On May 20th, 2023, the entire architecture world will turn its attention to Venice for the opening of the 18th edition of the Venice Architecture Biennale. Ever since the appointment of Lesley Lokko as curator of the international exhibition, ArchDaily has covered all the details of the Biennale, but some frequently asked questions about the event remain unanswered.
According to the UN, more than 7000 extreme weather events have been recorded since 2000. Just this year, wildfires raged across Australia and the west coast of the U.S.; Siberia charted record high temperatures, reaching 100 degrees Fahrenheit before Dallas or Houston; and globally, this September was the world’s hottest September on record. As the effects of the climate crisis manifest in these increasingly dire ways, it is the prerogative of the building industry – currently responsible for 39% of global greenhouse gas emissions – to do its part by committing to genuine and sweeping change in its approach to sustainability.
One of the most challenging aspects of this change will be to meet mounting cooling demands in an eco-friendly way. Cooling is innately more difficult than heating: any form of energy can become heat, and our bodies and machines naturally generate heat even in the absence of active heating systems. Cooling does not benefit equally from spontaneous generation, making it often more difficult, more costly, or less efficient to implement. Global warming and its very tangible heating effects only exacerbate this reality, intensifying an already accelerating demand for artificial cooling systems. As it stands, many of these systems require large amounts of electricity and rely heavily on fossil fuels to function. The buildings sector must find ways to meet mounting demand for cooling that simultaneously elides these unsustainable effects.
https://www.archdaily.com/949585/cooling-interiors-will-be-the-architectural-challenge-of-the-futureLilly Cao
As the largest city in the United States, New York City is one of the most diverse and vibrant cities in the world, recognized by many as the center for global media, culture, fashion art, and finance. The city was founded in 1624 by settlers from the Dutch Republic and has since grown into “the city that never sleeps”.
While almost every style of architecture exists in New York City, the metropolis is most well known for its skyscrapers, both in historical styles such as Neoclassical and Art Deco and in their varied contemporary expressions. The first building to bring the world's tallest title to New York was the New York World Building, in 1890. Later, New York City was home to the world's tallest building for 75 continuous years, starting with the Park Row Building in 1899.
Charles Darwin's theory of natural selection sought to explain the origin and survival of species on the planet. In short, it points out that the fittest organism survives and can reproduce itself, perpetuating useful variations for each species in a given place. Adaptation is, therefore, a characteristic that favors the survival of individuals in a context. In the construction world, we could draw some parallels. Could adaptation be an important quality to increase the useful life and efficiency of a building over time, considering the changes and demands of society, as well as technologies and lifestyles?
Architecture, with all its practitioners, academics, and theorists, have long been exploring utopic ideas with hopes of turning them into something concrete for the sake of a better world. But as the world heads towards an even greater polarization than it currently has, the architecture practice found itself having to adapt to the current systems of the planet, constrained by its ever-growing conditions. Slowly, practitioners realized that utopia can not truly be seen as the ideal solution, and needed to be readapted or morphed with other concepts for it to actually work. DETAIL's latest monograph BIG. Architecture and Construction Details / BIG. Architektur und Baudetails, a rapport between BIG’s imaginative, unbuilt utopias and functional, built architecture, explores 20 projects from the firm's workshop.
Berlin is a city defined by an eclectic mix of style and a rich history. It's built environment has been dramatically shaped by a series of municipal construction programs, and in turn, a past of extensive demolition, planned residential areas, and diverse new cultural projects. Combined with influences across Europe, Berlin's contemporary architecture showcases new ideas on building concepts, forms and facades.
Unions are a trend among college-educated young people, the New York Timesreports. They seek solidarity—collective leverage—to bring about desired changes that are being resisted. While Amazon and Starbucks get the headlines, younger architects are also organizing. Doing so is urged on by The Architecture Lobby, a group that leans Democratic Socialist. The Manhattan-based firm SHoP was a recent, ultimately unsuccessful target of a group of its employees and a sponsoring trade union.
Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.
In definition, the modern museum is either a building or institution that cares for or displays a collection of numerous artifacts of cultural, historical, scientific or artistic importance. Through both permanent and temporary exhibits, most public museums make these artifacts available for viewing and often seek to conserve and document their collection, to serve both research and the general public. In essence, museums house collections of significance, whether these be on a small or large scale.
Albor Arquitectos is a Cuban architecture studio founded in 2016 by Carlos Manuel González Baute, Alain Rodríguez Sosa, Camilo José Cabrera Pérez and Merlyn González García. They say that building in Cuba is a complex task, a growing challenge due to the lack of materials, high costs and restrictions on the independent practice of the profession.
Even in this context, their work, such as Casa Soporte, Casa Casita and El Apartamento, stands out for the continuity of the inherited city, the rediscovery of construction techniques and an architecture based on proximity to the people and the prevailing social reality.
Selected by ArchDaily as one of the New Practices of 2021 and recently winner of second place in the Building of the Year Award 2022 for their project Casa Torre, we conducted the following interview to tell us more in detail about all their inspirations, motivations and ways of working from Cuba.
Well managed firm finances can be a raise to glory but if you fail at keeping them under control they quickly turn into a silent assassin. Why? Because, since as architects we don’t get much business education in school one of the common downfalls prove to be mismanaged finances.