This contemporary art museum is not what it seems. It appears, at first, to be a fairly familiar manifestation of the contemporary architectural discourse, and indeed the striking fluidity of its lines and its impressive mastery of parametrically-enabled tectonics as well as GRC technology put it on a par with recent buildings by Zaha Hadid or MAD, but this first impression is somewhat deceptive: the building is, in fact, refreshingly unique and a radical point of departure from the dominant design ideology of our times, a significant rupture from the orthodoxy. And a very promising one.
In May 2015, Shenzhen Art Museum and ShenzhenLibrary organized an international design competition for their new homes in Longhua District. 134 firms submitted concept proposals for the first stage, eight firms were selected to enter the second phase competition in July, among them OMA, Steven Holl, Mecanoo, OPEN, KSP, and others. Below is OPEN’s competition entry for the second phase.
Büro Ziyu Zhuang and RSAA has unveiled the design for its Zhangjiagang Church project, a community center and church complex in Zhangjiagang, China. Based around the idea of addressing current challenges of religion, the main church is separated from other functions, which are clustered in supporting buildings.
MVRDV has taken it upon themselves to reimagine the Chinese Hutong. Focusing in on Beijing's prominent and currently vacant Xianyukou Hutong, the practice has set out to define its future and envision "the next hutong" - one that is "monumental, dense, green, mixed and individual" and can be built in phases.
Aedas' Mapletree Business City Shanghai and VivoCity Shanghai has been named the "ultimate world's Best International Mixed-Use Architecture" of 2015, according to the International Property Awards that were announced in London. The mixed-use development merged retail, dining and entertainment with Grade A offices to "create a dynamic environment for both business and leisure." All facilities are seamlessly connected and share a number of amenities, thus providing a "new benchmark" of 'live, work and play' in Shanghai.
Heatherwick Studio has designed a mountainous mixed use plan for Shanghai's main arts district. Named M50, the 300,000-square-meter project was conceived as "a piece of topography" that takes the shape of "two tree-covered mountains" populated by "400 terraces" and "1000 structural columns."
“Normally, the large-scale projects that we are quite used to seeing have big boxes, and the role of the designer is figuring out what pattern of architectural wrapping paper to put on these boxes,” said Thomas Heatherwick, according to Architectural Digest. “We wondered if there was a way to make better working spaces by also making access to outdoors.”