in a recent article for the Australian Design Review, argues that the disappearance of architectural styles, combined with the proliferation of various guidelines and building codes, has created a new breed of architect: The New Radical Pragmatist. Her article “The New Radical Pragmatist (On Validation)” is reprinted here.
The Architectural Review (December, 1955) first published Reyner Banham’s epochal and pivotal article, ‘The New Brutalism’, in which the critic pointed to the rise of a new architectural style. He also described an influx of -isms that were becoming increasingly conspicuous to the discipline, stemming from the then contemporary model of an art historian and their influence on the architectural historian-as-observer of the architectural profession. Banham incisively suggested that any proposition of the term ‘new’ has an unequivocal relationship to the past, so much so that in advocating for a new -ism an architectural theoretician must defend their claim with historic fact.
Ironically, Banham acknowledged that even ‘The New Brutalism’ title derived from The Architectural Review’s analysis of the International Style in the postwar article, ‘The New Empiricism’. He stated: “[the] ability to deal with such fine shades of historical meaning is in itself a measure of our handiness with the historical method today, and the use of phrases of the form ‘The New X-ism’ – where X equals any adjectival root – became commonplace in the early 1950s in fourth year studios and other places where architecture is discussed, rather than practised.”