In Asunción (Paraguay), the XI Ibero-American Architecture and Urbanism Biennial (XI BIAU) have presented the winners of the Panorama de Obras section (Projects Panorama) of this contest edition, "all faithful to the spirit of the XI BIAU: living, the inhabitant," according to the organization.
The CA’ASI association is organising an architectural competition highlighting the dynamics of the young Latin-American architecture. The best projects of this international competition open to young Latin-American architects will be exhibited in 2018 at the CA’ASI during the International Architecture Exhibition. This competition is a unique opportunity to underline the important role played by these countries today, reflected by the renewal of their architecture.
The Observatory of the 11th São Paulo Architecture Biennial aims to map, articulate and democratize instruments that provoke discussions, propose the editing and transformation of the city. It acknowledges punctual actions that, while placed in different circumstances, point out strategic matters to rethink the contemporary metropolis. The selected works are organized as individual files and include formats such as photo essays, guides of use and exploration of the city, manuals for the transformation and local action, investigation work, among many other formats. Besides the research carried out at the Studio of the Biennial (currently counting with more than 500 initiatives compiled), other references will be added up based on the work received in the Open Calls. Through this initiative, the Biennial will leave a legacy to the city, collectivizing the access and opening the debate about an array of initiatives that target the urban transformation. Participate on this large, global archive and send your project or initiative in our Open Calls.
https://www.archdaily.com/878336/participate-in-the-observatory-of-the-11th-sao-paulo-architecture-biennialAD Editorial Team
This article is part of our new series "Material in Focus", where we ask architects to share with us their creative process through the choice of materials that define important parts of the construction of their buildings.
The architecture of Casa 28 shows itself as an extension of the arid and exuberant landscape of the Cerrado. A variety of perspectives unfolds as you walk through the house. A family looking for tranquility and connection with nature commissioned this urban refuge located 10 minutes from the National Congress in Brasilia. The elements have different heights that confirm a spatial hierarchy. Extensive walls, coated with polymeric mortar, define fluid spaces and openings placed in all directions integrate cohabitating areas. We talked with architect Samuel Lamas from Equipe Lamas to learn more about the choices of materials used in the project and the influence these choices had on the design concept. Read the interview below:
Made from a combination of tangled and woven red wool, Brazilian artist Tatiana Blass’ installation, “Penelope,” flows inside and out of the Chapel of Morumbi in São Paulo, Brazil.
The installation was inspired by the Greek myth of Penelope, who was Odysseus’ wife in Homer’s Odyssey. In the story, Penelope weaves and destroys a burial shroud for her husband, in a tribute to the power of love and to weaving.
Located at the head of the abstract bird-shaped city plan by Lúcio Costa, and as the only building within the central greensward of the eastern arm of the Monumental Axis, the palace of the National Congress (Congresso Nacional) enjoys pride of place among Oscar Niemeyer’s government buildings in Brasília. The most sober of the palaces on the Plaza of the Three Powers, the National Congress reflects the strong influence of Le Corbusier, while hinting at the more romantic and whimsical forms that characterize Niemeyer’s trademark Brazilian Modernism.
Images of Zaha Hadid’s first project in Brazil – and in South America -- have been revealed. The “Casa Atlântica” residential tower will have eleven floors and a rooftop pool and be built in Copacabana, Rio de Janeiro, according to local paper O Globo.
Located on Atlântica Avenue, “Casa Atlântica” will be the only building on its lot, yet seeks to complement the surrounding environment and neighborhood.
The project was commissioned by businessman, Omar Peres, who acquired the land for R$ 23 million ($8.5 million).
De acuerdo con el presidente del Memorial, João Batista de Andrade, se está esperando que terminen las investigaciones del Departamento de Bomberos y la Policía antes de determinar qué acción se tomará: "Tenemos que saber cuál es el impacto del fuego en la estructura del edificio. Si tenemos que demoler, lamentablemente, tendrá que hacerse. Si la seguridad lo requiere, vamos a demoler".
Iwan Baan's recent TED talk on ingenious informal settlement 'architecture' became instantly popular, clearly striking a chord with people across the globe. The lecture has been called everything from heartwarming to condescending, but for Parsons graduate students Meagan Durlak and James Frankis it was reaffirming. Durlak and Frankis have spent time working in Sao Paolo's favelas and understand that finding a balance between the good and the bad is key to the revitalization of these settlements. This article, originally published in Metropolis Magazine as "Response to Iwan Baan's TED Talk," journals some of their experiences working in South American slums, and why we need to stop treating those slums as a blight.
Meagan Durlak and I were excited to see the TED talk by architectural photographer Iwan Baan on the ingenuity found within informal settlements. In his presentation he walks us through a range of communities across the world, capturing many such settlements, including houses above a lagoon and a repurposed office block.
Baan’s view of informal settlements resonates with our own work; it’s an under-told story that we very much applaud. He shows an overview of people’s lives and their unique methods for adapting to difficult conditions. Perhaps as interesting as his film are the reactions to it from TED viewers. Many found the innovation in informal settlements to be inspiring and heartwarming; others claimed that this talk is just a life affirming story for the rich 1% of the world, perpetuating inaction for areas which need immediate aid. The two sides of the argument reminded us of our own work and the battles we have gone through in trying to wrap our heads around the systems of informal settlements, as well as the difficulties we have had in explaining their hidden properties to others.
https://www.archdaily.com/446864/why-iwan-baan-s-ted-talk-was-rightMeagan Durlak & James Frankis
London-based studio Weston Williamson has been announced the winner of the Brasilia Athletics Stadium competition. The international competition, associated with the 2016 Olympic Games in Rio, called for designers to envision a 70,000 seat stadium in the nation's capital.