Software and The Architect’s Thinking

Every act of building begins with the transformation of raw materials, energy, and land, and this inevitably entails environmental impact. This encompasses all the changes a process triggers in the natural world: from resource extraction to pollutant emissions, from energy consumption to biodiversity loss. Measuring this is complex, as it spans multiple dimensions. Carbon has emerged as the common metric, translating these effects into greenhouse gas emissions (CO₂ equivalent) directly linked to global warming. This standardization has made it omnipresent and comparable across materials, systems, and sectors. Reducing carbon emissions, therefore, means addressing the root of global warming, which is a particularly urgent task in the construction industry, responsible for about 39% of global emissions. In response to this challenge, MVRDV NEXT, the innovation and digital tools division of the Dutch architectural firm, launched CarbonSpace, a free, open platform that brings carbon accounting to the architect's desk, right at the napkin sketch stage.

Over the last decade, architectural design has relied on 2D methods of representation, such as elevations, sections, and floor plans, paired with digital renderings of 3D models. While these tools are essential to convey geometry and intent, they remain limited by their two-dimensional format. Even the most realistic renderings, created through programs like SketchUp, Revit, or AutoCAD, still flatten space and distance the viewer from the lived experience of a project. Recently, architects have begun to explore immersive technologies as a way to bridge this gap between drawing and experience, offering new ways to inhabit and assess spatial proposals.

Architecture is a discipline that evolves through progressive stages, with each phase building upon the previous one. Schematic design, for example, begins with broad concepts and initial explorations, followed by site analysis, sketches, and 3D models, with adjustments made along the way. The true challenge lies not just in following this sequence but in balancing speed, quality, and efficiency to navigate the trade-off between time and quality. In this context, the integration of generative artificial intelligence in the built environment reshapes architectural dynamics by assisting architects and creating space for more experimentation and exploration. Its impact is especially significant in rendering, which was previously a constraint at different project stages—particularly during concept development. Today, however, AI-powered architectural rendering operates smoothly, allowing more focus on creative problem-solving through innovative tools and strategies.

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"Understanding precedes action." That is the motto of the Urban Observatory, an interactive installation and web app created by TED founder Richard Saul Wurman that compiled a wide range of urban data for over 150 cities, allowing users to compare various characteristics of those cities – from population density to traffic speed limits – side-by-side. Urban Observatory was first created in 2013, a banner year for news about urban big data; later that same year, Waag made headlines with its interactive map visualising the age of every building in the Netherlands. The emergence of such platforms allowed people to see the world around them in new ways.

A masterpiece is often defined as the most remarkable work in an artist's career, one which highlights the height of their techniques and ideals. The Mona Lisa by Leonardo da Vinci; Michelangelo's Pietá; the Beatles' Sgt. Pepper's Lonely Hearts Club Band album. There are many examples, which are not always unanimously agreed upon. But what if what many consider to be the masterpiece was started by someone else, the credited creator didn't live to see its completion, and almost all of its documentation was destroyed? Catalan architect Antoni Gaudí and his world-famous Temple Expiatori de la Sagrada Família are examples of these complications. From a highly crafted stone construction to the most modern 3D printing techniques and high strength concrete, numerous technologies were and continue to be incorporated in the project's construction.

Le Corbusier's fascination with the automobile is evident in the architect's various photographic records of him posing proudly next to a car in front of his architectural work. According to the Franco-Swiss architect, in addition to enabling more efficient and economical construction, the industrialization of architecture could form the basis of improved aesthetic results in the same way the modern car chassis supports the creative and modern design of the automobile body. Yet, while vehicles have experienced impressive changes since the 1930s, it can be said that architecture has been slower to adopt the advances of other industries.

Factum Foundation, a nonprofit dedicated to the use of digital technology for cultural heritage conservation, in collaboration with the Fondazione Giorgio Cini, Ecole Polytechnique Fédérale de Lausanne (EPFL) and Iconem have recorded the Island of San Giorgio Maggiore, in Venice, Italy, in its entirety. For more than 10 days, the team using photogrammetry and LiDAR technologies scanned the 10-hectare island. The project entitled ARCHiVe, linked with EPFL's Venice Time Machine aims to "efficiently and effectively aid in the preservation of Venice's fragile cultural heritage".