Karakusevic Carson and David Chipperfield have been announced as the “preferred bidder” for a pair of residential towers the East London district of Shoreditch. As reported on BDOnline, the £25 million project at Colville Estate will rise up to 14 and 20 stories high to replace the existing 1950‘s low-rise buildings. This will be the second and last phase of the largest council-backed housing development in London and the first UK mass housing project for Chipperfield.
Following the conclusion of David Chipperfield’s 2012 Venice Biennale, the British Pavilion has brought its investigations back to the UK to expand upon ten exceptional research projects that illustrate how architecture has shaped the culture and economy of countries around the world.
Should Amsterdam-style floating homes be built in London’s Docklands? Could the UK learn from Brazil’s successful identikit school-building program? Could Belfast be redeveloped by following a Berlin model? These are just some of the fascinating questions that will be addressed in a series of lectures, debates and events hosted by the Royal Institute of British Architects (RIBA) in collaboration with the British Council and the Architectural Association.
Mark your calendars for the following special events, which will run from February 26 through April 27, 2013.
Designed by JaK Studio Architects, their second prize winning proposal for the RIBA International Competition to Re-imagining York’s Giuldhall Complex: Connecting River and City re-energizes the area by focusing on its history while embracing the future. When the Romans settled in this outpost of their empire, they were still keen to establish some of the rigor and grandeur of Rome. To echo this we cleared the open ground around the guildhall and reclaimed two large plazas cascading down to river providing unique and accessible public spaces with direct relationships to the river. More images and architects’ description after the break.
Images of the transformation of the Shell Centre Campus, which include 8 towers to be designed by six different architects in London's South Bank, have been released and submitted for approval by the local authority, Lambeth Council.
The project, under a Masterplan by Squire and Partners and co-developed by Canary Wharf Group and Qatari Diar, is a 5.25-acre mixed-use scheme between Waterloo Station and Hungerford Bridge. While the famous 27-story Shell Tower will be preserved, the plans show eight new residential and office buildings will be constructed by six architectural firms: an office and two residential towers by Squire and Partners, one office tower by Kohn Pedersen Fox Associates (KPF); a residential block by Patel Taylor; another by Stanton Williams; and two more residential towers by GRID Architecture.
In total, about 800,000 sq ft of office space, 800,000 sq ft of residential space (translating to 790 new homes, including affordable housing), and 80,000 sq ft of new retail units/restaurants/cafés will be created. As Michael Squire of Squire and Partners told The Architect's Journal: "We make no apology, this is a dense development, it sits next to one of the busiest train stations in Europe. This is a massive sustainable move that will allow people to live and work in the same area."
More on the proposed plan for London's South Bank, after the break...
Artist Gijs Van Vaerenbergh shared with us his recent project, Framework, a monumental geometric sculpture, which was recently on display in Leuven, above the ring road on the Artoisplein. With this sculpture, Vaerenbergh has once more produced a work in the public space that is based on the language and expertise of the architecture to create an autonomous art object. The result has become a tangible spatial drawing that plays on the visual experience of the object in space as well as the environment. Both interact and determine each other’s ‘view’. More images and artist’s description after the break.
For once, British architects, the Prince’s Foundation, and NIMBYs have something they can all agree on. In a speech to the Town and Country Planning Association (TCPA), UK planning minister, Nick Boles, has come out swinging against the “pig-ugliness” of British housing, which has given it a bad name:
“We are trapped in a vicious circle. People look at the new housing estates that have been bolted onto their towns and villages in recent decades and observe that few of them are beautiful. Indeed, not to put too fine a point of it, many of them are pig-ugly In a nutshell, because we don’t build beautifully, people don’t let us build much. And because we don’t build much, we can’t afford to build beautifully. My personal mission as planning minister is to help us break out of this vicious cycle once and for all.”
The criticism has been welcomed by many British architects as a necessary wake-up call for Britain and a call-to-action for its architects.
Building on a previous piece entitled “Suspension Bridge, the passage”, Olivier Grossetête’s ‘Pont de Singe’ in the UK is a model of floating bridge attached to helium balloons, thus taking literally the term “suspension bridge “. The object aims to connect two mobile spaces, questioning its usefulness. This bridge becomes a floating symbol of all relationships, and embodies the space surrounding its slight movements caused by our air movement. More images and architects’ description after the break.
The RIAS (Royal Incorporation of Architects in Scotland) has announced OMA as the tenth recipient of the prestigious Andrew Doolan Best Building in Scotland Award for the firm’s “welcoming, light and spacious” design of Maggie’s Gartnavel in Glasgow.
Serving as an exemplar for alternative healthcare design, OMA’s single story composition for the cancer care center laces together a series of interlocking rectangular spaces that form around a lush courtyard. Transparent walls of the building’s light-filled interior promenade connect patients directly to nature, as the building accommodates for the complex needs of the facility by providing spaces of interaction, personal privacy, and discrete counseling rooms, along with private nooks and corners. A notable characteristic of Maggie’s Gartnavel is the rich use of materials, from the flush inlaid timber and concrete ceiling to the simplistic concrete exterior and expansive floor-to-ceiling glass walls.
OMA generously donated their £25,000 prize to the Maggie’s Cancer Care Center.
Lord Foster, Dame Zaha Hadid and David Adjaye join artists and fashion icons to create 100 one-off artworks for the 10×10 Drawing the City London exhibition and auction, hosted by Article 25 – the UK’s leading international development and disaster relief charity. 10×10 Drawing the City London is currently taking place in Somerset House’s newly restored West Wing through November 13th.
Japanese modernist Fumihiko Maki has been chosen to design a cultural and university complex on a 67-acre Kings Cross development in London. As reported by the Evening Standard, the 84-year-old, Pritzker Prize-winning architect will design two buildings for the Aga Khan Development Network – an organization who leads the world’s 15 million Ismaili Muslims.
The two projects are among five, totaling a half million square feet, that are being commissioned by the Network at Kings Cross. It is unsaid of who will design the other three buildings. However, preliminary designs studies are under way and formal appointments will be announced shortly.
RIBA President Angela Brady has awarded Stanton Williams the 2012 RIBA Stirling Prize for their Sainsbury Laboratory. The Stirling Prize – the UK’s most prestigious architecture award – is presented annually to the “building that has made the greatest contribution to the evolution of architecture in the past year”. Sainsbury Laboratory was selected over five other shortlisted candidates, including the London Olympic Stadium which was awarded the “People Choice” in Observers’ Stirling Prize online poll.
Beautifully integrated within the University of Cambridge’s Botanic Garden, the Sainsbury Laboratory provides world-leading scientists engaging in plant science research a working environment of the highest quality that is capable of continuously adapting to the ever-evolving needs of the scientific world. Despite high energy demands, the buildings has achieved a BREEAM excellent rating with the aid of 1,000 square meters of photovoltaic panels and extensive natural lighting.
Learn more with our comprehensive overview of the Stirling Prize-winning project, here on ArchDaily.
Today, the Southbank Centre announced its appointment of Feilden Clegg Bradley Studios (FCBS) as lead architect to refurbish and renew the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex. The UK-practice beat OMA, Heneghan Peng, Allies & Morrison, Eric Parry, van Heyningen & Haward and Grimshaw Architects to the job (see shortlist here). A formal appointment will be made after the statutory 10-day standstill period in accordance with EU regulations.
Rick Mather, Southbank Centre’s Masterplan Architect and a member of the selection panel, said: “We heard a huge amount of high quality and serious thinking demonstrating six quite different approaches to this part of the site. Feilden Clegg Bradley Studio’s proposals won because they best understood the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex and how it can be enjoyed and used more effectively. I look forward to seeing their designs develop over the coming months.”
UP Projects and The Architecture Foundation has announced Duggan Morris Architects as winner of the Open Architecture Challenge to design the next phase of the acclaimed Floating Cinema project. This project has been commissioned by the Legacy List with corporate partner Bloomberg as part of the Bloomberg East series of artist-led programs to animate the waterways in East London working in partnership with the Canal and River Trust.
Designer: Morag Myerscough of Studio Myerscough Customized ice cream bicycle: Luke Morgan Furniture: Morag Myerscough and Luke Morgan Location: Waller Way, Greenwich, London Se10 8JA, UKProject Year: 2012 Project Area: 140 sqm Client: Cathedral Group
The life of a city-funded project is a tumultuous one. After winning a design competition early this year and receiving public support to move forward, Diller, Scofidio + Renfro’s “Granite Web” design for the redevelopment of the nineteenth-century Terrace Gardens in Aberdeen, Scotland was recently rejected by the city council in a 22-20 vote. The project promised to bring a revived pulse to the heart of the city centre with a public space that would bring a year-round civic garden onto the “unattractive” Denburn dual carriageway and railway line.
Although the UK has not shortage of architectural talent,Venice Takeaway: Ideas to Change British Architecture responds to David Chipperfield’s ‘Common Ground’ theme for the 2012 Venice Biennale by seeking out imaginative responses to universal issues worldwide in an ambitious global research project. The British Council sent ten architectural teams around the world to research inspiring places and subjects that could generate discussion on what is great architecture while injecting new ideas into the UK. The Venice Takeaway exhibition charts the course of these teams and shares the ideas they discovered throughout Argentina, Brazil, China, Germany, Japan, the Netherlands, Nigeria, Russia, Thailand and the USA.
