Eero Saarinen is one of the most respected architects of the 20th Century, often regarded as a master of his craft. Known for his dynamic and fluid forms, his design for the Massachusetts Institute of Technology’s chapel takes on a different typology than his previous works. Completed in 1955, the MIT Chapel is a simple cylindrical volume that has a complex and mystical quality within. Saarinen’s simple design is overshadowed by the interior form and light that were meant to awaken spirituality in the visitor.
With peaks and valleys echoing the nearby Alps, the vast canopy of the Munich Olympic Stadium has been a local landmark since the opening of the 1972 Olympics for which it was designed. Intended to present a new face for post-war Germany, the stadium—strikingly Modernist in character—was meant to stand in harmony with its surroundings. Despite these modest intentions, however, controversy surrounded the project from its outset, which centered on skyrocketing costs, the erosion of local heritage, and the grim specter of the country’s own recent past.