Tree and Design Action Group is a group that “shares the collective vision that the location of trees, and all the benefits they bring, can be secured for future generations through better collaboration in the planning, design, construction and management of our urban infrastructure and spaces.”
“Trees make places look and feel better, as well as playing a role in climate proofing our neighborhoods and supporting human health and environmental well-being, trees can also help to create conditions for economic success.” The Trees in the Townscape guide presents a modern approach to urban forestry, providing officials and professionals with the principles and references needed to realize the potential of vegetation in urban areas.
This is an approach that keeps pace with and responds to the challenges of our times. “Trees in the Townscape offers a comprehensive set of 12 action-oriented principles which can be adapted to the unique context of [any] own town or city.”
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Public spaces, squares, and parks in New York City are administered by the city’s Department of Parks & Recreation (NYC Parks).
In recent years, the agency has been responsible for creating new programs to help children, youth and adults be aware of the importance of caring for their urban landscape.
One of these programs is a TreesCount! which in 2015 gathered 2,300 volunteers to learn about the trees in their environment, what state they are in, what care they need, what their measurements are, and how they benefit the surrounding community, etc.
For months, they walked the streets of the five boroughs together with a group of monitors who previously trained them to recognize what trees they were studying and their characteristics.
Viger Square, Montreal's first large square, is getting a makeover. The redevelopment project is being led by landscape architects NIPPAYSAGE, which will begin the first phase of redesign in 2017.
Historically, the 30,000 square foot center has always contributed to the liveliness of the city, and it was the largest square in Canada in the 19th century. Now coinciding with the adjacent redevelopment of retail and office spaces at the Viger Hotel, the city hopes for a major revitalization of the area.
Berkeley-based TLS Landscape Architecture has won the Lion Mountain Park Design competition in Suzhou, China, corresponding to the Chinese government's new Urban Work Guidelines. The guidelines prioritize ecological and urban development, as well as rejuvenation of local character in public spaces. Lion Mountain Park will be the first large-scale public project to be constructed according to these values, envisioned as the core of a new urban ecosystem complex.
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Winter Stations is now embarking on its third-year, opening an international design competition to bring temporary public art installations to The Beaches, exhibited to celebrate Toronto's winter waterfront landscape. This year we are expecting to include up to six lifeguard stands, including an addition three by invited universities, across Balmy, Kew and Ashbridges Bay beaches located in the heart of the Beach community, south of Queen Street East, between Woodbine and Victoria Park Avenues. These utilitarian structures are to be used as the armature for temporary installations, which will need to be able to withstand the rigours of Toronto winter weather. This is a single-stage open international competition, welcoming artists, designers, architects and landscape architects to submit concept proposals for Winter Stations' temporary artwork installations.
This article was originally published by Metropolis Magazine as "Green Thumb."
At any given moment when walking through Roberto Burle Marx: Brazilian Modernist at the Jewish Museum in New York, one may hear a soft rushing of waves, mixed with the murmur of an open-air crowd. A narration in Portuguese, both spoken and sung, will drift breezily in and out. This is the soundscape of Plages, a 2001 video by artist Dominique Gonzalez-Foerster. Shot from an aerial perspective above Copacabana Beach, the film shows the popular Rio de Janeiro waterfront not in its usual sunlit splendor but in the artificially lit nocturne of New Year’s Eve 2000. Celebrators teem in the space between city and ocean, in the moment between one year and the next, moving in dynamic patterns amid the immense designs laid out by Roberto Burle Marx.
.jpg?1470233009 "An untitled work in collage, made in 1967, illustrates Burle Marx’s diverse artistic pursuits. Image Courtesy of Sítio Roberto Burle Marx, Rio de Janeiro")
