Sold in standard 4 foot wide sheets since 1928, plywood has been a staple of conventional construction for nearly a century. Dimensionally strong, easily cut, lightweight and capable of creating an effective barrier, plywood and other engineered panels like OSB, particle board, and MDF is ubiquitous, particularly for their use as sheathing material in balloon and timber frame construction systems. Boats, airplanes and even automobile frames have historically been built out of plywood, predating (or replacing) steel, aluminum, and fiberglass. As a simple material capable of being manipulated and shaped in a wide variety of ways, sheet ply was also favored in furniture and architectural designs by modernists including Charles and Ray Eames, Eero Saarinen, Alvar Aalto, and Marcel Breuer.
Cnc Milling Machine: The Latest Architecture and News
As a part of the second Art and Architecture Triennial in Bruges, Marc Fornes / THEVERYMANY’s prototype pavilion entitled nonLin/Lin has been taken out of storage and placed on public display for the first time. First commissioned and displayed in 2011 by the FRAC Centre in Orleans, France, the exhibition will explore the rise of computational form-making. The work will spend the summer installed in the nave of the Grootseminarie, a 17th century Cistercian Abbey hosting an exhibition curated by Abdelkader Damani entitled Liquid Architectures.
Open Source Plan for a Modular Urban Gardening Structure Offers a Flexible Design for Locally Grown Food
As a response to the fast-paced city life, GrowMore is an urban gardening modular design with endless configurations to suit even the most unexpected of spaces. Designed by Sine Lindholm and Mads-Ulrik Husum, the modular building kit provides an opportunity for social interaction and locally grown vegetation, reminding people to pause and connect with nature.
Picking up on the debate surrounding digitization in fabrication and its impact on traditional crafts, Copenhagen-based SPACE10, the future-living laboratory created by IKEA, recently invited three architects—Yuan Chieh Yang, Benas Burdulis, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.