In his book We Have Never Been Modern, philosopher Bruno Latour concludes that an inability to make humanity and nature inherently separate is one of Modernism’s most misguided tropes. Thus, contemporary designers that hope to riff on or have continuity with modernism must understand that architecture, even at its most aestheticized, is not hermetically sealed off from the outside world - and that therefore modernism is not a plateau of design, but another base camp on the road to further refinement.
In Chicago, the city where Modernism reached both its metaphoric and physical peak, Atelier 2B, a team of Yewon Ji, Nicolas Lee, Ryan Otterson, recently shared the top-five prize of the Chicago Architecture Foundation's ChiDesign Competition (part of the Chicago Architecture Biennial) for their project Soft in the Middle: The Collaborative Core. Indebted to the legacy of Mies and the International Style, Atelier 2B proposed a Modernist-tower-redux that (externally at least) is composed of three stacked rectangular volumes bisected with terraces, set back from the street by a large public plaza. The project brief called for “a new center for architecture, design and education,” in a competition judged by critics including Stanley Tigerman, David Adjaye, Ned Cramer, Monica Ponce de Leon, and Billie Tsien.
The National Council of Architectural Registration Boards (NCARB) has selected the architectural programs at Mississippi State University, Philadelphia University and the University of Florida as the recipients of the 2015 NCARB Award for the Integration of Practice and Education. The Award helps the selected universities develop "innovative curricula that merge practice and education." This year over $99,000 was awarded to the three programs to develop their proposed initiatives.
“What makes the NCARB Award different from other awards is that it is focused on fostering collaboration between the academy and practice,” said NCARB President Dennis S. Ward, AIA, NCARB in a press release. “This year’s proposals all go further to give students, practitioners, and others within the profession meaningful interactions that will raise awareness for the architect’s role and address issues that are central to practice.”
Inspired by the recent trend for super-skinny, super-tall skyscrapers currently dominating the Manhattan luxury residential market, ODA New York has developed a design for 303 East 44th Street which they describe as "a new urban reality" for the city. By taking a prototypical, modestly-sized tower building and stretching it skyward, the firm has inserted sculptural skygardens in the voids opened up between the floors to create a tower that combines the advantages of urban living with the spatial benefits of the suburban home.
Dallas Architecture Forum, a non-profit organization for everyone interested in learning about and improving the architecture, design, landscape and urban fabric of the North Texas region is pleased to continue its 2015-16 Lecture Season with outstanding architect Billie Tsien, Co-Founder and Partner of Tod Williams Billie Tsien Architects - a New York City-based studio focused on work for museums, schools, and non-profit organizations. Tsien’s many projects include the new art museum for the Barnes Foundation collection, the American Folk Art Museum in New York, projects for Lincoln Center in New York and Cranbrook in Michigan, and the Dallas residence for
In Our Time is an architecture and design lecture series presenting the best thinkers, makers, and builders of today.
Shumon Basar, co-author of The Age of Earthquakes: A Guide to the Extreme Present is joined by architect Keller Easterling and writer Kari Rittenbach.
Discussion hosted by Hrag Vartanian, co-founder and editor-in-chief of Hyperallergic.
This lecture is made possible by William Pordy M.D.
Presented in collaboration with Hyperallergic.
Shumon Basar is a writer, thinker, and cultural critic. He is co-author of The Age of Earthquakes: A Guide to the Extreme Present with Douglas Coupland and Hans Ulrich Obrist (Penguin/Blue Rider, March 2015). His edited books include
Learn how to create your own eye-catching photographs of the city’s built environment in this hands-on workshop with architectural photographer Matthew Carbone. An introductory discussion about techniques, relevant mobile phone apps and considerations of lighting and composition particular to on-site architectural photography will be followed by an outdoor shooting session in the iconic South Street Seaport neighborhood. Class size limited to allow for individual feedback and instruction.
Open to all levels of experience. Digital SLR cameras or current iPhones / Android phones with high-quality cameras recommended.
Thirty-five years ago today, an Act of Congress established the nation’s only museum dedicated to the history and impact of the built environment. To celebrate our birthday, we’re throwing open our doors and offering free admission to all, as well as birthday festivities throughout the day. Learn more at go.nbm.org/35years.
This fall, the Julius Shulman Institute at Woodbury University presents Matter, Light, and Form: Architectural Photographs of Wayne Thom, 1968-2003 at the Woodbury University Hollywood Gallery (WUHO).
Wayne Thom, an architectural photographer who built a practice under the tutelage of A. Quincy Jones, was a success from the start, quickly establishing a position as one of the leading figures in the ‘visual communication’ of architectural projects and ideas, working for developers and architects throughout the North American west and Asia, and often photographing a project from its first promotional models to finished buildings.
Author R. Andrew Bittner discusses the techniques used to build the Washington National Cathedral in his newly-released book from Arcadia Publishing (2015). The construction of this neo-Gothic cathedral is presented in photographic detail. A book-signing follows the talk. Book price: $19.80 Member | $21.99 Non-member.
Washington’s Brookland neighborhood gained a jolt of artistic energy with the renovation of Dance Place studio and construction of Brookland Artspace Lofts. Dance Place incorporates a theater, office space, and an expanded dance studio. Brookland Artspace Lofts, a 78,000-square-foot residential development, provides 40 affordable live/work studios for working artists. Yolanda Cole, AIA, IIDA, LEED AP; Holly Lennihan, RA, LEED AP; and Starr Ashcraft, LEED AP BD+C with Hickok Cole Architects lead a tour of the buildings and explains how the programmatic needs unique to artists impacted their final designs. 1.5 LU HSW
ProDrone Technology Company (www.prodrone-tech.com) is a fresh, innovative and forward thinking take on the contemporary UAV industry. We fully focus on the comprehensive research, development, design and production of unmanned aerial vehicles and we strive to not only offer concierge style customer service, but a truly fascinating flying experience.
Our first drone, Byrd, has many special features. Some features that set us apart form the rest are complete portability (Byrd conveniently folds down into an iPad sized package), longer flight time (Byrd has a 30% longer battery life than all other drones within the same category), dual controllers (Connect
To most people, tarmac markings are hieroglyphics writ large: an obscure language that greets us as we glide down toward the earth. It is a code both intimately familiar and radically alien. On the Tarmac reconceives this code. Designer Dennis Pieprz Assoc. AIA and his photos, by freeing the tarmac from utility, allow new meanings to emerge, exploring poetry of line work and the ballet of human activity. This collection is about slowing pace and paying attention, but most important about seeking sublime moments in the everyday. The exhibition, presented by BSA Space in partnership with Sasaki Associates, features more