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The Frank Lloyd Wright Foundation has used Earth Day, April 22nd, 2019, to launch a new initiative focused on educating the public about how sustainable practices are used in the conservation of National Historic Landmark sites, including the renowned architect’s Taliesin (Wisconsin) and Taliesin West (Arizona) residences. Taking place throughout the year, the Foundation’s efforts will aim to show how these practices can serve as examples for other facets of society.

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As the world recognizes Earth Day 2019, the public discourse is increasingly dominated by citizen action across the world manifesting a widespread fear and frustration at a perceived lack of action by governments and officials to confront the issue forthrightly. From the Extinction Rebellion protests that have gripped London, to school student strikes across 125 countries, global cities are increasingly finding themselves on the front line of a battle to limit the effects of global warming.

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Videos

Renzo Piano Building Workshop has designed a series of ‘floating’ seaside residences for a new eco-district in Monaco. Dubbed Portier Cove, the eco-district will be a new extension of the Principality’s existing coastline from the Grimaldi Forum to the Formula One tunnel. RPBW is working on the construction of the Grand Immeuble and the Port d’Animation, which will occupy the west side of the offshore extension of Monaco. The floating residences will rise above a seaside promenade on caissons along the coast.

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Last year I was invited to teach design studio for the first time by Tsinghua University in Beijing, home to the top architecture school in China and one of the strongest in the world, according to the latest international ratings. There, I met husband-and-wife teaching practitioners Qing Fei and Frank Fu. As soon as I witnessed their unorthodox way of teaching by challenging students with rigorous questioning, I wanted to interview them. Their innovative approach did not fit my impression of how architecture is tackled in China. Fei and Fu are Tsinghua graduates; they moved to America in the late 1980s where they studied, worked, and researched both art and architecture for almost two decades.

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