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  3. Spotlight: Lina Bo Bardi

Spotlight: Lina Bo Bardi

Spotlight: Lina Bo Bardi
Cortesia de <a href='http://www.institutobardi.com.br/'>Instituto Lina Bo e P.M. Bardi</a>. Image © Author Unknown
Cortesia de Instituto Lina Bo e P.M. Bardi. Image © Author Unknown

Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus.

With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.

Sesc Pompéia. Image © Pedro Kok MASP. Image © Pedro Kok MASP. Image © Pedro Kok Sesc Pompéia. Image © Pedro Kok +6

Glass House. Image © Thiago Esperandio via <a href='https://www.flickr.com/photos/ministeriodacultura/14150306716'>Flickr user ministeriodacultura</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>
Glass House. Image © Thiago Esperandio via Flickr user ministeriodacultura licensed under CC BY 2.0

In Río de Janeiro, with its lush surroundings and modernist constructions, Bo Bardi began to assimilate these new influences, a process that would culminate when they moved to São Paolo. She began to study Brazilian culture from an anthropological perspective and was particularly interested in the convergence of art and popular tradition.

MASP. Image © Pedro Kok
MASP. Image © Pedro Kok

In 1950 she started the magazine Habitat, and in 1951 she designed her home, the Glass House, in Morumbi, Sao Paulo; the house is considered one of the paradigmatic works of rationalist art in Brazil. Later, in 1957, she began to construct the new home of the Museum of Art Sao Paulo (MASP), where she suspended the building above a 70-meter-long square.

Spotlight: Lina Bo Bardi, Sesc Pompéia. Image © Pedro Kok
Sesc Pompéia. Image © Pedro Kok

Moving to Salvador in order to direct the Museu de Arte da Moderna da Bahia, Bo Bardi continued to design emblematic projects—including the restoration of the Solar do Unhão in 1940, the Chame-Chame House in 1964 the Sesc Pompéia in 1977, and the Teatro Oficina in 1984.

However, her work was not exclusive to architecture; she was also engaged in scenery production, art, furniture and graphic design. Bo Bardi passed away in 1992, with many ongoing projects left unfinished.

Sesc Pompéia. Image © Pedro Kok
Sesc Pompéia. Image © Pedro Kok

Architecture is created, 'invented anew,' by each man who attempts her, who roams her space, climbs a stair, rests on a balustrade, lifts his head to look, open, close a door, who sits down or gets up and makes intimate contact with—and at the same time create 'forms' in—the space [...] This intimate, fiery, contact, that which was perceived by man at the beginning, is today forgotten. Routine and communal places made man forget the natural beauty of "moving in space," of his conscious movement, of those little gestures… – Lina Bo Bardi

See all of ArchDaily's coverage of Lina Bo Bardi and her work via the links below:

AD Classics: São Paulo Museum of Art (MASP) / Lina Bo Bardi

Radical Pedagogies: Lina Bo Bardi's Theory of an Immediate-Life-Architecture (1957)

Video: The Glass House / Workshop "filming architecture"

Lina Bo Bardi's Archive on Display at her Glass House in São Paulo

Architecture Photography: Lina Bo Bardi's 'Sesc Pompeia'

Arper Relaunches Lina Bo Bardi's Signature Bowl Chair

Cite: Romullo Baratto. "Spotlight: Lina Bo Bardi" 05 Dec 2016. ArchDaily. Accessed . <http://www.archdaily.com/575429/spotlight-lina-bo-bardi/>
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Sesc Pompéia. Image © Pedro Kok

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