Adaptation: Architecture, Technology and the City is a publication that is a result of the collaboration between INABA and Free that brings interviews and art works into a conversation about the advancement of digital technology and its place in the built environment. The publication is a fascinating study into the dialogue between technological advancements in transportation and communications and the tangible environment with which is inextricably linked.
As a follow up to our recent post on the recent win by Boltshauser Architekten for their Basel Aquarium design in Switzerland, we wanted to share with you the other entries by Zaha Hadid Architects, David Chipperfield Architects and Caruso St John Architects. Zaha Hadid’s ‘Blue Cave,’ while praised for its excellent quality, was criticised for its thin visitor aisles; the jury felt the “dynamic” styling of the building’s interior would have been in competition with the aquariums, and so the project came in third out of the 15 shortlisted entries. More information and images on the other entries, after the break.
Architects: Kister Scheithauer Gross Architects And Urban Planners
Location: Weinhof, Leipheim, Germany
Design/responsible partner: Prof. Susanne Gross
Project manager, artistic director: Grzegorz Rybacki
Design Team: Fritz Keuten, Matthes Langhinrichs, Stefan Schwarz, Paul Youk
Client: Israelite Religious Community of Württemberg statutory corporation
Area: 1,980 sqm
Photographs: Christian Richters
As Europe recovered from the death and destruction of World War II, countries got back to the business of rebuilding their communities and, of course, their churches. The need to make sense of the madness of the War was palpable – as was the need to express this modern-day spirituality in a form that radically broke from tradition.
The result was a bevy of European churches that – although often misunderstood by practitioners - represent some of our best-preserved examples of Modernist architecture. Photographer Fabrice Fouillet made it his mission to photograph these beauties in a series he calls “Corpus Christi.” You can see the images – as well as Fouillet’s description of the work – after the break…
The Gold Coast, Australia’s sixth largest city, recently announced their global design competition to develop it’s ‘cultural heart and soul’in the 17-hectare Evandale site. Designers are being invited to form multi-disciplinary teams ready for the two-stage competition, to be launched…
The New York Public Library has a plan to save millions of dollars, improve efficiency, and reverse the cutbacks that have been plaguing it. How? By sending little-used resources off-site (after all, most people use the library for its online resources these days), the Library will consolidate three libraries into one Mid-Manhattan branch, renovating the building with a streamlined, efficient design – courtesy of Foster + Partners - to create “the largest combined research and circulating library in the country.”
It sounds like a wonderful, modern solution. Ms. Ada Louise Huxtable would beg to differ.
The former New York Times architecture critic and current critic for the Wall Street Journal has come out swinging against the plan. First, she builds on the critique that others have made, that by moving volumes off-site (to New Jersey, or “Siberia, as she puts it) to make room for more modern amenities, the library will devalue its primary purpose (making resources readily accessible). To put it another way, as Scott Sherman did in his article for The Nation, it would turn the library into “a glorified internet café.” Then, Huxtable makes her own argument: that removing the current, intricate system of stacks would be an enormously complex, expensive, and hopelessly misguided structural challenge.
But, ultimately Ms. Huxtable’s argument comes down to the intrinsic architectural and cultural value of this Beaux Arts Masterpiece: “You don’t “update” a masterpiece.”
More on the Ms. Huxtable incendiary critique of The New York Public Library’s Central Plan, after the break…
Awarded by the Brick Development Association (BDA), BOLLES+WILSON… recently received the ‘Brick Award 2012′ for their Raakspoort – City Hall and Bioscoop project in Haarlem, Netherlands. The jury headed by BDA-Chairman Bob Allies commended a wealth of innovation in brickwork
‘Wolf D. Prix & Partner: 7+ Projects, Models, Plans, Sketches, Statements’ Coop Himmelb(l)au Exhibition
On the occasion of Wolf D. Prix’ 70th birthday, the Architekturforum Aedes in Berlin is devoting an exhibition to Coop Himmelb(l)au… entitled “Wolf D. Prix & Partner: 7+ Projects, Models, Plans, Sketches, Statements”. The event began on December 12 and