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Reporting from the Front: 6 Months in 5 Minutes

04:00 - 25 November, 2016

This week the 2016 Venice Architecture BiennaleReporting From the Front—will close. Six months have passed and hundreds of thousands of architects, urbanists, designers and tourists have perused both the National Participations (of which more were represented this year than ever before) and the central exhibition curated by Alejandro Aravena – the first South American to direct the most prestigious event on the architectural calendar. ArchDaily has compiled our most extensive coverage of the event and, as the 15th incarnation of Biennale shuts its gates for the last time, our collection of articles, interviews and publication excerpts remains permanently accessible.

Christ & Gantenbein’s Kunstmuseum Basel Photographed by Laurian Ghinitoiu

15:30 - 21 November, 2016
Christ & Gantenbein’s Kunstmuseum Basel Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

In another photoset from his latest Switzerland trip, photographer Laurian Ghinitoiu takes us inside Christ & Gantenbein’s recently-opened addition to the Kunstmuseum Basel. The design, winner in an international competition in 2009, sought to create a “contemporary brother” to the original museum, opening up to the street through its angled form. The monochromatic brick facade also responds to its context and historic neighbor, while hiding a wraparound LED screen beneath to create a frieze with a technological twist.

Check out the full series of shots, after the break.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +33

BIG Transitlager in Switzerland Photographed by Laurian Ghinitoiu

12:00 - 15 November, 2016
BIG Transitlager in Switzerland Photographed by Laurian Ghinitoiu, Basel Transitlager / BIG. Image © Laurian Ghinitoiu
Basel Transitlager / BIG. Image © Laurian Ghinitoiu

In this latest photoset, photographer Laurian Ghinitiou gives us a first look at BIG’s Transitlager, a new mixed-use arts complex located within and around an existing warehouse building in Basel, Switzerland. Now nearing completion, the renovation and expansion is characterized by its reaction to the existing geometries of the nearby industrial infrastructure, taking the form of two distinct buildings, one placed on top of the other. The complex will contain a series of multifunctional floors for art, commerce, working and living in becoming the center of the new arts district of Dreispitz.

Check out the full series, below.

Basel Transitlager / BIG. Image © Laurian Ghinitoiu Basel Transitlager / BIG. Image © Laurian Ghinitoiu Basel Transitlager / BIG. Image © Laurian Ghinitoiu Basel Transitlager / BIG. Image © Laurian Ghinitoiu +31

Spotlight: SANAA

08:00 - 29 October, 2016
Spotlight: SANAA, Grace Farms. Image © Dean Kaufman
Grace Farms. Image © Dean Kaufman

Founded in 1995 by architects Kazuyo Sejima (born 29 October 1956) and Ryue Nishizawa (born 7 February 1966), SANAA is world-renowned for its white, light buildings grounded in the architects’ Japanese cultural origins. Despite the white exteriors, their architecture is far from modernist; the constant incorporation of ambiguity and doubt in SANAA’s buildings is refreshing and playful, taking the reflective properties of glass and brightness of white to a new level.

JDS Architects’ Maison Stéphane Hessel Photographed by Laurian Ghinitoiu

12:00 - 25 October, 2016
JDS Architects’ Maison Stéphane Hessel Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

In this latest photoset, photographer Laurian Ghinitiou turns his lens toward JDS Architects’ Maison Stéphane Hessel, a recently-completed, competition-winning mixed-use building in Lille, France. Containing space for a 70-cradle nursery, a 200-bed youth hostel and an office for socioeconomic innovation, the expressively playful building has been designed to respond to the three stages of human growth, from birth, through adolescence and into adulthood. The building volume lifts at its entrances to create public space and invite the entire community to use the building as a retreat from the bustling city, while inside, carved spaces with built-in, soft-edged furniture provide the ideal setting for learning and development.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +34

Zaha Hadid Architects' Antwerp Port House Photographed by Laurian Ghinitoiu

09:15 - 23 September, 2016
Zaha Hadid Architects' Antwerp Port House Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Zaha Hadid Architects' new Port House in the Belgian city of Antwerp, which has been almost a decade in planning and construction, officially opens this week. A monumental new structure sits above a repurposed and renovated (formerly derelict) fire station, providing a new headquarters for Europe's second largest shipping port. Housing 500 staff, who will now be under the same roof for the first time, the building represents a sustainable and future-proof workplace for its employees. Photographer Laurian Ghinitoiu has visited to capture his unique perspective on this new addition to the city's crane-covered skyline.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +42

Experience the "Brutal Faith" of Gottfried Böhm's Pilgrimage Church in Neviges

04:00 - 23 September, 2016
Experience the "Brutal Faith" of Gottfried Böhm's Pilgrimage Church in Neviges, Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu
Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu

This exclusive photo essay by Laurian Ghinitoiu was originally commissioned for the fifth issue of LOBBY. Available later this month, the latest issue of the London-based magazine—published in cooperation with the Bartlett School of Architecture—examines the theme of Faith as "a fervent drive, a dangerous doctrine, a beautifully fragile yet enduring construct, an unapologetic excuse, a desperate call for attention and a timely consideration on architectural responsibility."

In 1986 the Pritzker Architecture Prize announced their first German laureate. In a speech at the ceremony in London’s Goldsmiths’ Hall, the Duke of Gloucester suggested that the prize “may not guarantee immorality,” inferring, perhaps, that not even the most prestigious award in architecture could compete with an œuvre so compact, focussed and enduring as that of Gottfried Böhm – a “son, grandson, husband, and father of architects.”

Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu Courtesy LOBBY Magazine. Image © Laurian Ghinitoiu +24

Exhibition: Chiharu Shiota "Uncertain Journey"

10:35 - 17 September, 2016
Exhibition: Chiharu Shiota "Uncertain Journey", "Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu
"Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu

Text via Blain|Southern. For her first exhibition with Blain|Southern, Chiharu Shiota will create a new site-specific monumental installation in the Berlin gallery, eight years after she last exhibited in her home city.

Shiota is primarily known for her immersive installations, such as The Key in the Hand, with which she represented Japan at the Venice Biennale in 2015. Weaving intricate networks of yarn, the artist creates new visual planes as if she were painting in mid-air.

The installation Uncertain Journey fills the gallery’s vast central atrium with dense webs of red yarn – seemingly growing from above, reaching down towards the skeletal hulls of boats which rest on the gallery floor below. The colour of blood, the nexus of yarn is laden with symbolism, for the artist it alludes to the interior of the body and the complex network of neural connections in the brain. Enclosed by the canopy overhead, the boat carcasses raise existential questions of fate and belonging, evoking ideas that can be as complex as the tangled yarn itself.

"Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu "Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu "Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu "Uncertain Journey" / Chiharu Shiota. Image © Laurian Ghinitoiu +19

"Circus, Circus" Brings Architectural Interventions to the Bauhaus Dessau

16:00 - 5 September, 2016
"Circus, Circus" Brings Architectural Interventions to the Bauhaus Dessau, Bauhaus Festival 2016. Image © Laurian Ghinitoiu
Bauhaus Festival 2016. Image © Laurian Ghinitoiu

This past weekend, the Bauhaus in Dessau was animated by the Bauhaus Festival. Titled “Circus, Circus – from Black to White,” the event was intended to present all the fun of the fair with a monochrome twist--in opposition to the wild colors usually associated with circuses--and in the words of the Bauhaus was a “kinetic explorations of bodies, objects, media, space and sound.” The event was also an opportunity to tap into the legacy of Bauhaus legend László Moholy-Nagy, whose experiments in film and media blend well with the performative nature of the circus. The event featured a number of performances by artists, while “Cybernetic Circus” by Anhalt University of Applied Sciences and the Initiative Neuer Zirkus turned the grounds of the Bauhaus into an “architectural landscape” of performance modules inspired by Maholy-Nagy. Also featured were installations by students at Burg Giebichenstein University of Art and Design Halle titled “Neo Luna Park.” Photographer Laurian Ghinitoiu traveled to the event to capture the festivities, showing their interaction with Walter Gropius’ famous building.

Bauhaus Festival 2016. Image © Laurian Ghinitoiu Bauhaus Festival 2016. Image © Laurian Ghinitoiu Bauhaus Festival 2016. Image © Laurian Ghinitoiu Bauhaus Festival 2016. Image © Laurian Ghinitoiu +36

The Best Student Design-Build Projects Worldwide 2016

09:30 - 5 September, 2016

Last year, we asked the graduating students among the ArchDaily community to show us the design-build projects which they may have completed as part of their studies. The response we received was astonishing, and we were so impressed with the results that we simply had to do it again this year. So, two months ago we once again teamed up with ArchDaily Brasil and all four ArchDaily en Español sites to put out another call for submissions, and once again the response was overwhelming. Across over 100 submissions, the quality of the projects we received was so high that this year's results are bigger and better, containing 36 projects from 20 different countries. So, read on for the best student-built work from around the world in 2016.

Project O (Hongkong Baptist University). Image Courtesy of Frank Chan Tesis Uno en Uno. Image Courtesy of Stefania Torchio, Santiago Iribarne Wynne Universidade Federal de Goiás - UFG. Image Courtesy of Luccas Chaves DIA 3D Jewelry Pavilion (Dessau International Architecture Graduate School). Image © Pavel Babienko +182

Herzog & de Meuron, OMA, MAD Among 13 Shortlisted for “Design of the Year 2016”

08:05 - 2 September, 2016
Herzog & de Meuron, OMA, MAD Among 13 Shortlisted for “Design of the Year 2016”

The Design Museum in London has announced the shortlist of 13 architecture projects being considered for the 2016 edition of the prestigious Beazley Design of the Year award. From Tatiana Bilbao’s Sustainable Housing Prototype to MAD Architects’ Harbin Opera House, the list features projects from a wide variety of scales and programs, celebrating some of architecture’s most significant achievements from the past year.

The award, now in its ninth year, “celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year.” Nominees are selected in six categories, including Architecture, Digital, Fashion, Graphics, Product and Transport. An exhibition on the projects will be on display from 24 November 2016 – 19 February 2017.

Last year, the overall architecture prize was awarded to Alejandro Aravena's UC Innovation Center for the building’s ability to be “permeable – visually, socially and climatically with its environment."

View all of the shortlisted buildings, after the break.

Gallery: Herzog & de Meuron's Schaudepot at the Vitra Campus Photographed by Laurian Ghinitoiu

07:45 - 25 August, 2016
Gallery: Herzog & de Meuron's Schaudepot at the Vitra Campus Photographed by Laurian Ghinitoiu, © Laurian Ghinitoiu
© Laurian Ghinitoiu

Earlier this summer, the Vitra Schaudepot on the Vitra Campus was officially opened. The latest in a string of structures designed by emerging and well-known architects, this gallery space is the second building by Swiss-practice Herzog & de Meuron. Conceived as "a visible storage facility" presenting a cross-section of the Vitra Design Museum's extensive collection of furniture and lighting, over 400 objects will provide "a comprehensive introduction to the history of furniture design." Featuring a café, shop and a new entrance for visitors to the museum, the building is also able to host temporary exhibitions. Photographer Laurian Ghinitoiu has turned his lens to this latest addition in Weil am Rhein.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +32

Pezo von Ellrichshausen Discuss Their Philosophy of Human-Scaled Architecture

09:30 - 13 August, 2016

For Mauricio Pezo and Sofía Von Ellrichshausen, the architect's job is about much more than dealing with functional issues, as well as social issues, sustainability, and safety. “Of course architecture from its very essence is solving problems, and the problems constantly change,” says von Ellrichshausen in this interview with The Architectural Review outside their Vara Pavilion at the 2016 Venice Biennale. “But probably the life span of architecture is many times larger than the problem that it addresses initially. Therefore we think of architecture more in terms of this larger span and hopefully it might embody a set of values and not necessarily propose a solution.”

Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu Vara Pavilion / Pezo von Ellrichshausen. Image Courtesy of Pezo von Ellrichshausen Vara Pavilion / Pezo von Ellrichshausen. Image © Laurian Ghinitoiu +4

Three Nordic Refractions: After Belonging Agency Discuss the Theme of the 2016 Oslo Trienniale

04:00 - 12 August, 2016

In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.

Inverted House / The Oslo School of Architecture and Design + Kengo Kuma & Associates

03:00 - 9 August, 2016
Inverted House  / The Oslo School of Architecture and Design + Kengo Kuma & Associates, © Shinkenchiku-sha
© Shinkenchiku-sha

© Shinkenchiku-sha © Shinkenchiku-sha Courtesy of The Oslo School of Architecture and Design © Shinkenchiku-sha +35

Spotlight: Santiago Calatrava

07:00 - 28 July, 2016
Spotlight: Santiago Calatrava, The Quadracci Pavilion at Milwaukee Art Museum. Used under <a href='https://creativecommons.org/licenses/by-sa/2.0/'>Creative Commons</a>. Image © <a href='https://www.flickr.com/photos/bvincent/18091164/'>Flickr user bvincent</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a>
The Quadracci Pavilion at Milwaukee Art Museum. Used under Creative Commons. Image © Flickr user bvincent licensed under CC BY-ND 2.0

Known for his daring neo-futurist sculptural buildings and over 50 bridges worldwide, Santiago Calatrava (born July 28, 1951) is one of the most celebrated and controversial architects working today. Trained as both an architect and structural engineer, Calatrava has been lauded throughout his career for his work that seems to defy physical laws and imbues a sense of motion into still objects.

Bart Lootsma Dissects, Unpicks and Evaluates the 2016 Venice Biennale

04:00 - 27 July, 2016
Bart Lootsma Dissects, Unpicks and Evaluates the 2016 Venice Biennale, One installation of the Central Pavilion, curated by Alejandro Aravena. Image © Laurian Ghinitoiu
One installation of the Central Pavilion, curated by Alejandro Aravena. Image © Laurian Ghinitoiu

In two lectures delivered by Bart Lootsma, Professor and Head of Institute for Architectural Theory and History at the University of Innsbruck, the 2016 Venice Biennale—Reporting From the Front—is dissected, unpicked and evaluated through the national participations (pavilions) and Alejandro Aravena's central exhibitions. Lootsma, who has broadcast the lectures as publicly available resources on architecturaltheory.eu, is the co-curator of the 2016 Pavilion of Montenegro.

AD Classics: New Museum / SANAA

04:00 - 22 July, 2016
AD Classics: New Museum / SANAA, © Laurian Ghinitoiu
© Laurian Ghinitoiu

The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.[1]

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu +30