Madrid: The Latest Architecture and News

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In 1855 the German machinery manufacturer Carl Schlickeysen issued the patent he had recently created, the "Universal Patent Brickmaking machine", the first machine created to manufacture bricks by extrusión as an industrial process.

SCHLICKEYSEN is a modular furniture system based on two types of modular metal supports and standard-sized ceramic curved vaults. All kinds of settings can be configured from the combination of these three elements; picnic tables, continuous benches, grandstands, topographies, and many more typologies can be achieved by just stacking the metal supports and using the ceramic vaults as a horizontal supporting surface. 

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138 images, 14 albums, 20 magazines, 13 original models and one projection are part of Modeling for the Camera: Photography of architectural models in Spain, 1925-1970, the current exhibition of the ICO Museum in Madrid, curated by Iñaki Bergera, PhD of Architecture from the University of Navarra.

The exhibition is tied to the book of the same name that was published in 2016, edited by La Fábrica and the Ministry of Public Works (Spain). In times when 3D visualization software has popularized, accelerated and perfected the rendering industry, both materials choose to value the legacy of architectural model photography in the 20th century.

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The Norman Foster Foundation has announced plans for its new Madrid-based headquarters to be opened in June this year, whose inauguration will be marked by the first session of the global forum Future is Now, addressing future social, economic and design concerns architecture will face. With the intersection of art, technology, and design, the Foundation facilitates multifaceted thinking and discourse among architects and designers. The opening of its new headquarters is a vital step in “establishing a world-class archive and inaugurating an international program of research, education, and interdisciplinary projects.”

According to the Foundation, “the decision to establish the Foundation as an independent entity, separate from the architectural practice of Foster + Partners, grew out of the perceived need for a permanent physical space that could house the Archive and study center, receive students and graduates, and present programs and projects."

Florian W. Mueller's Singularity series is, in the photographer's own words, "just the building – reduced to the max." These deceptively simple shots of the summits of skyscrapers from around Europe and North America, each set against in infinite gradient of sky, are symbols of architecture's effort to reach ever higher in evermore unique ways. For Mueller, who is based in Cologne, they are an attempt at abstraction. In isolation—and especially when viewed together—they are remarkably revealing as studies of form and façade.

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If we think about how the educational system worked in the past, we can quickly see that both the teaching style in schools as well as the school’s infrastructure were very different from the current system. The educational model of the twentieth century could be defined as being similar to the "spatial model of prisons, with no interest in stimulating a comprehensive, flexible and versatile education."

However, we are now at a time when social, economic and technological developments have created a more global society and where information and learning are becoming more affordable. This radical change has transformed the societies in which we live, leaving the current educational model based on a rigid and unidirectional teaching obsolete. 

As such, there are schools that have not only broken the mold of traditional teaching but have formed new educational standards, exploring new paradigms and opening up new possibilities within the design of educational spaces. Since architecture and educational models often reflect the ideology of a society, how is the school of 21st century defined? 

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Videos

The first 3D printed pedestrian bridge in the world opened to the public on December 14 in Madrid. Led by the Institute of Advanced Architecture of Catalonia (IAAC) in a process that took a year and a half from its conception, the structure crosses a stream in Castilla-La Mancha Park in Alcobendas, Madrid.

Although similar initiatives have already been announced in the Netherlands, this is the first to have finished construction. The structure is printed in micro-reinforced concrete, and measures 12 meters in length and 1.75 meters wide.

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Digital Designer and Creative Director Joel Filipe has unveiled Geometry of Madrid Architecture, a series of photographs depicting the bold architecture of Madrid. Through the project, Filipe reveals varying “geometries within minimalist clichés that underline the lines of the buildings.”

Buildings photographed in the series include Ciudad BBVA, by Herzog & de Meuron, Museo ABC, by Aranguren & Gallegos Architects, Hospital Rey Juan Carlos, by Rafael de La-Hoz, and more.

“This project aims at challenging the viewer by exploring the intimate relationship between architecture and photography,” said Filipe.

Experience the geometry of Madrid, after the break.

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A new collection of five minute-long On Design stories—developed by the team behind Section D, Monocle 24's 24's weekly review of design, architecture and craft—profile a person, survey a place, or unpack an idea that’s changing or shaping design and architecture today. We've selected fourteen of our favorites from the ongoing series, examining issues as wide as Postmodernism and the architectural competition, to five-minute profiles of Alvaro Siza, Josef Hoffman, Kengo Kuma and Superstudio.

As the second chapter in his series, Iconic Norway, Alejandro Villanueva has released a time-lapse of the Trollstigen Visitor Center, a project by Reiulf Ramstad Arkitekters for the Norwegian Public Roads Administration in Oslo, Norway.

At the Rio 2016 Olympics, Studio GTM Cenografia developed a temporary installation for Nike. The space, inspired by containers and industrial sheds, occupies a total area of 600 square meters and was built in a metallic structure and wrapped in galvanized trapezoidal tiles. The cube used in the project is an installation from Brazilian artist and designer Muti Randolph, one of the pioneers of digital illustration in Brazil.

Our friends from ArchDaily Brasil talked with the architect Daltro Mendonça (GTM Cenografia) to find out more details on material choices and the execution of the project.