The RIBA annually bestows the Jencks Award to an outstanding architect or practice "that has made a recent significant, simultaneous contribution to the theory and practice of architecture." This year the honors go to Herzog & de Meuron.
Selected by a panel of judges chaired by David Gloster (RIBA Director of Education) and which included Charles Jencks, Stephen Hodder (RIBA President and Chairman of Hodder and Partners), Julia Peyton-Jones (Director of the Serpentine Galleries) and Brett Steele (Director of the Architectural Association School of Architecture), Herzog & de Meuron will receive the award on Thursday 29 October at the RIBA in London. In addition, the Swiss architects will receive an honorarium of £1,000 and a certificate.
The Herzog & de Meuron designed Parrish Art Museum in Long Island, NY is captured here by brazilian photographer Paul Clemencefrom Facebook.com/Archi-Photo. This photo gallery very elegantly emphasizes the building's delicate placement on the landscape as well as its natural surrounding beauty of which the architects took their inspiration. Clemence also captures the project's moment of outdoor shelter that surrounds the building to emphasize the importance of the site and its interaction with the art within.The full photo gallery can be viewed after the break.
Second project of the Living Architectures series, Pomerol, Herzog & de Meuron takes us to the party atmosphere of mealtime among the grape-pickers in the dining hall designed by Herzog & de Meuron in Pomerol for one of the most prestigious vineyards in the world.
Originally published on the author’s website and blog on Archinect, 'Ruins of an Alternate Future (Jinhua Architecture Park)' was written by Shanghai-based architectural designer and theorist Evan Chakroff.
One of the great, if seldom realized, promises of architecture is its capacity to affect change. The best architects seem to have this potential in mind constantly as they structure career-length narratives around the social impact that good design can achieve. While this is often hyperbole, and most projects are driven by functional or economic considerations, there is the occasional opportunity for artists and architects to create purely speculative work, where radical departures from established typologies suggest alternatives to the status quo. In these rare cases, novelty is embraced not for its own sake, but for its potential to generate new archetypes, to provide a glimpse into a parallel world where architecture truly has agency: where design can change society for the better.
In the exhibition, the history of the project is documented with three-dimensional representations of the complex building services; camera shots panning through the construction site; and large-scale models, whose spatial and physical presence represent what the architects wished and still wish to foreground: architecture.
The London 2012 Olympics start today, and once again architecture is on the spotlight. With a big focus on reusable and adaptable structures, the lineup includes renowned architecture firms such as Wilkinson Eyre Architects, Hopkins Architects, Populous and Zaha Hadid Architects.
Due to space limitations and increasingly aging infrastructure, Kinderspital Zürich called for a two-phase competition to design a new children’s hospital in the Lengg district of Zürich, Switzerland. At the recommendation of the jury, the foundation board of Kinderspital Zürich announced Herzog & de Meuron as the competition winner in May 2012. Their winning proposal includes a three-storey, wooden Children’s Hospital that provides a flexible, child-friendly environment. Furthermore, Herzog & de Meuron uses simple geometry to connect the contrasting typologies of the Children’s Hospital with the freestanding, six-story Centre for Teaching and Research that will also be located on the new medical campus.
Kinderspital Zürich expects to commission the new building in 2018. Continue after the break for the architects’ description.
Earlier this month, Roche held a foundation stone-laying ceremony for their new office building that is currently being constructed in Basel, Switzerland. Designed by the Basel-based architecture practice of Herzog & de Meuron, the 178-meter-tall tapering structure will be formed by superimposed floor slabs that narrow as the high rise ascends. Its simple shape and predominantly white color scheme will anchor itself within the urban setting of Basel and become one of the few high rises scattered throughout the city’s skyline.
Continue after the break for more images and information.
Since 2007, controversy has been stirring due to the rising costs and delayed schedule of Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany. Recent reports state the court has approved the city of Hamburg’s €40 million lawsuit against the primary contractor HochTief, who has stopped working in four areas of the €600 million project this past November. HochTief blames the architect due to differences in its plans.
The modernization of the Messe Basel is making progress. Developed by Basel architects Herzog & de Meuron on behalf of the MCH Group, the project aims renew the existing exhibition space and become a popular destination for pedestrians and foreign visitors. The new multifunctional exhibition building is scheduled for completion in 2013.
Earlier this week one of Europe’s great ethnographic museums, the Museum der Kulturen Basel, reopened its doors. Two years of reconstruction, refurbishment and expansion including a Herzog & de Meuron design for the historical walls was among the updates that it received. Their design is described as a ‘stunning crown for the historical walls: the beautiful rooftop of irregular folds fits harmoniously into the rooftops surrounding the cathedral’.
Director Anna Schmid commented, “Our innovative approach to life’s cultural dimensions makes them more accessible. We want to be a place for new encounters and inspiration.”
VINCI-FAYAT consortium has been selected as preferred bidder for the ‘Grand Stade de Bordeaux’ which includes designs by Herzog & de Meuron and landscape design by Michel Desvigne. Slated for completion in 2015 the ‘Grand Stade de Bordeaux’ will be located within the city’s existing green belt district. The design provides a natural sense of fluidity, with easy approachability beginning with the multiple staircases at all points of the stadium. Never loosing site of the stadiums location a large focus of the concept incorporates the surrounding environment blending with the building, as reflected in the concave roof which is supported by a series of spindly white columns, appearing like a forest of birch trees. Home field to the FC Girondins de Bordeaux, the ‘Grand Stade de Bordeaux’ will also host a variety of cultural events.
Additional renderings and a video can be found following the break. Be sure to take a look.
This week, with the help of our readers, our Architecture City Guide is headed to Barcelona. We recently featured an engaging video where Wiel Arets half jokingly said Barcelona is fantastic but boring. He continued to say as soon as Sagrada Família is finished Barcelona is done; there is nothing left to do there (10:50). Arets can say what he wants about Barcelona supposedly being boring, but our city guide doesn’t reflect this. Barcelona is filled with fantastically expressive architecture that springs from its proud Catalan culture. It was impossible to feature all our readers suggestions in the first go around, and we did not even come close to including some of the most iconic building such as Casa Milà. Thus we are looking to add to our list of 24 in the near future. Further more there are so many fabulous buildings on the drawing board or under construction, i.e. the projects in the @22 district, we’ll most likely be updating this city guide for quite awhile, regardless of Sagrada Família’s completion.
Take a look at our list with the knowledge it is far complete and add to it in the comment section below.
This week we are taking our Architecture City Guide to South Beach. Miami’s architectural styles range from austere corporate architecture, as it has the largest concentration of international banks in the United States, to colorful and playful architecture that reflects its beach and Latin American culture. Architecture lovers can’t miss Miami Beach’s Art Deco District or its old Spanish heritage. We have put together a list of 12 contemporary buildings that range from a small park pavilion to the Adrienne Arsht Center for the Performing Arts. There is plenty more to see in Miami so please add your “must not miss” in the comment section below.
Architecture City Guide: Miami list and corresponding map after the break!
This week our Architecture City Guide is headed to the city stars fall on. With a few notable exceptions, one can hardly be called a starchitect if s/he hasn’t designed something in Minneapolis. Since 2005 the starchitects that have fallen on this “City of Lakes” include Jean Nouvel, Herzog & de Mueron, César Pelli, Michael Graves, Steven Holl, and Frank Gehry. This is a surprising number for a city just north of 380,000 people. Few cities of this size could boast as much. What’s more our list of 12 is far from complete. There are many wonderful historic and contemporary buildings mixed in with the explosion of starchitecture. Please leave comments of buildings one should not miss when visiting Minneapolis.
Architecture City Guide: Minneapolis list and corresponding map after the break!
The 590ft (180m) proposed Herzog de Meuron design labeled ‘Triangle Tower’, has been in the spotlight over recent weeks after the cross-party council approved the tower’s protocol agreement. Opposing the recent approval, Green party members are eager to share their thoughts commenting that the “colossal” project is “yet another office block” according to party member Yves Contassot.
The controversy over the 40-story steel and glass building surely was anticipated; the French capital has had a 30+ year drought of buildings over 121ft. In 1977 a ban was put into place, shortly after the completion of the 689ft Tour Montparnasse, because Parisians feared that the city center would lose its existing urban fabric to skyscrapers similar to the Montparnasse.
To most Parisians the Montparnasse’s over exaggerated proportions and lack of character have left an uneasy feeling for future skyscraper development. Many citizens are not opposed to high-rise development, such as Olivier de Rohan Chabot member of Safeguard of French Art, however he has concerns, “Look at the Montparnasse Tower; it has crushed the hotel des Invalides (housing Napoleon’s tomb). The monument was built to be grandiose. But what has it become? A dwarf. The tower ridicules it. In this sense, it’s a veritable attack on the beauty of the capital” (as stated Le Figaro newspaper).