Statsbygg has shortlisted six teams to develop proposals for a new government quarter in Oslo. Selected from 24 submissions, the chosen teams will now have until March 2015 to prepare their ideas. The unconventional competition, which requires the inclusion of students from the Oslo School of Architecture and Design, will not culminate with a single winner. Rather, ideas from all the shortlisted proposals will be extracted and used in an eventual masterplan.
Architecture institutions and architects are outraged by the Norwegian Government plans to demolish a unique part of Norwegian and international architectural history. Called the Y-block for its Y-shaped plan, the building in the Government Quarter in the centre of the Norwegian capital of Oslo was designed by the Norwegian architect and pioneer inventor Erling Viksjø in the 1950s together with the “H-block” or Highrise (1959) and was completed in 1969. The building is internationally well known for the extraordinary craftsmanship of its sandblasted concrete and the famous Pablo Picasso murals, “The Fishermen” and “The Seagull”.
Waves of golden light appear to shimmer and float from the ceiling in “Breaking the Surface” a new interactive installation from Scandinavian Design Group, ctrl+n, Abida, Pivot Product Design and Intek. The kinetic sculpture is composed of an array of acrylic plastic tubes extending through the floor of a two-story mechanized matrix, gracefully moving above and below the surface to evoke abstract images of the undersea geography. Read more about the interactive installation after the break.
Snøhetta’s pixilated concept for the Norwegian banknote has been selected by the Central Bank of Norway to serve as the “foundation” for the backside of the new kroner notes. This news, announced yesterday in Oslo, also confirmed that the notes’ front will be based off The Metric System’s more “traditional” design featuring a images of sailing vessels.
Both Snøhetta and The Metric System were among seven designers invited to submit ideas under the nautical theme “The Sea,” in which Snøhetta chose to commemorate Norway’s coastal landmarks with a “visual language” of brightly colored, cubical patterns.
More on Snøhetta’s winning concept, after the break.
Last weekend saw the opening of a new cultural festival on Sandhornøy, a small Norwegian island within the Arctic Circle. Centered around three traditionally-inspired structures by Rintala Eggertsson Architects, SALT is a celebration of the history and culture of Arctic communities - and while the structures of the Norwegian festival will remain in place for a full year, the festival itself plans to tour the northern regions of the globe, with new locally specific installations at each locale. Find out more about the festival in after the break, in this post originally published on Metropolis Magazine.
The planning phase for the new National Arts Museum in Norway is coming to a close and the images of the winning design by architects Kleihues + Schuwerk Gesellschaft von Architekten have been released. With its modernization and expansion, the museum aims to enhance the fields of art and design in Norway and serve as a cultural hub for locals and tourists alike. Learn more about the project and see the proposed design after the break.
Biotope, a three-strong Norwegian practice based in the Arctic town of Varanger, have designed bird hides since 2009. For them, architecture is "a tool to protect and promote birds, wildlife and nature" - an approach reflected in their carefully crafted, environmentally integrated fragments of the 'invisible': small shelters that must blend into and be absorbed by their surroundings. Their diligent work has seen Varanger become established as one of the best birding destinations in Northern Europe and their unique design solutions are now being sought across Scandinavia.