Seat of Remembrance Rectory Lane Cemetery Berkhamsted - the inspiration for this contest
The competition is to design new seating that will be part of our improvement project at the Rectory Lane Cemetery. Eight new benches will be located in different areas around the Cemetery. Applicants may either design an individual bench (sympathetic to the proposed location of the bench) or design a composite scheme for all the benches. This competition is being run by the Friends of St Peter’s, Great Berkhamsted (‘The Promoter’).
Cross-continental architecture practice KOSMOS Architects have revealed the full design intent for their HelloWood 2016 installation. The wooden structure, dubbed "Thread," subverts the conventional notion of the wall as a divider of space, reinventing it as a new zone of inclusivism and human engagement. Their entire design and construction process was guided by Maslow's hierarchy of human needs, leading to a structure that brings people together and fulfills them in different ways, level by level.
Courtesy of COBE, Vilhelm Lauritzen Architects and Sted
Danish firm Vilhelm Lauritzen Architects has lead a team comprised of COBE, Sted, and Rambøll in the design of a brand new island in Copenhagen's harbor. Situated in the Kronløb water basin in Nordhavn, the monolithic presence of the Kronløb Island references the geological processes by which the topography of Denmark was formed. The floating new district will include parking facilities, housing, and public spaces.
Text via Blain|Southern. For her first exhibition with Blain|Southern, Chiharu Shiota will create a new site-specific monumental installation in the Berlin gallery, eight years after she last exhibited in her home city.
Shiota is primarily known for her immersive installations, such as The Key in the Hand, with which she represented Japan at the Venice Biennale in 2015. Weaving intricate networks of yarn, the artist creates new visual planes as if she were painting in mid-air.
The installation Uncertain Journey fills the gallery’s vast central atrium with dense webs of red yarn – seemingly growing from above, reaching down towards the skeletal hulls of boats which rest on the gallery floor below. The colour of blood, the nexus of yarn is laden with symbolism, for the artist it alludes to the interior of the body and the complex network of neural connections in the brain. Enclosed by the canopy overhead, the boat carcasses raise existential questions of fate and belonging, evoking ideas that can be as complex as the tangled yarn itself.