2013

• Architects

  SOM

• Civil, Electrical, Mechanical, Structural and Plumbing Engineering

  SOM

• Site Area

  3,026.50 m2

• Project Area

  111,484 m2

• Building Height

  307m (73 stories)

• Project Year

  2013

• Photographs

  Courtesy of SOM

• Architects

  Skidmore, Owings & Merrill

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The Puente de Vida Museum, more commonly referred to as The Biomuseo, will be Frank Gehry's first design in all of Latin America. It is located in Panama in the area called Amador, which sits only a few blocks from the country's principal cruise port and is adjacent to Panama City. The mission of the Biomuseo is to "offer an impressing and educational experience about the biodiversity and emergence of the isthmus in Panama in order to motivate all Panamanians to get to know and to value this natural component of their identity, as well as to generate in all its visitors the need to protect the environment" (Biomuseo Website). The Biomuseo intends to explore the importance of Panama's biological systems and its emergence as a geological link between North and South America, both of which have had global impacts many are unaware of.

With these goals in mind, it quickly became clear that the museum design needed to be something very special to attract the international attention its founders desired. They wanted the museum to be a never-before-seen kind of design and to serve as a new architectural icon for Panama, much like the Eiffel Tower does for France or the Tower of Pisa for Italy. With the participation of Gehry Partners as well as the world-renowned landscape architect Edwina von Gal & Company, the Biomuseo began to take form: an extremely unique, Gehry-esque structure surrounded by an open botanical park that complements the exhibits within.

More after the break...

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It's that time of year again: the 2013 AIA National Convention is gearing up to provide architects with the latest technological, conceptual and design innovations over the course of a three-day conference in Denver, Colorado. This year's theme: Building Leaders, is an opportunity for architects to see leading achievements in the profession as well as build upon their own knowledge.

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Parametrica [Digi Fab School] invites you to BREATHING PROTOTYPES Workshop (19-25 February 2013) to participate in the digital design build workshop, seeking to create an inventive collaborative environment. The workshop is part of a series of PARAMETRICA events aimed in promoting and exploring the world of parametric design. 

The workshop is aimed at: students, postgraduates, architects, interior, product and urban designers, engineers, anybody interested. All the details after the break.

MoMA's upcoming exhibition Henri Labrouste: Structure Brought to Light celebrates the impact of this 19th century architect on space, materials, luminosity and on great places of assembly. The exhibition will run from March 10th to June 24th, 2013 and will be the first solo exhibition of Labrouste's work in the United States.

Three years have passed since a tremendous earthquake devastated Haiti. The long reconstruction process includes the construction of the country’s first stadium to be completed this year. Partners of Project Phoenix have created plans for Phoenix Stadium, a massive world-class professional soccer stadium soon to be located in Cite Soleil, Haiti. This project developed as a result of the 2012 Clinton Global Initiative when collaboration began between Morad Fareed of Delos and Boby Duval of L’Athletique D’Haiti. The vision is to create a world-class stadium for soccer games as well as many other community functions.

Read more about Phoenix Stadium after the break!

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In its third year, the AA Istanbul Visiting School, Vertical Interventions, in collaboration with Istanbul Technical University, will continue to rediscover verticality through novel generative design techniques and large-scale physical prototypes. Abstracted as a fusion of various sub-systems, each subsystem of the tower will be investigated in relation to their various performance criteria. The correlations between the separate sets of performance criteria and evaluation methods will be analyzed, leading to the generation of unified design alternatives for a vertical system typology. In addition to the custom-made digital design and evaluation tools supporting the core methodology, Vertical Interventions will also highlight the fabrication and assembly of a large scale working prototype integrating the performative characteristics of each system in examination.

As in 2012, the design agendas of AA Athens and AA Istanbul Visiting Schools will directly create feedback on one another, allowing participation in either one or both Programmes.

Following the initial challenge of amplifying connectivity, adjustability and interaction for its Correlations cycle, AA Athens Visiting School scales up its design intentions in order to investigate links among discrete individual architectural systems in its 2013 version, Recharged.

Recharged with interconnectivity on different levels, the theme of investigation will revolve around the design of semi-independent design prototypes acting together to form elaborate unified results. The driving force in Cipher City: Recharged is the synergistic effect behind complex form-making systems where interactive design patterns arise out of a multiplicity of relatively simple rules. 

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Iwan Baan's name may ring a bell for all those following Hurricane Sandy's devastation across New York City and New Jersey's coast. The photographer's iconic photograph made headlines when it was featured on New York magazine's front page days after the storm, showing lower Manhattan in complete darkness, set against its vibrant counterpart uptown, as the United States' east coast was recovering from the extensive damage left in Sandy's wake. The image not only brings to mind the absolute helplessness that New York City faced during the storm, but also lends a hand in a social commentary that is notably pervasive in Baan's work. The Perry Rubenstein Gallery in Los Angeles will feature the photographer's work in a two-month exhibition entitled The Way We Live, honing in on the images that encapsulate the world of architecture, urbanism and human engagement.

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