The Municipal Art Society of New York is preparing for their third annual Summit which will feature nearly 100 talks pertaining to architecture and urbanism. Beginning October 18th, the two day event at Jazz at Lincoln Center’s Frederick P. Rose Hall will bring together elected officials, designers and innovators to share their thoughts on how New York can maintain its global-leadership position while remaining a livable environment for all its inhabitants.
To celebrate the start of a seven-month land use review process, Cornell has released preliminary renderings of the first academic building planned for Cornell Tech – the new world-class technology and entrepreneurship campus in New York City that was masterplanned by Skidmore, Owings and Merrill (SOM).
The modern campus strives to rethink academic workspace, prioritize environmental performance, and exploit the unique urban condition of Roosevelt Island. In May, Pritzker Prize laureate Thom Mayne, founder of Morphosis, was appointed as architect of the first landmark building, which will set the stage for the carbon positive campus.
Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.
Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”
Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.
Taking place October 20-21, modeLab is putting on Simulation Lab, a two-day workshop on the topic of simulation with processing. In a fast-paced and hands-on learning environment, they will cover technical programming concepts such as syntax, control, and modularity. Utilizing a suite of libraries to extend processing’s functionality, they will explore and incrementally develop force-based, physics-based, and agent-based simulations. Additionally, they will examine strategies for visualizing the dynamic nature, unexpected tendencies, and behavioral effects present in our simulations. For more information, please visit here.
Visionary architect, MacArthur Fellow and National Academician Jeanne Gang joins Pulitzer Prize-winning journalist and architecture critic Paul Goldberger as part of the Academy’s annual Architects in Conversation series. Together they will discuss Studio Gang’s past, present, and future projects, as well as Gang’s role within the important architectural tradition of Chicago. The talk will be on Wednesday, October 3, 2012, at 6:30pm at the National Academy Museum. For tickets and for more information, please visit here.
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair is a unique open call to design students and design professionals living in the North America, Central America, South America and the Caribbean. Design an iconic, movable outdoor seating element for NYC’s 25-acre historic Battery Park, AKA The Battery. The winning design will be fabricated for use in The Battery, which annually welcomes six million visitors. They are offering an earlybird registration rate for all who register by this Sunday, Sept. 30. All design entries are due October 30. To register and for more information, please visit here.
Since it’s founding in 1986, Reiser + Umemoto, RUR Architecture P.C. has become a widely published, internationally recognized practice with a diverse collection of projects ranging in scale. On multiple occasions, the firm has been awarded for their contributions to architectural practice and theory – the most recent being The Cooper Union’s 2008 Presidential Citation and the 2011 John Hejduk Award – as they treat “each project as the continuation of an ongoing inquiry, delving into relationships among architecture, territory and systems of distribution.”
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
Our friends at Design Observer’s Places Journal have shared with us two fascinating articles, written by architects Jonathan Massey and Brett Snyder, that explore the physical and virtual evolution of Occupy Wall Street (#OWS) as it transformed from the privately owned public space of Zuccotti Park into the bustling micro-city of Liberty Plaza sustained by online media.
To learn how OWS has influenced architecture and urbanism, Massey and Snyder asks the following questions: What’s the layout of this place? What are its rules, and who owns it? How does its design shape possibilities for individual and collective action?
Storefront for Art and Architecture is opening up its fall exhibition season starting September 25th with ‘Past Futures, Present, Futures’. The exhibition, which will be up until November 17th, presents 101 unrealized proposals for New York City, with 101 reenactments by invited artists, architects, writers, and policy-makers to create alternative visions for the present and future of the city. The exhibition is curated by Eva Franch and designed by Leong Leong. An opening reception will take place on September 25, 2012 from 7pm to 9pm. For more information, please visit here.
Recently, we shared ODA’s honorable mention proposal for the National Library of Israel which fosters an open haven for learning and activity. The New-York based firm is also working on projects a bit closer to home in Manhattan that approach zoning restrictions with an air of optimism. ODA explained, “We embrace those parameters (zoning ordinances) and use them as the DNA of our buildings. If carefully studied, NYC’s zoning allows for many interpretations that follows logical principals.”
In conjunction with its current exhibition The Landmarks of New York, the Parrish Art Museum will host an illustrated presentation by multi-talented, award winning architect David Rockwell titled “Untold Stories from an Eclectic, Exceptional Practice.” A brief discussion between Rockwell, who founded Rockwell Group in 1984 to focus on a diverse array of projects that range from hotels to hospitals, restaurants to airport terminals, and Broadway set designs to consumer products, and exhibition curator Barbaralee Diamonstein-Spielvogel will follow the talk. The program will take place Thursday, August 23, at 6:30 pm. Tickets are $5 for Parrish members, $10 for nonmembers. Reservations are strongly recommended. For more information on the event, please visit here.
The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.
Staten Island, arguably New York’s most often forgotten borough, may finally be getting its moment in the spotlight. Talks are in the works of creating a giant 600 ft Ferris wheel near the Staten Island Ferry Terminal to generate activity for the waterfront. To put 600 feet in perspective, think bigger than the Singapore Flyer at 451 feet and the London Eye’s 450 ft marker, and much bigger than Coney Island’s Wonder Wheel at 150 feet. While millions enjoy the free trip across the harbor on the ferry every year, few venture far from the boat. The Ferris Wheel is intended to capitalize on the Island’s amazing views of Manhattan and build up the Island’s visitor flow. “It’s the greatest thing that has been proposed for Staten Island, especially on the waterfront. This could landmark us. We have 2 million tourists a year on the ferry, so we have a built-in audience to use it, and it’s a different audience every day. Once you can attract them off that boat, you got them here,” James Molinaro, the borough president, stated.