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ONZ Architects' ‘Tearing the Ground’ proposal was recently awarded as one of the five finalists in the Istanbul Modern YAP 2013. Their design consists of a contemporary interpretation of a flying carpet constructed with reused plastic units, made of marine litter. The project team tears the ground and lifts up this carpet and puts it in the air with everything it conceals. Thus, the plastic waste produced by the city becomes the main material for the installation. More images and architects’ description after the break.

'Seapeaker', was recently named as one of the five finalists for Istanbul Modern "Young Architects Program" 2013 cycle. Designed by the collaborative team of Evren Başbuğ, İnanç Eray, Meriç Kara, and Engin Ayaz, the main intent of the project is to be a hearing aid for İstanbul. It highlights the city's muted qualities in an unexpected way. Designed using rigorous acoustical principles and the generative capacities of the site, seapeaker amplifies sounds of the sea underneath and punctures a new connection in-between. More images and architects' description after the break.

Bennetts Associates, one of the UK's leading architectural practices, was just selected by the Citizens Theatre to work on the plans for a major redevelopment of its iconic Gorbals home. This will be the most comprehensive redevelopment of the building since it opened as a theatre in 1878. The planned capital project will transform the building creating a new vision for improved rehearsal, administration and learning accommodation, as well as improved facilities for the public. More images and architects' description after the break.

Text description provided by the architects. In April 2009, the central Italian city of L’Aquila was devastated by a crippling earthquake, claiming lives and causing extensive damage to thousands of buildings, including the leveling of the city’s main auditorium venue. Nearing the four anniversary of this tragic disaster, the Italian city of Trento has donated a Renzo Piano-designed auditorium, which was inaugurated in October, in an effort to aid the reconstruction of the medieval city. 

Creating an illusion of instability, the auditorium is formed by three interconnected cubes made entirely of wood (1.165 cubic meters in total) that ironically appears as they had “haphazardly tumbled down” and came to rest upon each other. The entire structure was prefabricated and then assembled onsite by Log Engineering, who pieced it together with 800,000 nails, 100,000 screws and 10,000 brackets.

More after the break...

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Sitting idol since November 2011, Herzog & de Meuron’s long-running Elbphilharmonie concert hall in Hamburg, Germany, has left residents wondering when will the music ever begin?

First envisioned back in 2003, the enormous crystalline glass structure stands nearly complete on top a historic warehouse on the edge of the River Elbe. Rising costs, delayed schedules and legal issues with the contractor, has plagued this magnificent concert hall with controversy. However, according a report in the German news magazine Der Spiegel, contractor Hochtief has initiated a new deal to ensure the completion of the concert hall.

A revised contract, which is expect to adjust the architect’s fee’s to €94 million (€17 million over the original project cost), has projected Elbphilharmonie will be completed within the next four years. The news is bittersweet, as the architectural community and the residents of Hamburg have been waiting years for this highly anticipated concert hall to be complete, yet they cringe at the news of an overblown €575 million price tag.

The San Francisco Museum of Modern Art (SFMOMA) has announced further details of its 235,000-square-foot building expansion that will support the museum's increasing role in city life and the international art community. Designed by Norway-based practice Snøhetta, in collaboration with local firm EHDD, the 10-story concrete structure will compliment SFMOMA's original, Mario Botta-designed, red-brick museum by offering more free-to-the-public space, expanded education programs and an abundance of flexible performance-based gallery space.

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After winning the Aberdeen City Garden competition in early 2012, Diller, Scofidio + Renfro's 'Granite Web' design was rejected over the summer in a 22-20 city council vote for being overly expensive. Despite public approval the proposal, which totaled a whopping £140m, was rejected in favor of a collection of more fiscally responsible city projects, such as refurbishing the Aberdeen Art Gallery and redeveloping the site of the St. Nicholas House.

Just recently, the City of Aberdeen announced a £300m city-wide plan of improving roads, schools and cultural buildings, with only £20m allotted for the city center, which will be pedestrianized but not much else. Thus, confirming the "final nail in the coffin" for DS+R's ambitious web of lush gardens and cultural landmarks.

Read more after the break...

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